Erik Hansen (13 May 1927, Ribe - 31 December 2016, Copenhagen) was a Danish Professor Emeritus, Architect in Building Preservation and an author; who has achieved international recognition for his contributions to archaeological conservation. [1] Over the years, he has participated in investigative field work, mainly in Denmark and Greece, but also other countries [Afghanistan, Cambodia and Turkey], always adopting a highly systematic and methodical approach and producing widely acclaimed drawings of his finds.
Erik Hansen was only very young, only five years old, when he lost his parents and was raised by his aunt Karen and uncle Jeppe in the villa behind the bishop's palace in Ribe in southwest Jutland. As a maths student from Ribe Cathedral School and timber apprentice from the city technical school, he joined the University of Copenhagen to study mathematics, physics and chemistry. He also completed the preparatory examination in philosophy course. He quickly realized that he should follow the footsteps of his father and become an architect.
After one year he changed to School of Architecture, Royal Danish Academy of Fine Arts in Copenhagen, where he studied in Buildings and architectural history at Professor Mogens Koch's department where his artisanal interest and knowledge in carpentry was relevant. Architect Otto von Sprechelsen was one of Erik's best friends. Throughout his working life, Erik undertook the survey and documentation of building culture and monuments with careful measurements; the aim was to understand the monument and its construction technology, building and organizational factors underlying. His role model in this artisanal approach to conservation work was the Danish architect-archaeologist Ejnar Dyggve.
Erik Hansen "sterile" surveying and his incomprehensible stringent lines in ink, which in all their simplicity, contained the necessary information for an understanding of the present monuments structural state formed school not only in Denmark but in many other countries where he was sent on mission by UNESCO to Afghanistan and Cambodia. Erik Hansen's international students in the Royal Danish Academy of Fine Arts, School of Architecture were from Afghanistan, Cambodia, Ethiopia, Ghana, Greece, Mexico and other Scandinavian countries.
His stay in Greece was one of the more durable and linked to Apollo's sanctuary in Delphi. A few times he stayed there for several years, other times he visited the site every six months. The first major work of the Ecole Francaise d'Athènes was examining Siphniernes famous Treasury in Delphi in the years 1955-1965, a large-scale topographic atlas of the sanctuary, which was completed in 1968, and finally his outstanding research in Apollo's Temple and its reconstruction after a landslide in 373 [BC]. His unusually precise measurements of each stone after another, in conjunction with construction contracts with named contractors was carved in stone, was released in French school big series Fouilles the Delphes, in three much attractive Volumes in 2010. [2]
In the many years living abroad he was accompanied by his Swedish wife Inger, called Kickan, who was pharmacist by education and a skilled photographer. [3] Kickan was not just Erik's wife, she continued to be his tireless friend and engaged in everything he was dealing with. They both engaged with locals and wrote about what they saw and experienced. In Delphi they knew most of the inhabitants, and one was reminded about when travelling to Delphi, as one would carry a bag full of letters to their friends. Kickan and Erik also had their own traditions in Greece when the moon was full. They went out to the temple in dark and sat out there in silence, while the moon slowly rose above the deep valley of Delphi. Admittedly it was strictly forbidden. Erik lost Kickan in 2008 and lived alone for the remaining eight years of his life.
Along with his work in UNESCO in training young professionals for and restoration of monuments in Afghanistan, for example the Ghurid Portal of the Friday Mosque of Herat in Afghanistan [Kabul and Herat, 1964-5], [4] then Cambodia [Phnom Kulen, 1968], and Korea, he also was deeply engaged in the difficult restoration works of the beautiful Marmorbro [the marble bridge] of Frederiksholms Channel in Copenhagen and its portals in the years 1977-1982. Also from this work there are stacks of upscale drawings produced in his hand-drawn lines that Akademirådet celebrated in 1977 awarding him Eckersberg medal. Also in France he in 1987 revered Prix Mendel, Academie des Inscriptions and Belles Lettres. [5] Subsequently, in 2010, he was awarded the distinguished C. F. Hansen Medal for work with Siphniernes Treasury. [6]
Finally, his own residence, a city house built in 1725 in Christianshavn, Copenhagen, was an example of the simple building well preserved and maintained a citizen's house in which he lived with his wife Inger and their close friendship and entertained his colleagues, friends and students (national and internationals).
Erik Hansen's motto: "Well begun is half done - but well completed is only half started", summarizes his fine distinctive way of life. [7]
Delphi, formerly also called Pytho (Πυθώ), is the ancient sanctuary that grew rich as the seat of Pythia, the oracle who was consulted about important decisions throughout the ancient classical world. The ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as the omphalos (navel).
Maurice Glaize was a French architect and archeologist, Conservator of Angkor from 1937 to 1945.
The Stoa of the Athenians is an ancient portico in the Delphic Sanctuary, Greece, located south of the Temple of Apollo. The southern side of the polygonal wall of the platform forms the north wall of the stoa. It was constructed c. 478 BC-470 BC during the early Classical period. The one-aisled stoa with Ionic colonnade opens toward the southeast. It was dedicated by the Athenians after the Persian Wars.
The Great Mosque of Herat or "Jami Masjid of Herat", is a mosque in the city of Herat, in the Herat Province of north-western Afghanistan. It was built by the Ghurids, under the rule of the Sultan Ghiyath al-Din Muhammad Ghori, who laid its foundation in 1200 CE, and later extended by several rulers as Herat changed rulers down the centuries from the Timurids to the Safavids, Mughals and then the Uzbeks, all of whom supported the mosque. Though many of the glazed tiles have been replaced during subsequent periods, the Friday Mosque in Herat was given its present form during the closing years of the fifteenth century.
Category:Knights of the Order of the Dannebrog
Niels Sigfred Nebelong was a Danish architect who worked in the Historicist style. He was city architect in Copenhagen from 1863 and also designed many lighthouses around Denmark in his capacity as resident architect for the Danish lighthouse authority.
Hans Christian Amberg was a Danish architect.
The Dancers of Delphi, also known as the Acanthus Column, are three figures in high relief on top of an acanthus column found near the sanctuary of Pythian Apollo at Delphi. They are on display in the Delphi Archaeological Museum and were the inspiration for the first of Claude Debussy's Préludes.
Pierre Amandry was a French hellenist, especially interested with ancient Greece and its relationships with the Orient. He was born at Troyes on December 31, 1912, and died in Paris on February 21, 2006. A large part of his work was on the site of Delphi, excavated by the French School at Athens, of which he was secretary general from 1941-1948 and director from 1969-1981.
Jean Théophile Homolle was a French archaeologist and classical philologist.
Carl Georg Ferdinand Thielemann was a Danish architect and royal building inspector during the 19th century. Thielemann was the brother of sculptors Christian and Theobald Thielemann and was born in Copenhagen. He studied architecture in 1819-20 at the Royal Danish Academy of Fine Arts under the tutelage of Christian Frederik Hansen. Thielemann was mainly taught the Neoclassical style but during the 1880s Historicism flourished and he adapted to the new style. After graduation Thielemann worked for Christian Frederik Hansen and Gustav Friedrich Hetsch as a conductor for their projects.
The tenth book of the work Description of Greece by the traveler Pausanias is dedicated to Phocis; its larger part constitutes a description of the sanctuaries and buildings of Delphi. His work constituted a precious aid to travelers and archaeologists who attempted to identify the monuments revealed by the excavations, although in some cases their identifications were not enough.
The stele of Prusias is one of the ex votos at the sanctuary of Apollo in Delphi, constructed in honour of king Prusias II of Bithynia.
Archaeological investigation in Delphi started in the second half of the 19th century, but it was not until 1892 when a systematic excavation began under the direction of Théophile Homolle and the French Archaeological School of Athens. The "Great Excavation" lasted 10 years and was concluded by the creation of the first museum on-site. In the years to follow, the site never ceased to be excavated and investigated. Several of the monuments were restored and new interpretations continue to see the light in the academic field.
Several Hellenistic kings dedicated monuments in the sanctuary of Apollo in Delphi, in an effort to emphasize their prestige. Among those kings were the Attalids of Pergamon, who occupied a prominent position at the highest point of the Sacred Way, close to the temple of Apollo where they erected their ex votos.
Francis Croissant was a French archaeologist and art historian specializing in Archaic Greece, especially sculpture.
Jean Bousquet was a 20th-century French Hellenist.
Fernand Henri Fabien Courby was a French archaeologist and Hellenist, a specialist of ancient Greece, a member of the French School at Athens, and professor at the Faculté des lettres of the University of Lyon.
Roland Étienne is a French archaeologist and historian specialising in the history of Greek archaeology, ancient architecture and Hellenistic history.
The Danish Constituent Assembly is the name given to the 1848 Constitional assembly at Christiansborg Palace in Copenhagen, that voted the Danish Constitution and formalized the transition from absolute monarchy to constitutional democracy. It consisted of members of which 114 were elected by the people, 38 were appointed by the king and the rest were government ministers.