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Ernani Aguiar | |
|---|---|
| Born | 30 August 1950  Ouro Preto |
| Died | Brazil |
| Occupation | Composer |
Ernani Henrique Chaves Aguiar (born 30 August 1950) is a Brazilian composer, choral conductor, and musicologist.
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Ernani Aguiar | |
|---|---|
| Born | 30 August 1950 Ouro Preto |
| Died | Brazil |
| Occupation | Composer |
Ernani Henrique Chaves Aguiar (born 30 August 1950) is a Brazilian composer, choral conductor, and musicologist.
A scholarship winner to the Argentine Mozarteum, [1] Aguiar studied under various composers and conductors in South America and later in Europe, including Sergiu Celibidache. [2] As a musicologist, he has specialized in the revising, editing, and revival of works by composers of the 18th century Minas Gerais School. He has written a number of instrumental pieces, but his most famous works are his choral pieces, such as the fiery Salmo 150 , composed in 1975 and published in 1993, which features rhythmic backgrounds with very rapid articulations. Salmo 150 has proved a very popular piece among choral conductors worldwide, [3] particularly within the American Choral Directors Association.
He is currently a professor of music at the Federal University of Rio de Janeiro, a fellow of the Villa-Lobos Institute, and a member of the Academia Brasileira de Música. [2]
Ricardo Tacuchian, born in Rio de Janeiro, is a Brazilian conductor, composer and Doctor in Musical Arts (Composition) at the University of Southern California.
Egil Hovland was a Norwegian composer.
Mozart Camargo Guarnieri was a Brazilian composer.
Psalm 74 is the 74th psalm of the Book of Psalms, beginning in English in the King James Version: "O God, why hast thou cast us off for ever?". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 73. In Latin, it is known as "Ut quid Deus reppulisti in finem iratus". Subheaded a maschil or contemplation, and a community lament, it expresses the pleas of the Jewish community in the Babylonian captivity. It is attributed to Asaph.
Radamés Gnattali was a Brazilian composer of both classical and popular music, as well as a conductor, orchestrator, and arranger.
Șerban Nichifor is a Romanian composer, cellist and music educator.
Discos Qualiton was a record label, published by the recording studio Fonema S.A. A garage experiment in Rosario, Argentina in 1961, Qualiton would later become a major independent record label influencing a generation of artists, writers, musicians, poets, and filmmakers.
Schola Cantorum de Venezuela is one of the most important choral societies belonging to the growing choral movement in Venezuela. The SCV began in 1967. Its founding members included composer Alberto Grau, a Venezuelan composer and conductor born in 1937 in Barcelona, Spain; and Venezuelan composer Ana Rugeles among others. Currently, the choir is conducted by María Guinand and Ana María Raga, with the assistance of young conductors Pablo Morales Daal and Victor Leonardo Gonzalez. Schola Cantorum de Venezuela works under the sponsorship of the Fundación Schola Cantorum de Venezuela, a Non-Profit Organization that oversees several other choirs such as: Cantoría Alberto Grau, Pequeños Cantores de la Schola and Schola Juvenil. Together they provide a complete system to promote and develop choral music in Venezuela.
José Antônio Rezende de Almeida Prado or Almeida Prado was an important Brazilian composer of classical music and a pianist. On Almeida Prado's death, his personal friend, conductor João Carlos Martins stated that Prado had possibly been the most important Brazilian composer ever.
Paulo Costa Lima is a senior Brazilian composer and music theorist, which has won more than 20 national and international Prizes and Comissions along his career. A member of the Brazilian Academy of Music, Lima's main interest is the interaction between composition and culture, including its political aspects, namely composition as a way of resisting colonization and against the "waste of experience," the traditional circuit in which ideas (theory) are produced elsewhere and absorbed by the peripherical South of the Globe, as if the experience of populations in the periphery would be incapable of producing theory grounded musical practices. Lima's publications are on topics such as the theory and pedagogy of musical composition, analysis and history of Brazilian contemporary music analysis of Brazilian popular songs, the possible dialogue between music and psychoanalysis, and cultural semantics. Lima's compositional interests include the rhythmic tradition of the Candomblé. From 2020 on, Lima has been posting short video analysis of brazilian popular songs generating great interest in the social media, leading to a public of more than 200.000 people
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Miguel Ángel Roig-Francolí is a Spanish/American composer, music theorist, and pedagogue. His 1980 Cinco piezas para orquesta, commissioned by Radio Nacional de España and written in a postmodern, neotonal style, won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982, and continues to be widely performed in Spain. His later compositions often have spiritual themes and are based on sacred texts and the melodies of Gregorian chant. In 2016 he won the American Prize in Composition for Perseus, for symphonic band. An expert on Renaissance composers Tomás de Santa María, Antonio de Cabezón, and Tomás Luis de Victoria, he has published numerous scholarly articles and monographs and two textbooks. Roig-Francolí is a Distinguished Teaching Professor of Music Theory and Composition at the University of Cincinnati – College-Conservatory of Music.
Bonaventura Somma was an Italian Romantic composer, conductor and organist.
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Miloš Bok is a Czech composer, conductor, pianist, organist, choirmaster and music educator.
Héctor Angulo was a Cuban composer who combined in his works the result of deep studies about Afro-Cuban folklore and the most modern techniques of musical composition.
Salmo 150 is a psalm setting by Ernani Aguiar. He wrote the composition, setting Psalm 150 in Latin for unaccompanied choir, in 1975. The short work was published by Earthsongs in the U.S. in 1993, and achieved international popularity.
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