![]() | This article describes a work or element of fiction in a primarily in-universe style.(March 2011) |
The Endless | |
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![]() The Endless, as depicted on promotional artwork for The Sandman: Endless Nights (clockwise, from left): Death, Destiny, Dream, Destruction, Desire, Delirium and Despair. Art by Frank Quitely. | |
Publication information | |
Publisher | DC Comics |
First appearance | The Sandman vol. 2, #1 (January 1989) |
Created by | Neil Gaiman |
In-story information | |
Member(s) | Destiny Death Dream Destruction Desire Despair Delirium |
The Endless are a family of cosmic beings who appear in American comic books published by DC Comics. The members of the family are: Death, Delirium, Desire, Despair, Destiny, Destruction and Dream.
The Endless characters were created by Neil Gaiman and first appeared in the comic book series The Sandman (1989–1996). They embody forces of nature in the DC Universe. They are depicted as among the most powerful beings in the world of these characters, [1] and are distinct in this universe from gods, which are created by mortal belief. The character Dream is the protagonist of The Sandman series, but all the Endless beings play major roles.
The Endless are a dysfunctional family of seven siblings. They appear in different forms but are most often depicted as having very white skin and black hair, with the exception of redheads Delirium and Destruction. Their appearance often changes to fit the expectations of those they meet or the situation they are in. [2]
In the comic book, The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams, nightmares and imagination. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function, as cosmic beings, they simply are their function. In The Sandman (vol. 2) #48, Destruction gives a further description of the Endless:
The Endless are merely patterns. The Endless are ideas. The Endless are wave functions. The Endless are repeating motifs. The Endless are echoes of darkness, and nothing more...
As portrayed, some Endless beings are more committed to their work than others. The younger Endless, particularly Desire, are known to interfere with mortal life. Destruction, also known as "The Prodigal," abandoned his duty entirely.
Each of the Endless has a realm in which they are sovereign. Within their realm, all members of the Endless have a gallery containing symbols, or sigils, of the other Endless beings. The Endless may contact each other by holding the appropriate sigil and calling for that member of the Endless. Destiny is also able to summon his siblings by using his gallery of portraits, whether they want it or not (as seen in The Sandman: Overture ).
The Endless beings, in addition to monitoring their area of influence, exist to define their opposites. This dualistic feature of the Endless has been affirmed by Death, who is present at both the beginning and conclusion of every existence. Destruction enjoys creative/constructive activities like painting, poetry, and cookery. Dream appears to have the ability to modify reality, as demonstrated in The Sandman (vol. 2) #18, A Dream of a Thousand Cats, in which a great number of beings dream of an alternate universe and create it.
The exact limits of the powers the Endless may use are subject to debate and speculation by readers, but are set by rules (such as Dream being forbidden to kill dreamers unless they become a vortex, in which case killing becomes an obligation). It is unknown if the Endless are capable of using their powers on those more powerful or more ancient than they are. At one point Dream heads into Hell to rescue a former lover of his, he admits that his power will allow him entrance, but that he does not know if he would be able to defeat Lucifer, who is a former archangel created by The Presence (the DC Comics analogue of God).
In the comic, The Endless are as ancient as the ideals they symbolize. The Endless are claimed to predate fairies, gods, angels, and other supernatural entities. Their precise ages in years are unclear, although they are believed to have existed long before life on Earth; Destruction claims in "Brief Lives" that he has carried out his responsibilities for 10 billion years (not including the prior three centuries).
In The Sandman (vol. 2) #5, "Passengers," Dream is recognized by Martian Manhunter as the dream god on ancient Mars, as well as in the Endless Nights chapter "Dream: The Heart of the Star," which takes place before our Sun's planets have developed life. Dream states in The Sandman (vol. 2) #16 that once another world was lost to a vortex. Death has claimed that she was there when the first living thing stirred, and Destiny has said that Dream gave the Earth itself the fond dream of being able to support life. Dream, according to Abel, was created shortly after Death, as living things are born before they can dream.
One of the few mentions to Endless paternity comes in The Sandman (vol. 2) #70, where some type of sentient being in the Necropolis Litharge that protects the emblems of each Endless weeps "like a mother mourning for her departed child." The Endless's father is Time, and their mother is Night, as revealed in The Sandman: Overture #5. Night is joined by Dusk, who was described by illustrator J. H. Williams III as Dream's "distant sister." However, Neil Gaiman has stated that this was only J. H. Williams III's speculation and there is nothing in canon that shows she is connected to them. The screenplay solely refers to her as an attendant.
The Endless are not known to have proper names, although Dream has a habit of collecting different names for himself. They are each known by their respective function.
Preludes & Nocturnes is the first trade paperback collection of the comic book series The Sandman, published by the DC Comics imprint Vertigo. It collects issues #1–8. It is written by Neil Gaiman, illustrated by Sam Kieth, Mike Dringenberg and Malcolm Jones III, colored by Robbie Busch and lettered by Todd Klein.
The Doll's House is the second trade paperback of the DC comic series The Sandman. It collects issues #9–16. It was written by Neil Gaiman, illustrated by Mike Dringenberg, Malcolm Jones III, Chris Bachalo, Michael Zulli and Steve Parkhouse, coloured by Robbie Busch and lettered by Todd Klein.
Season of Mists is a 1990–1991 American eight-part comic and the fourth collection of issues in the DC Comics' The Sandman series. It collects issues #21–28. It was written by Neil Gaiman; illustrated by Kelley Jones, Mike Dringenberg, Malcolm Jones III, Matt Wagner, Dick Giordano, George Pratt, and P. Craig Russell; coloured by Steve Oliff and Daniel Vozzo; and lettered by Todd Klein.
Fables & Reflections (1993) is an American fantasy comic book, the sixth collection of issues in the DC Comics series The Sandman. It was written by Neil Gaiman and illustrated by Bryan Talbot, Stan Woch, P. Craig Russell, Shawn McManus, John Watkiss, Jill Thompson, Duncan Eagleson, Kent Williams, Mark Buckingham, Vince Locke and Dick Giordano, coloured by Daniel Vozzo and Lovern Kindzierski/Digital Chameleon, and lettered by Todd Klein. The introduction is written by Gene Wolfe.
Brief Lives (1994) is the seventh collection of issues in the DC Comics series, The Sandman. Written by Neil Gaiman, penciled by Jill Thompson, inked by Vince Locke and Dick Giordano, coloured by Daniel Vozzo, lettered by Todd Klein, with cover art by Dave McKean. The introduction was written by Peter Straub but was published as an afterword; Gaiman wrote a brief introduction explaining this.
The Wake is the tenth and final collection of issues in the American comic book series The Sandman. It is written by Neil Gaiman, illustrated by Michael Zulli, Jon J. Muth and Charles Vess, colored by Daniel Vozzo and Jon J. Muth, and lettered by Todd Klein.
The Sandman is a comic book written by Neil Gaiman and published by DC Comics. Its artists include Sam Kieth, Mike Dringenberg, Jill Thompson, Shawn McManus, Marc Hempel, Bryan Talbot, and Michael Zulli, with lettering by Todd Klein and covers by Dave McKean. The original series ran for 75 issues from January 1989 to March 1996. Beginning with issue No. 47, it was placed under DC's Vertigo imprint, and following Vertigo's retirement in 2020, reprints have been published under DC's Black Label imprint.
Death of the Endless is a fictional personification of death who appears in American comic books published by DC Comics. She first appeared in The Sandman vol. 2, #8 and was created by Neil Gaiman and Mike Dringenberg.
Dream of the Endless is a fictional anthropomorphic personification who first appeared in the first issue of The Sandman, written by Neil Gaiman and published by DC Comics. One of the seven Endless, who are inconceivably powerful beings older and greater than gods, Dream is both lord and personification of all dreams and stories, and all that is not in reality. He has taken many names, including Morpheus, Oneiros, Kai'ckul, and the Sandman, and his appearance can change depending on the person who is seeing him. Dream was named the sixth-greatest comic book character by Empire. He was also named fifteenth in IGN's 100 Top Comic Book Heroes list.
Death: The High Cost of Living is a 1993 comic book limited series written by Neil Gaiman with art by Chris Bachalo and Mark Buckingham. It is a spin-off from Gaiman's best-selling Vertigo Comics series The Sandman, featuring the Sandman (Dream)'s elder sister, Death of the Endless. Its premise is that Death takes human form once a century, to remain grounded and in touch with humanity, an idea touched upon in several other media, for example in the 1934 film Death Takes a Holiday and in the Terry Pratchett novel Reaper Man.
Cain and Abel are a pair of characters from DC Comics based on the biblical Cain and Abel. They are key figures in DC's "Mystery" line of the late 1960s and 1970s, which became the mature-readers imprint Vertigo in 1993.
Death: At Death's Door is a comic penned and inked in manga-style, by Jill Thompson, author of the Little Endless. It seems to take a more child-friendly and humorous approach, through the eyes of one of the more popular of the Endless characters, Death, to the storyline Season of Mists.
The Sandman: Endless Nights is a graphic novel written by Neil Gaiman as a follow-up to his Sandman series. The book is divided into seven chapters, each devoted to one of the Endless, a family of siblings who are physical manifestations of the metaphysical concepts Dream, Death, Desire, Destruction, Delirium, Despair and Destiny. It was published by DC Comics in 2003. It won the Bram Stoker Award for Best Illustrated Narrative. It is also the first comic book to ever be on the New York Times Bestseller List.
Mike Dringenberg is an American comics artist best known for his work on DC Comics/Vertigo's Sandman series with writer Neil Gaiman.
Doctor Destiny is a supervillain appearing in American comic books published by DC Comics.
The Little Endless Storybook is a picture book by Jill Thompson published by the Vertigo imprint of DC Comics. It features the popular Endless characters from Neil Gaiman's The Sandman comic book reimagined as toddlers. A second Little Endless Storybook, titled Delirium's Party, was released in 2011.
The Sandman: Overture is a six issue comic book miniseries written by Neil Gaiman with art by J.H. Williams III. It is a prequel to Gaiman's The Sandman series, and debuted in 2013, about 17 years after the end of the regular comic. It was originally published as six issues with two-month intervals in between. A deluxe edition combining all six issues was published in November 2015.
The Sandman is an American fantasy drama television series based on the 1989–1996 comic book written by Neil Gaiman and published by DC Comics. The series was developed by Gaiman, David S. Goyer, and Allan Heinberg for the streaming service Netflix and is produced by DC Entertainment and Warner Bros. Television. Like the comic, The Sandman tells the story of Dream / Morpheus, the titular Sandman. The series stars Tom Sturridge as the title character, with Boyd Holbrook, Vivienne Acheampong, and Patton Oswalt in supporting roles.
The host that was first presented in a framing sequence by scribe Marv Wolfman and artist Bernie Wrightson would provide endless creative material for Neil Gaiman's The Sandman series decades later.
Mike Dringenberg: "The Sandman himself is even more of a composite. Certain well-known people influenced the design -- his mop of hair came from Robert Smith and ballet dancer Farukh Ruzimatov was always in my mind for his dramatic physique,..."
Artist Kelley Jones says, "I know Neil always said [the Sandman] was based on Robert Smith of the Cure,...
The Sandman image was inspired by Peter Murphy, the ex-Bauhaus singer and Maxell tape model, because when artist Mike Dringenberg saw the original sketches for the character he said "He looks like Peter Murphy from Bauhaus."
['Sandman' artist Kelly Jones talks about the inspiration behind Dream's appearance] I know Neil always said [the Sandman] was based on Robert Smith of the Cure, but I just hated the Cure. I didn't want to hear that. I was really into Peter Murphy at that time, the guy from Bauhaus. I didn't like Bauhaus, but I liked him on his own, and he had a song called "Cut You Up" or something; it was on the radio at the time. I bought the CD, and I said, 'You know, with that big poufy hair, he looks like that guy.' At that time, Murphy was very gestural. I don't think the guy ever had a picture taken of him that wasn't angled and in deep lighting. So I took that, too. I said, 'Whenever I do him, I'm gonna do that kind of thing. And get into his face, don't just keep him in deep shadow all the time. He will be in deep shadow all the time, but I want to put across a guy who's clueless. Not stupid, but he's not understanding things.' Because he's an immortal guy who...
The original idea-model for Morpheus was Peter Murphy from Bauhaus.
If I remember correctly Dave based the face on the cover of Sandman #1 on an image of Peter Murphy.
Sandman inker Mike Dringenberg observed, '"Hey, [he] looks like Peter Murphy from Bauhaus'". Cover artist Dave McKean and Gaiman 'got some Bauhaus videos and immediately saw that Mike was right; and Dave ended up making the central image on the cover of Sandman [number one] a Peter Murphy-like face.