Eric Steven Stahl | |
|---|---|
 | |
| Born | April 4, 1959 Encino, California, U.S. |
| Occupation(s) | Director, Screenwriter, Producer, Editor |
| Years active | 1980–present |
Eric Steven Stahl (born April 4, 1959) is an American director, screenwriter, producer and editor who is known for making the world's first all-digital sound 70mm film called Digital Dream. [1] Stahl's feature credits also include Final Approach , as well as Safe House and I-See-You.Com .
Stahl was born on April 4, 1959, in Encino, California, to Martin and Miriam Stahl. Father, a Kennedy administration appointee, was made Director of U.S. Trade Center [2] in 1963 in Milan Italy where Stahl grew up from the age of 3. Spending the better part of fourteen years in Europe, where he attended mostly Italian schools including the original Montessori in Milan. Stahl went on to complete his education stateside obtaining his motion picture degree from USC School of Cinematic Arts.
Set on a directing career, but also fascinated with the world of advertising and marketing, Stahl formed an integrated communication consultancy and production company in 1980 straight out of film school where he eventually directed numerous award winning national television spots, [3] including the first digital stereo commercial, "It's a Chevy 1986" (Clio Award Winner [4] ), for GM's Chevy Cavalier. When one of his company's early clients, audio facility Glen Glenn Sound, tasked a then only 23-year-old Stahl with directing and producing the world's first all digital sound film, [5] Stahl seized the opportunity to meld his two passions (filmmaking and marketing). What followed was Digital Dream - presented in 70mm six track stereo and costing $7.5 million, [6] the project was co-sponsored by the top industry players including Panavision, Sony and Eastman Kodak, with visual effects supervision by Academy Award winner John Dykstra. [7]
Stahl's commercial TV work went on to win him numerous awards [3] from the Chicago Film Festival, the International Film & TV Festival of New York, the Lulu, as well as the Ad Age Certificate of Achievement for writing and directing one of the top 100 commercials of the decade.[ citation needed ]
By the late 1980s, Stahl turned to full-time movie making, forming Los Angeles based FilmQuest Pictures Corporation. [8] His feature directorial debut, under his newly formed banner, Final Approach , starring James B. Sikking, Hector Elizondo, Madolyn Smith Osborne and Kevin McCarthy was the world's first all digital sound (DDD) film ever made. [9] With over 800 visual effects and nearly 18,000 sound FX cues, it is still considered a technological benchmark. [10] The picture had the second biggest opening in France (beat out by Teenage Mutant Ninja Turtles II) in the Summer of 1991. [11] The film was released in the U.S. and in Europe using the Kodak/Optical Radiation CDS (Cinema Digital Sound) system. [12] Final Approach went on to win the Golden Halo Award from Southern California Motion Picture Council [13] and the Golden Scroll Award from the Academy of Science Fiction, Fantasy and Horror Films.[ citation needed ]
In the mid 1990s Stahl took a break from independent film making, landing a studio development deal at Walt Disney Studios[ citation needed ] where he co-authored two projects for the Touchstone and Disney labels: Semi-Pro and Cardiac Express .
After leaving Disney, Stahl set out to make his second feature film under the FilmQuest banner, Safe House , starring Patrick Stewart, Kimberly Williams and Hector Elizondo. The dramatic suspense thriller was co-written and co-produced with longtime collaborator Sean McLain.
Stahl's most recent feature directorial effort was the Warner Bros. Entertainment comedy I-See-You.Com starring Beau Bridges, Rosanna Arquette and Hector Elizondo. It had its premiere at the HBO US Comedy Arts Festival [14] and screened at the Waterfront Film Festival in Michigan for its Midwestern premiere. [15]
| Year | Title | Director | Producer | Writer | Sound Track Producer |
|---|---|---|---|---|---|
| 1984 | Digital Dream | Yes | Yes | Yes | |
| 1991 | Final Approach | Yes | Yes | Yes | Yes |
| 1994 | Semi Pro (Touchstone Pictures) | Yes | |||
| 1995 | Cardiac Express (Walt Disney) | Yes | |||
| 1998 | 2000 (Showtime) | Yes | |||
| 1998 | Safe House | Yes | Yes | Yes | |
| 2006 | I-See-You.Com | Yes | Yes | Yes | Yes |
70 mm film is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film. The additional 5 mm contains the four magnetic stripes, holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding, the vast majority of existing and surviving 70 mm prints pre-date this technology.
Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
The Castro Theatre is a historic movie palace in the Castro District of San Francisco, California. The venue became San Francisco Historic Landmark #100 in September 1976. Located at 429 Castro Street, it was built in 1922 with a California Churrigueresque façade that pays homage—in its great arched central window surmounted by a scrolling pediment framing a niche—to the basilica of Mission Dolores nearby. Its designer, Timothy L. Pflueger, also designed Oakland's Paramount Theater and other movie theaters in California during that period. The theater has more than 1,400 seats.
Héctor Elizondo is an American character actor. He is known for playing Phillip Watters in the television series Chicago Hope (1994–2000) and Ed Alzate in the television series Last Man Standing (2011–2021). His film roles include The Taking of Pelham One Two Three (1974), American Gigolo (1980), Leviathan (1989), Pretty Woman (1990), Beverly Hills Cop III (1994), Runaway Bride (1999), The Princess Diaries (2001), and Valentine's Day (2010).
A roadshow theatrical release or reserved seat engagement is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film. Roadshows would generally mimic a live theatre production, with an upscale atmosphere as well as somewhat higher prices than during a wide release. They were commonly used to promote major films from the 1920s–60s and build excitement.
Peter Hans Docter is an American filmmaker and animator. He was credited as the director for the Pixar animated feature films Monsters, Inc. (2001), Up (2009), Inside Out (2015), and Soul (2020), and has served as the company's chief creative officer (CCO) since 2018. From his nine Academy Award nominations, he is a record-three time recipient of Best Animated Feature for Up, Inside Out and Soul. Docter has also won six Annie Awards from nine nominations, a BAFTA Children's Film Award and a Hochi Film Award. He describes himself as a "geeky kid from Minnesota who likes to draw cartoons".
Panavision is an American motion picture equipment company founded in 1954 specializing in cameras and lenses, based in Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with the lightweight Panaflex 35 mm movie camera. The company has introduced other cameras such as the Millennium XL (1999) and the digital video Genesis (2004).
Dolby Stereo is a sound format made by Dolby Laboratories. It is a unified brand for two completely different basic systems: the Dolby SVA 1976 system used with optical sound tracks on 35mm film, and Dolby Stereo 70mm noise reduction on 6-channel magnetic soundtracks on 70mm prints.
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Final Approach is a 1991 American thriller film.
K. Ramachandra Babu was an Indian cinematographer of over 125 films, out of which most are Malayalam films. He also worked for films in Tamil, Telugu, Hindi, Arabic and English languages. He served as the cinematographer for several documentaries and advertisement films as well. He was the founder of the Indian Society of Cinematographers (ISC).
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
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In motion picture technology—either film or video—high frame rate (HFR) refers to higher frame rates than typical prior practice.
Test film are rolls or loops or slides of photographic film used for testing the quality of equipment. Equipment to be tested could include: telecine, motion picture film scanner, Movie projectors, Image scanners, film-out gear, Film recorders and Film scanners.
Rachel Morrison is an American cinematographer and director. For her work on Mudbound (2017), Morrison earned a nomination for an Academy Award for Best Cinematography, making her the first woman ever nominated in that category. She has twice worked with director Ryan Coogler, working on the films Fruitvale Station (2013) and Black Panther (2018).
Frederic Waller was an American inventor and film pioneer.