Andy Warhol was an American visual artist, film director and producer. A leading figure in the pop art movement, Warhol is considered one of the most important American artists of the second half of the 20th century. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental films Empire (1964) and Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).
Jean-Michel Basquiat was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement.
Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.
On Kawara was a Japanese conceptual artist who lived in SoHo, New York City, from 1965. He took part in many solo and group exhibitions, including the Venice Biennale in 1976.
Elaine Frances Sturtevant, also known professionally as Sturtevant, was an American artist. She achieved recognition for her carefully inexact repetitions of other artists' works.
Edward Joseph Ruscha IV is an American artist associated with the pop art movement. He has worked in the media of painting, printmaking, drawing, photography, and film. He is also noted for creating several artist's books. Ruscha lives and works in Culver City, California.
The Gagosian Gallery is a contemporary art gallery owned and directed by Larry Gagosian. The gallery exhibits some of the most influential artists of the 20th and 21st centuries. There are 18 gallery spaces – six in New York City, two in London, three in Paris, and one each in Basel, Gstaad, Beverly Hills, Rome, Athens, Geneva and Hong Kong.
The Ferus Gallery was a contemporary art gallery which operated from 1957 to 1966. In 1957, the gallery was located at 736-A North La Cienega Boulevard, Los Angeles in the U.S. state of California. In 1958, it was relocated across the street to 723 North La Cienega Boulevard where it remained until its closing in 1966.
The exhibition "New Painting of Common Objects" at the Pasadena Art Museum in 1962 was the first museum survey of American pop art in the United States. The eight artists included were: Roy Lichtenstein, Jim Dine, Andy Warhol, Phillip Hefferton, Robert Dowd, Edward Ruscha, Joe Goode and Wayne Thiebaud. It was curated by Walter Hopps, who had given Andy Warhol his first solo show at the Ferus Gallery in Los Angeles the previous year. The show helped the pop art movement gain critical acceptance, preceding the Guggenheim Museum's 1963 pop art exhibition "Six Painters and the Object", curated by Lawrence Alloway.
Billy Al Bengston was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Deborah Kass is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world.
In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts. In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp.
Twentysix Gasoline Stations is the first artist's book by the American pop artist Ed Ruscha. Published in April 1963 on his own imprint National Excelsior Press, it is often considered to be the first modern artist's book, and has become famous as a precursor and a major influence on the emerging artist's book culture, especially in America. The book delivers exactly what its title promises, reproducing 26 photographs of gasoline stations next to captions indicating their brand and location. From the first service station, 'Bob's Service' in Los Angeles where Ruscha lived, the book follows a journey back to Oklahoma City where he had grown up and where his mother still lived. The last image is of a Fina gasoline station in Groom, Texas, which Ruscha has suggested should be seen as the beginning of the return journey, 'like a coda'.
Myra is a 1995 large painting which is a reproduction of the mugshot of Myra Hindley shortly after she was arrested for her participation in the Moors murders and was created by Marcus Harvey in 1995. It was displayed at the Sensation exhibition of Young British Artists at the Royal Academy of Art in London from 8 September to 28 December 1997.
ABC Artists’ Books Cooperative is an international network created by and for artists who make print-on-demand books. Founded in 2009 by German artist Joachim Schmid, the cooperative participates in book fairs and exhibitions predominantly in Europe and North America, and has been at the heart of a number of shows heralding a new age of photography and of artists' self-publishing projects.
Thirteen Most Wanted Men was a large 1964 mural created by Andy Warhol for the New York State Pavilion at the 1964 World's Fair at Flushing Meadows, New York. The mural was painted over with silver paint before the fair opened, probably due to official objections, but other reasons have been suggested.
Michael McKenzie is an American artist and writer. His mother a fourth generation Irish/German and his father of recent Scottish immigrants. He began writing, drawing, painting and publishing at a young age, his first publication, at age 5, was Two Cents Plain, a four-page magazine he made using a mimeograph machine at his father's office. A fluke meeting at the 1964 World's Fair with his grandmother introduced him to Philip Johnson, Andy Warhol and Robert Indiana, all three of whom he would later work with.
Orange Prince(1984) is a painting by American artist Andy Warhol of Prince, the American singer, songwriter, record producer, multi-instrumentalist, actor, and director. The painting is one of twelve silkscreen portraits on canvas of Prince created by Warhol in 1984, based on an original photograph provided to Warhol by Vanity Fair. The photograph was taken by Lynn Goldsmith. These paintings and four additional works on paper are collectively known as the Prince Series. Each painting is unique and can be distinguished by colour.
Brian Balfour-Oatts is a British art dealer, collector and writer. He published William Scott: A Survey of His Original Prints, a catalogue of William Scott's graphic work.
Olympics is a painting created by American artists Jean-Michel Basquiat and Andy Warhol in 1984. The artwork was a commemoration of the 1984 Summer Olympics. It sold for $10.5 million at Phillips's Contemporary Art Evening Sale in June 2012, which at the time was a record high for a Warhol-Basquiat collaboration. It is the second most expensive Warhol-Basquiat collaboration sold at auction after Zenith (1985).
