Eric Gyamfi (born 1990) [1] is a Ghanaian photographer, living in Accra, who has made work about queer lives there. [2] His work has been shown in solo exhibitions at the Nubuke Foundation in Accra and the Goethe-Institut in Johannesburg. [3] [4] In 2019, he won the Foam Paul Huf Award. [5]
Gyamfi was born in Bekwai, Ghana. [1] He has a BA in information studies and economics from the University of Ghana (2010–2014). Since 2018, he has been studying for an MFA at the Department of Painting and Sculpture, Kwame Nkrumah University of Science and Technology, Kumasi. [5]
Gyamfi lives and works in Accra, Ghana. [1]
The series Just Like Us documents queer individuals and communities in Ghana, "to show queer people exist and that they are like anyone else". In Ghana, queer people are discriminated against, othered and same-sex sexual activity is illegal. Made in black and white, the photographs as described by Ekow Eshun in The Guardian, are an intimate evocation of everyday life, titled with studied plainness: Ama and Shana at lunch; Kwasi at Kokrobite beach; Atsu during dance; Kwasi in bed. When queerness is regarded as the opposite of normality, the answer, suggests Gyamfi, is to insist on the very ordinariness of the people being documented and in so doing declare them as individually complex as everyone else." [6] [7] [8]
A series of self-portraits, Asylum, explores African male sexuality against a backdrop of religion and tradition. [9]
Bono State was a trading state created by the Bono people, located in what is now southern Ghana. Bonoman was a medieval Akan state that stretched across the modern Ghanaian regions of Bono, Bono East and Ahafo and the Eastern Ivory Coast. It is generally accepted as the origin of the subgroups of the Akan people who migrated out of the state at various times to create new Akan states in search of gold. The gold trade, which started to boom in Bonoman as early as the 14th century, led to the Akan War, as well as increased power and wealth in the region, beginning in the Middle Ages.
Ekow Eshun is a British writer, journalist, broadcaster, and curator.
African Photography Encounters, more commonly known as Bamako Encounters, is a biennial exhibition in Bamako, Mali, held since 1994. It is the first and largest African photography biennial. The exhibition, featuring exhibits by contemporary African photographers, is spread over several Bamako cultural centers, including the National Museum, the National Library, the Modibo Keïta memorial, and the District Museum. The exhibition also features colloquia and film showings.
The Ghana women's national football team represents Ghana in international women's football. The team is governed by the Ghana Football Association. Its players are known as the Black Queens.
Akropong is a town in South Ghana and is the capital of the Akuapim North District, a district in the Eastern Region of South Ghana. This town is known for producing snails and palm oil. Akropong has a 2013 settlement population of 13,785 people.
The following is a timeline of the history of the city of Accra, Ghana.
The Chale Wote Street Art Festival also known as Chale Wote, is an annual street festival in Accra, Ghana organized by ACCRA [dot] ALT, in collaboration with Redd Kat Pictures and Chale Wote Street Art Projekt. The festival targets exchanges between scores of local and international artists and patrons. "Chale Wote" in the Ga language means "friend, let's go" and its meaning is derived from a type of flip-flop commonly worn in a household.
Mikhael Subotzky is a South African artist based in Johannesburg. His installation, film, video and photographic work have been exhibited widely in museums and galleries, and received awards including the KLM Paul Huf Award, W. Eugene Smith Grant, Oskar Barnack Award and the Discovery Award at Rencontres d'Arles. He has published the books Beaufort West (2008), Retinal Shift (2012) and, with Patrick Waterhouse, Ponte City (2014). Subotzky is a member of Magnum Photos.
Ernest "Owoahene" Nana Acheampong, popularly known as Nana Acheampong, is a Ghanaian Highlife musician. He is also the other half of the famous Lumba brothers who popularized Burger-highlife in Ghana.
Project 1975 started in 2010 as a two-year project based in the Netherlands with the intent to explore the relationships between contemporary art and postcolonialism. Through this project Stedelijk Museum Bureau Amsterdam (SMBA) explored the role of art and visual culture in the context of colonial practices. The project consisted of multiple exhibitions, seminars, reading groups, articles, and a blog. "1975" in the title refers to the year that Suriname gained independence and the Netherlands thus became to some extent "postcolonial".
Senam Okudzeto is an American and British artist and educator who lives and works in Basel, London, Ghana and New York City.
Lina Iris Viktor is an Italy-based Liberian-British visual artist who is known her paintings, sculptures, photographs, and performance art. She moved to the south of Italy in 2022 Viktor combines ancient and modern art forms to create multimedia paintings. She does this by combing an ancient technique called gilding with photography and painting to create “symbols and intricate patterns." She overlays 24-karat gold over dark canvases to create works with “layers of light”. Allison K. Young in Haven. A Hell. A Dream Deferred says that these multimedia paintings suggest “the socio-political and historical preconceptions surrounding ‘blackness’ and its universal implications”. The New York Times described her paintings as "queenly self-portraits with a futuristic edge".
Serge Attukwei Clottey is a Ghanaian artist who works across installation, performance, photography and sculpture. He is the creator of Afrogallonism, an artistic concept, which he describes as 'an artistic concept to explore the relationship between the prevalence of the yellow oil gallons in to consumption and necessity in the life of the modern African.' As the founder of Ghana's GoLokal, Clottey tries to transform society through art.
John Fleetwood is a South African photography curator, educator who was from 2002 to 2015 director of Market Photo Workshop and has since 2016 been director of Photo: in Johannesburg.
Photo: is a multi-operational photography platform founded in Johannesburg, South Africa by John Fleetwood in 2015.
Samuel Paa Kwesi Fabin is a Ghanaian professional football manager. He is the current coach of the Ghana national U-23 team. He is a former coach Ghana Premier League teams; coaching stars like Asante Kotoko, Accra Hearts of Oak and Aduana Stars He previously coached the Ghana national U-17 team leading them to 2nd place in the 2017 Africa U-17 Cup of Nations.
Mimi Cherono Ng'ok is a Kenyan photographer, living in Nairobi. Her "photographs are a visual diary of the experiences and emotions emerging from her itinerant life". Ng'ok's work has been shown at the Hayward Gallery, Berlin Biennale, Carnegie International and African Photography Encounters, and is held in the Walther Collection.
Gallery 1957 is a contemporary art gallery located in Accra, Ghana. The gallery intends to present artists of West Africa and the diaspora. It was established in March 2016 by British construction company owner Marwan Zakhem. As of 2018, the gallery has shown artists including Serge Attukwei Clottey, Gideon Appah, Modupeola Fadugba, Godfried Donkor, Yaw Owusu, and Zohra Opoku.
Kofi Setordji is a multidisciplinary visual artist based in Ghana. His works range from graphic design, textile designing, sculpture and painting.
Matthew Kwasi Gyamfi is a Ghanaian Catholic prelate who has served as Bishop of Sunyani since 2003. He i the current president of the Ghana Catholic Bishops Conference. He is also the episcopal chairman of the Catholic University of Ghana, Fiapre, and serves as a member of its governing council.