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Indigo Girls are an American folk rock music duo from Atlanta, Georgia, United States, consisting of Amy Ray and Emily Saliers. The two met in elementary school and began performing together as high school students in Decatur, Georgia, part of the Atlanta metropolitan area. They started performing with the name Indigo Girls as students at Emory University, performing weekly at The Dugout, a bar in Emory Village.
Shellac is an American independent rock band from Chicago, Illinois, composed of Steve Albini, Bob Weston and Todd Trainer and formed in 1992. Their music genre has been classified as post-hardcore and noise rock but they describe themselves as a "minimalist rock trio."
Catharina "Nina" Hagen is a German singer, songwriter, and actress. She is known for her theatrical vocals and rose to prominence during the punk and new wave movements in the late 1970s and early 1980s.
Become You is the eighth studio album by the Indigo Girls, released in 2002.
Swamp Ophelia is the fifth studio album by the Indigo Girls, released in 1994.
Amy Elizabeth Ray is an American singer-songwriter and member of the contemporary folk duo Indigo Girls. She also pursues a solo career and has released six albums under her own name, and founded a record company, Daemon Records.
Touch and Go Records is an American independent record label based in Chicago. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes. Touch & Go carved out a reputation for releasing adventurous noise rock by the likes of Big Black, the Butthole Surfers, and The Jesus Lizard. Touch & Go helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie rock scene, and helped preside over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock emerging at the time.
The Butchies were an all-female punk rock band from Durham, North Carolina, that existed from 1998 to 2005. They reunited from their hiatus to tour with Amy Ray of the Indigo Girls promoting Ray's new album in 2010. The frequent focus of their lyrical content concerned lesbian and queer themes.
Melissa York is a rock drummer noted for her work with iconic lesbian bands such Team Dresch, The Butchies, and Amy Ray. She lives in Durham, North Carolina.
Dance-punk is a post-punk genre that emerged in the late 1970s, and is closely associated with the post-disco and new wave movements.
Shaming of the Sun, sometimes mislabeled as Shaming the Sun, is the sixth studio album by the Indigo Girls, released in 1997. It was the duo's highest-charting album in the U.S., peaking at number 7 on the Billboard 200.
The Shams were an all-female New York folk pop trio in the 1980s and early 1990s, featuring Amy McMahon Rigby, Sue Garner, and Amanda Uprichard. Some critics have credited the band with pioneering elements of what would later become known as the Americana and No Depression movements in American music. Others have described them as "queens of urban folkdom" or "riot grrrls unplugged." Punk rock musician Richard Hell has labeled their music "beauty parlor soul."
ROCKRGRL was the first national publication for female musicians in the United States. Created by Carla DeSantis, the magazine purely focused on women in music and highlighted the artistic diversity of women musicians, often overlooked in mainstream culture. The magazine ran for eleven years, and the strength of its message inspired two pioneering ROCKRGRL conferences that showcased, celebrated, and addressed the state of the music industry for female artists.
Nina Hagen in Ekstasy is the third studio album by German singer Nina Hagen. It was released on January 10, 1985, by CBS Records. The German version of the album Nina Hagen in Ekstase was released simultaneously. It was Hagen's last album released on the CBS label, before her recording contract expired in 1986. The album is mainly produced by Adam Kidron and was recorded in Ibiza and Paris. Hagen worked with Karl Rucker and Billy Liesegang and wrote most of the songs on the album. Unlike her previous disco-influenced album Fearless (1983), Nina Hagen in Ekstasy is musically more punk rock with elements of dance music. It contains cover versions of Frank Sinatra's "My Way" and Norman Greenbaum's "Spirit in the Sky".
Nina Hagen Band is the debut studio album by Nina Hagen Band. It was released on February 11, 1978 by CBS Records. It was the first release by German singer Nina Hagen after her 1976 expatriation from East Germany. When she arrived in Hamburg, her stepfather and singer-songwriter Wolf Biermann got her in touch with CBS. Hagen traveled to London where she was introduced to music genres such as punk and reggae, and befriended other artists including Ari Up of the band The Slits. After she returned to Germany, she met with musicians Herwig Mitteregger, Bernhard Potschka and Manfred Praeker. Joined by Reinhold Heil, they formed the Nina Hagen Band and in November 1977 signed a record deal with CBS. Nina Hagen Band was produced by the band with additional production by Tom Müller and Ralf Nowy. Most of the songs had been already written by Hagen in East Germany.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest. It also expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement, and has recently been seen in current fourth-wave feminist punk music. It has also been described as a genre that came out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express themselves in the same way men have been doing all along.
"White Punks on Dope", abbreviated as "WPOD", is a 1975 song by San Francisco-based rock group The Tubes from their debut, eponymous album, produced by Al Kooper. The song was written by the band's dual lead guitarists, Bill Spooner and Roger Steen with Michael Evans. It has been called “absurd anthem of wretched excess,” ridiculing the rich and famous offspring of Hollywood elite. The song became the group's rock anthem and spectacular closing number to their elaborate stage shows. The band developed a cult-like fan base that has followed them for decades.
Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers.
References
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- McCormick, Moira (September 16, 2005). "Estrojam shows off the female creative spirit ; From bodyslam to Amy Ray's band". Chicago Tribune. p. 7. Retrieved 2009-10-16.
- McCormick, Moira (September 14, 2007). "Estrojam fest fills vital, rockin' role; Women-centric celebration is still edgy and diverse". Chicago Tribune. p. 14. Retrieved 2009-10-16.
- Coate, Niki (2005-09-14). "Estrojam '05". Windy City Times. Retrieved 2009-10-16.