A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum. Wood panels were also used for mounting vellum paintings.
Amy Sillman is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
Allan D'Arcangelo was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country.
The Museum of Contemporary Art Jacksonville, also known as MOCA Jacksonville, is a contemporary art museum in Jacksonville, Florida, funded and operated as a "cultural institute" of the University of North Florida. One of the largest contemporary art institutions in the Southeastern United States, it presents exhibitions by international, national and regional artists.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
Robert Kelly is an American artist. He is based in New York City.
Collage is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.
Arturo Herrera is a Venezuelan-born (1959), Berlin-based visual artist known for wide-ranging work that is rooted in the practice of collage. His colorful, often rhythmic art intertwines bits of pop iconography, gestural marks and nonrepresentational shapes using pictorial strategies of fragmentation, repetition, effacement and dislocation. The resulting imagery often balances between abstraction and figuration, detached from inherent narratives yet vaguely familiar. Critics suggest that this ambiguity engages memory, fantasy and a viewer's unconscious private interpretive schemes, evoking a multiplicity of references and readings. In 2020, Art in America writer Ara H. Merjian described Herrera's practice—which includes works on paper, paintings, reliefs, sculpture, public art and books—as "chameleonic as [it] is consistent," one that "breathes life into modernist collage, exploring the tensions between exactitude and spontaneity, placement and displacement."
Howardena Pindell is an American artist, curator, and educator. She is known as a painter and mixed media artist, her work explores texture, color, structures, and the process of making art; it is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation. She is known for the wide variety of techniques and materials used in her artwork; she has created abstract paintings, collages, "video drawings," and "process art."
Alvin D. Loving Jr., better known as Al Loving, was an African-American abstract expressionist painter. His work is known for hard-edge abstraction, fabric constructions, and large paper collages, all exploring complicated color relationships.
Ellen Gallagher is an American artist. Her work has been shown in numerous solo and group exhibitions and is held in the permanent collections of many major museums. Her media include painting, works on paper, film and video. Some of her pieces refer to issues of race, and may combine formality with racial stereotypes and depict "ordering principles" society imposes.
Charles Christopher Hill is an American artist and printmaker. Hill lives and works in Los Angeles, California and was married to the late Victoria Blyth Hill, an art conservator. He has been artist in residence at Cité International Des Arts, Paris, France, at Chateau de La Napoule, La Napoule, France and at Eklisia, Gümüslük, Turkey (1994).
Eric Butcher is a contemporary British abstract painter known for his reductive, processed-based approach.
Hiroyuki Hamada is a Japanese born sculptor based in the United States.
Ashley Collins is an American Contemporary Painter. Collins' massive scaled paintings are found in blue chip collections and museums worldwide. Her painful and lengthy journey from homelessness and abject poverty to acclaimed painter informs meaning into each of her deeply layered works. Collins is known in part for taking exhibitions to a new level, such as floating 8’x10’ works off of 50’ cranes and using fire, water and other elements as part of her exhibitions. Her journey from rags to riches has been one of the most successful, in American Art, and her international recognition has soared. Although painting professionally since 1988, Collins first came to blue chip collector attention in the early 2000s for her massive scaled contemporary works integrating portions of figurative horseheads amongst layers of collage, historical documents, steel, metal, and other mediums which Collins integrated into her monumental works; breaking price points for living female contemporary painters. “Collins has gone from being homeless and sleeping on concrete floors in pursuit of Artistic Success – and she has surely achieved it, her mega scale paintings including horse imagery [sic] command eye watering prices.” Robert Rauschenberg, upon seeing her works, quoted "through her eyes and vision I have seen the pain, the confidence and sturgggle of my own journey and perhaps that is what in art touches us all".
Laylah Ali (born 1968) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Gregory Amenoff is an American painter. He is located in the tradition of the early American Modernist painters Georgia O'Keeffe, Charles Burchfield, Milton Avery, Arthur Dove and Marsden Hartley. In the early 80s his work was often associated with a style of painting called organic abstraction and exhibited alongside artists Bill Jensen, Katherine Porter and Terry Winters.
Cyrilla Mozenter is a New York-based artist known for her hand stitched industrial wool felt freestanding and wall pieces that include the transplantation of cutout letters, letter-derived, and pictogram-like shapes, as well as her hybrid works on paper, incorporating drawing, writing, painting, and collage. Her works make reference to the writings of Gertrude Stein. Awarded a Guggenheim Fellowship in 2020, her work is represented in many public collections including The Brooklyn Museum and The Yale University Art Gallery.
Helen O'Toole is an Irish-born painter based in the United States, who is known for abstract paintings suggestive of landscape. She has exhibited throughout Ireland and the United States, in Singapore, and at venues including the San Francisco Museum of Modern Art, Portland Art Museum, Chicago Cultural Center, Tacoma Art Museum, and Institute of Contemporary Arts Singapore. Her work has been featured in the journals Artforum, Arts Magazine, New Art Examiner, and Zyzzyva, as well as the Chicago Tribune,The Irish Times, Seattle Post-Intelligencer, and National Public Radio. Art writers frequently discuss the interplay in her work between abstraction, the evocation of otherworldly light, land and space, and a commitment to investigating meaning through a painting process akin to the processes of cultivation and excavation. Artforum critic James Yood wrote, "echoing the often inchoate quality of nature, her paint surges toward mystery and hints at a kind of chiaroscuro of the spirit"; curator Bonnie Laing-Malcomson suggests her "richly colored monumental paintings evoke the moody landscape of her rural Irish homeland, summoning the force of J. M. W. Turner and Mark Rothko." She has been recognized with a Guggenheim Fellowship in Fine Arts, a Contemporary Northwest Art Award, and a Pollock-Krasner Foundation Award (2013), among other awards. O'Toole lives in Seattle, Washington and is Professor of Art and Chair of the Painting and Drawing Program at the University of Washington.
Heide Fasnacht is a New York City-based artist who works in sculpture, drawing, painting and installation art. Her work explores states of flux, instability and transformation caused by human action and natural events. Since the mid-1990s, she has been known for sculptures and drawings that recreate momentary phenomena such as sneezes, geysers and demolitions—in sometimes abstract or cartoony form—that are temporally and spatially "frozen" for consideration of their aesthetic, perceptual, social or sensate qualities. In the late 2010s, she has expanded these themes in paintings that examine lost and neglected childhood sites, such as playgrounds and amusement parks. ARTnews critic Ken Shulman has described her work as "chart[ing] the fluid dialogue between second and third dimensions, motion and inertia, creation and ruin."
