Equestrian statue of Frederick V | |
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Artist | Jacques Saly |
Year | 1768 |
Medium | Bronze [1] |
Subject | Frederick V of Denmark |
Location | Copenhagen |
An equestrian statue of King Frederick V of Denmark stands in the center of Amalienborg Square, Copenhagen, framed by the four symmetrical wings of the Amalienborg palace. [2] The statue portrays the king in classic attire, crowned with laurels and with his hand outstretched, holding a baton. [3] Commissioned by the Danish East India Company, it was designed in Neoclassical style by Jacques Saly in 1768 and was cast in bronze in 1771. [4] The apparent dignity and tranquility in the depiction of the king is typical of Danish representations of monarchs. [5] It is considered to be one of the notable equestrian monuments of its time. [6]
In 1752 Saly was commissioned to create a sculpture of Frederick V on horseback, to be placed in the center of the courtyard of Amalienborg Palace. The equestrian statue was commissioned by Adam Gottlob Moltke, head of the Asiatic Company, as a gift to the king. But while Moltke’s company offered to finance the statue, it was the government who chose the sculptor. Count Johan Hartvig Ernst Bernstorff wrote to the Danish Legation secretary to the French Court in Paris, Joachim Wasserschlebe, to find a suitable French sculptor. Sculptor Edmé Bouchardon rejected the offer, but suggested Saly, who wanted a significant sum for the model and free housing in Copenhagen. The government concluded the contract with Saly in Spring 1752, but because of conflict with ongoing projects Saly did not arrive in Denmark until 8 October 1753, bringing with him his parents, his two sisters, and at least one assistant. Work began on the monument that same year. [7]
Saly showed the king the first sketch of the equestrian statue on 4 December 1754. The king approved a sketch for the whole monument in August 1755, after which Saly began a thorough study of horses from the king’s stalls. This resulted in a small model, which he showed the king in November 1758. Casts of this model are found in both the collection of the Academy and the State Collection, now the Danish National Gallery. After having set up an appropriate studio, Saly carried out the work on the large model of the equestrian statue from 1761 to 1763. The plaster cast was presented to the Academy members on 3 February 1764. The king also saw this model. Preparations for the bronze casting took four more years, and Frenchman Pierre Gors did the casting on 2 March 1768. The year 1768 is officially considered the statue’s completion date. [7]
The bronze was cast on 2 March 1768 by Frenchman Pierre Gors and weighed some 22 tons. [8] Another three years were spent on finishing the work, which was inaugurated in 1771. Including the base, the statue reaches a height of almost 12 m (39 ft). Saly reported he had been inspired by the equestrian statue of Marcus Aurelius in Rome as well as by Giambologna's equestrian Henry IV on the Pont Neuf in Paris. But perhaps his greatest inspiration was Edmé Bouchardon's Louis XV (destroyed during the French Revolution) in Place Louis XV, now the Place de la Concorde. It had just been completed when Saly left for Denmark. [9]
Saly first modelled a lifelike portrait of the King. He made a few small bronze castings, the last of which was approved by Frederik V in 1755. Saly then went on to study horses in the royal stables. In 1758, he prepared a model about a meter in height, which the king applauded. Copies still exist in Copenhagen's museums. The King's portrait, where he is depicted as a Roman emperor capped with laurels, has however been lost. [9]
Johan Martin Preisler made a large engraving of the equestrian statue (1769) in commemoration of its completion. [10] The Danish Asiatic Company cast two medallions, one by Johan Henrik Wolff [11] and the other by Daniel Jensen Adzer. [12] The base for the statue was delivered first, in 1770, while the unveiling of the statue itself finally took place in the courtyard at Amalienborg Palace on 1 August 1771, five years after the King’s death in 1766. It commands the site still. [7] The statue's base was renovated in 1997–1998. [13]
In the 21st century, the Danish Culture Canon's committee for the visual arts pointed out that the statue, which took 14 years to complete, cost more than Amalienborg's four palatial buildings which surround it. It was considered to be the jewel of that exquisite environment, an entity which could only be created at the time. It has been preserved unaltered to this day, unlike many similar bronzes, which were melted down for weapons. [14] The painting Amalienborg Square, Copenhagen by Vilhelm Hammershøi places the statue in a central, monumental role.
Frederick V was King of Denmark and Norway and Duke of Schleswig-Holstein from 6 August 1746 until his death in 1766. A member of the House of Oldenburg, he was the son of Christian VI of Denmark and Sophie Magdalene of Brandenburg-Kulmbach.
Amalienborg is the official residence for the Danish royal family and is located in Copenhagen. Frederick VIII's palace complex has four identical Classical façades, effectively four palaces, with Rococo interiors, laid around an octagonal courtyard. At the centre is a large equestrian statue of Frederick V. Amalienborg was originally built for four noble families, but after Christiansborg Palace burned in 1794 the royal family bought the palaces and moved in. Over the years various monarchs and their families have lived there, including today's King Frederik X and Queen Mary.
Edmé Bouchardon was a French sculptor best known for his neoclassical statues in the gardens of the Palace of Versailles, his medals, his equestrian statue of Louis XV of France for the Place de la Concorde ; and for the Fountain of Four Seasons in Paris. He was also a draftsman and painter, and made celebrated series of engravings of working-class Parisians.
Count Adam Gottlob von Moltke was a German-born Danish courtier, politician and diplomat who was a favourite of Frederick V of Denmark-Norway. Moltke was born at Riesenhof in Mecklenburg. His son, Joachim Godske Moltke, and his grandson, Adam Wilhelm Moltke, later served as Prime Minister of Denmark.
Johannes Wiedewelt, Danish neoclassical sculptor. He became a court sculptor, introducing neoclassical ideals to Denmark in the form of palace decorations, garden sculptures and artifacts and, especially, memorial monuments. He was undoubtedly the best known Danish sculptor before Bertel Thorvaldsen.
Louis August le Clerc, also known as Louis-Augustin le Clerc, was a French-born sculptor working in Denmark. He was born in Metz, France to copperplate engraver Sebastian le Clerc and his wife Charlotte van den Kerckhove. He was summoned to Denmark at the age of 47, and lived out the rest of his life there as a royal sculptor to the Danish Court and as professor at the Royal Danish Academy of Art. He helped introduce French Rococo artistic ideals to Denmark.
Jacques François Joseph Saly, also known as Jacques Saly, French-born sculptor who worked in France, Italy and Malta. He is commonly associated with his time in Denmark he served as Director of the Royal Danish Academy of Art (1754–71). His most noteworthy work is the equestrian statue Frederik V on Horseback at Amalienborg.
Nicolai Eigtved, also known as Niels Eigtved, was a Danish architect. He introduced and was the leading proponent of the French rococo or late baroque style in Danish architecture during the 1730s–1740s. He designed and built some of the most prominent buildings of his time, a number of which still stand to this day. He also played an important role in the establishment of the Royal Danish Academy of Art, and was its first native-born leader.
Caspar Frederik (Friedrich) Harsdorff, also known as C.F. Harsdorff, was a Danish neoclassical architect considered to have been the leading Danish architect in the late 18th century.
Nicolas-Henri Jardin was a French architect. Born in St. Germain des Noyers, Seine-et-Marne, Jardin worked seventeen years in Denmark–Norway as an architect to the Danish royal court. He introduced neoclassicism to Denmark–Norway.
Moltke's Palace or Christian VII's Palace is one of the four palaces of Amalienborg in Copenhagen that was originally built for Lord High Steward Adam Gottlob Moltke. It is the southwestern palace, and since 1885, has been used to accommodate and entertain prominent guests, for receptions, and for ceremonial purposes.
Frederiksstaden is a district in Copenhagen, Denmark. Constructed during the reign of Frederick V in the second half of the 18th century, it is considered to be one of the most important rococo complexes in Europe and was included in the 2006 Danish Culture Canon.
Bredgade is one of the most prominent streets in Copenhagen, Denmark. Running in a straight line from Kongens Nytorv for just under one kilometre to the intersection of Esplanaden and Grønningen, it is one of the major streets in Frederiksstaden, a Rococo district laid out in the middle of the 18th century to commemorate the tercentenary of the House of Oldenburg's accession to the Danish throne. It is lined with a number of fine mansions as well as other historic buildings. Many law firms, trade unions, fashion stores and art galleries are based in the street. The street also runs parallel to the Royal residence Amalienborg and Frederik's Church
Danish sculpture as a nationally recognized art form can be traced back to 1752 when Jacques Saly was commissioned to execute a statue of King Frederick V of Denmark on horseback. While Bertel Thorvaldsen was undoubtedly the country's most prominent contributor, many other players have produced fine work, especially in the areas of Neoclassicism, Realism, and in Historicism, the latter resulting from growing consciousness of a national identity. More recently, Danish sculpture has been inspired by European trends, especially those from Paris, including Surrealism and Modernism.
Johan Christoph Petzold was a German sculptor who mainly worked in Denmark. He was a professor at the Royal Danish Academy of Fine Arts from its establishment in 1754 and briefly held the post of Sculptor to the Danish Court.
Carl Marcus Tuscher was a German-born Danish polymath: portrait painter, printmaker, architect, and decorator of the Baroque period.
The Equestrian statue of Frederick VII in front of Christiansborg on Slotsholmen in Copenhagen, Denmark, was modelled by Herman Wilhelm Bissen and completed posthumously by his son Vilhelm Bissen in 1873. It was created to commemorate King Frederick's central role in Denmark's transition from absolute to constitutional monarchy.
Amalienborg Square, Copenhagen is an 1896 oil-on-canvas painting by the Danish artist Vilhelm Hammershøi in the Statens Museum for Kunst.