Herman Wilhelm Bissen was a Danish sculptor. Bissen created a number of public works, working in plaster, marble and bronze.
The Danish Golden Age covers a period of exceptional creative production in Denmark, especially during the first half of the 19th century. Although Copenhagen had suffered from fires, bombardment and national bankruptcy, the arts took on a new period of creativity catalysed by Romanticism from Germany. The period is probably most commonly associated with the Golden Age of Danish Painting from 1800 to around 1850 which encompasses the work of Christoffer Wilhelm Eckersberg and his students, including Wilhelm Bendz, Christen Købke, Martinus Rørbye, Constantin Hansen and Wilhelm Marstrand, as well as the sculpture of Bertel Thorvaldsen.
The Church of Our Lady is the Lutheran cathedral of Copenhagen. It is situated on the Frue Plads public square in central Copenhagen, next to the historic main building of the University of Copenhagen.
The Isted Lion is a Danish war monument originally intended as a monument of the Danish victory over German-minded Schleswig-Holstein insurgents in the Battle of Isted (Idstedt) on 25 July 1850, during the First Schleswig War which was a civil war within the Danish Realm, although with troops from Prussia supporting the Schleswig-Holstein insurgents. At its time it was the largest battle in Scandinavian history.
Ole Henrik Benedictus Olrik was a Danish painter, sculptor and applied artist.
The Thorvaldsen Museum is a single-artist museum in Copenhagen, Denmark, dedicated to the art of Danish and Icelandic Neoclassical sculptor Bertel Thorvaldsen (1770–1844), who lived and worked in Rome for most of his life (1796–1838). The museum is located on the small island of Slotsholmen in central Copenhagen next to Christiansborg Palace. Designed by Michael Gottlieb Bindesbøll, the building was constructed from 1838 to 1848 following a public collection of funds in 1837.
Jørgen Hansen Koch was a Neoclassical Danish architect. He was chief of the national Danish building administration from 1835 and director of the Royal Danish Academy of Fine Arts from 1844 to 1849.
Christian Gottlieb Vilhelm Bissen was a Danish sculptor. He was also a professor at the Royal Danish Academy of Fine Arts with great influence on the next generation of Danish sculptors and for a while served as its director. Bissen was trained in the Neoclassical tradition from Bertel Thorvaldsen but after a stay in Paris around 1880, he was influenced by Naturalism. With the equestrian statue of Absalon he turned to Neo-romanticism.
August Vilhelm Saabye, also known as August Wilhelm Saabye, was a Danish sculptor.
Jægerspris Castle, in Jægerspris on the Hornsherred peninsula west of Copenhagen, is a Danish manor house. It has belonged to the Danish monarchs for most of its history which dates back to the 13th century. In the 1850s it became a retreat for King Frederik VII and his morganatic wife Countess Danner, who sought refuge there to escape the controversy their marriage had caused among the establishment in Copenhagen. After the king's death, Countess Danner turned it into an asylum for women.
Danish sculpture as a nationally recognized art form can be traced back to 1752 when Jacques Saly was commissioned to execute a statue of King Frederick V of Denmark on horseback. While Bertel Thorvaldsen was undoubtedly the country's most prominent contributor, many other players have produced fine work, especially in the areas of Neoclassicism, Realism, and in Historicism, the latter resulting from growing consciousness of a national identity. More recently, Danish sculpture has been inspired by European trends, especially those from Paris, including Surrealism and Modernism.
Aksel Christian Henrik Hansen was a Danish sculptor, one of the most productive of his times.
The equestrian statue of Frederick VII in front of Christiansborg on Slotsholmen in Copenhagen, Denmark, was modelled by Herman Wilhelm Bissen and completed posthumously by his son Vilhelm Bissen in 1873. It was created to commemorate King Frederick's central role in Denmark's transition from absolute to constitutional monarchy.
Otto Frederik Theobald Evens was a Danish sculptor.
Lauritz Godtfred Rasmussen was a Danish zinc and bronze caster. He established a zinc and bronze foundry in his own name in Copenhagen in 1865 and was appointed royal court caster in 1883. Many Danish monuments from the second half of the 19th century come from his foundry. It was later taken over by his son Carl Rasmussen and remained in the family for several generations.
The statue of Anders Sandøe Ørsted is located in Ørstedsparken in Copenhagen, Denmark. Ørsted was Denmark's leading jurist of the mid-19th century. He served as Prime Minister of Denmark in 1853–54.
Carl Edvard Sonne was a Danish printmaker. His work consisted exclusively of reproductions of works by other artists, especially genre paintings, which reached a large audience through Kunstforeningen. He was the brother of painter Jørgen Sonne.
Bertel Thorvaldsen with the Statue of Hope is a self-portrait by Danish sculptor Bertel Thorvaldsen, created as a plaster model in his studio at Nysø Manor in 1839 and executed in marble posthumously by Herman Wilhelm Bissen in 1859. In 1894, a bronze cast was erected in Central Park, New York City. Bissen's marble sculpture is on display in the Thorvaldsen Museum in Copenhagen.
The statue of Ludvig Holberg by Theobald Stein, together with Herman Wilhelm Bissen's statue of Adam Oehlenschläger, flanks the main entrance to the Royal Danish Theatre on Kongens Nytorv in Copenhagen, Denmark. It was created by Stein in conjunction with the inauguration of Vilhelm Dahlerup's new theatre building in 1875. Bissen's statue of Oehlenschläger is from 1861 and was originally located on Sankt Annæ Plads.
