Sleep Dirt is an album by Frank Zappa released in January 1979, on his own DiscReet Records label. It reached #175 on the Billboard 200 album chart in the United States. Zappa's original title for the album was Hot Rats III.
Best of Dark Horse 1976–1989 is a compilation album by English musician George Harrison, released in October 1989. His second compilation, after the Capitol/EMI collection The Best of George Harrison (1976), it contains songs from Harrison's releases on his Dark Horse record label between 1976 and 1987. The album also includes a 1989 single, "Cheer Down", which was Harrison's contribution to the soundtrack of the film Lethal Weapon 2, and two tracks recorded specifically for the collection: "Poor Little Girl" and "Cockamamie Business". Despite the popularity of Harrison's work over this period – both as a solo artist with his Cloud Nine album (1987), and as a member of the Traveling Wilburys – the compilation failed to achieve commercial success.
American Music Club was an American, San Francisco-based indie rock band, led by singer-songwriter Mark Eitzel. Formed in 1983, the band released seven albums before splitting up in 1995. They reformed in 2003 and released two further albums.
Two from the Vault is a three-CD live album by the rock band the Grateful Dead. It was recorded at the Shrine Auditorium in Los Angeles, California on August 24, 1968. The event was left unreleased for nearly 25 years, before being mixed down from the original multi-track reels and released on Grateful Dead Records in 1992.
Mark Eitzel is an American musician, best known as a songwriter and lead singer of the San Francisco band American Music Club.
Greatest Misses is a compilation album of songs by American new wave band Devo, released in 1990 by Warner Bros. Records. Greatest Misses contains lesser-known tracks and alternate versions of tracks from other albums. It has a Parental Advisory label because of the song "Penetration in the Centrefold".
T-R-O-U-B-L-E is the third studio album from the American country music artist Travis Tritt. It was released on Warner Bros. Records in 1992. Five singles were released from the album; in chronological order of release, these were "Lord Have Mercy on the Working Man", "Can I Trust You with My Heart", the title track, "Looking Out for Number One", and "Worth Every Mile". Respectively, these reached numbers 5, 1, 13, 11, and 30 on the Billboard Hot Country Songs charts between 1992 and 1993. The album was certified 2× Platinum by the RIAA for U.S. shipments of two million copies.
McGear is the second and final solo album by English singer Mike McGear, released in 1974. The album was a collaboration between McGear and his older brother Paul McCartney, who produced the record. All backing tracks on the album are performed by McCartney's band Wings, occasionally accompanied by various guest artists, although all lead vocals are sung by McGear.
I'd Rather Believe in You is the 13th studio album by American singer-actress Cher, released in October 1976 by Warner Bros. Records. This album was a commercial failure and failed to chart.
The Restless Stranger is the first album by American Music Club, released in 1985.
United Kingdom is the fourth studio album by American indie rock band American Music Club. It was released exclusively in the United Kingdom in 1989 on Frontier Records and Demon Records. The album was recorded primarily for the country, where the band had a larger following than in their native United States, and consists of a mixture of studio and live tracks. United Kingdom was produced by Tom Mallon, who also produced the band's previous three LPs, The Restless Stranger, Engine and California.
San Francisco was the seventh album by American Music Club and their last before a nine-year hiatus.
Love Songs for Patriots is the eighth studio album by American indie rock band American Music Club, released on October 12, 2004 by Merge Records and Devil in the Woods in the United States and by Cooking Vinyl in Europe.
Insight Out is the third album by the American pop band the Association and was released on June 8, 1967 on Warner Bros. Records. It was the band's first album release for the Warner Brothers label and it became one of the top selling LPs of the year in America, peaking at number 8 on the Billboard Top LPs chart and being certified gold by the Recording Industry Association of America. Critic Richie Unterberger has attributed much of the album's success to the inclusion of the U.S. hits "Windy" and "Never My Love", which reached number 1 and number 2 on the Billboard Hot 100 chart respectively and were among the most-played records on AM radio during the late 1960s.
Every Beat of My Heart is Rod Stewart's fourteenth studio album, released in June 1986 by Warner Bros. Records. The tracks were recorded at One on One Studios, Can Am Recorders, The Village Recorder, The Record Plant, and Artisan Sound Recorders. The album produced four singles: "Love Touch", "Another Heartache", "In My Life", and "Every Beat of My Heart."
When We Were the New Boys is a studio album released by Rod Stewart on 29 May 1998. It was Stewart's eighteenth studio album and was released on Warner Bros. Records. It produced the singles "Ooh La La", "Rocks", and "When We Were the New Boys".
Ultra Wave is the fifth album released by funk musician Bootsy Collins. It was released on November 12, 1980 by Warner Bros. Records. It is the first album credited solely to Bootsy Collins, as opposed to his previous releases, which were credited to Bootsy's Rubber Band. In 2007, "Ultra Wave" was licensed through Rhino Records and reissued through the Collectors Choice music service.
The Golden Age is the 9th studio album released by San Francisco-based sadcore and slowcore band American Music Club. The album is the band's second after a 10-year hiatus that ended in 2004. The album is an effort by the band to experiment more in their music. The album was produced by Dave Trumfio, who has also worked for bands such as Wilco and My Morning Jacket.
"I Know I'm Not Wrong" is a song by Fleetwood Mac from the 1979 double LP Tusk. It was recorded as the final song of side three of the LP on 19 September 1979, written by Lindsey Buckingham, whose sparser songwriting arrangements and the influence of punk rock and new wave were the leading creative force on it and other Tusk tracks. This was both the first and last song worked on for the Tusk album, and took almost a year to complete.
Wendy Waldman is an American singer, songwriter, and record producer.
