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The history of painting reaches back in time to artifacts and artwork created by pre-historic artists, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, continents, and millennia, the history of painting consists of an ongoing river of creativity that continues into the 21st century. Until the early 20th century it relied primarily on representational, religious and classical motifs, after which time more purely abstract and conceptual approaches gained favor.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the epicenter of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell and Theodoros Stamos among others.
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art.
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.
Angela Bulloch, is an artist who often works with sound and installation; she is recognised as one of the Young British Artists. Bulloch lives and works in Berlin.
Maria Helena Vieira da Silva was a Portuguese abstract painter. She was considered a leading member of the European abstract expressionism movement known as Art Informel. Her works feature complex interiors and city views using lines that explore space and perspective. She also worked in tapestry and stained glass.
Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.
Miquel Barceló Artigues is a Spanish painter.
Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting:
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and traditional modes of production, after which time more modern, abstract and conceptual forms gained favor.
Jennifer Bartlett was an American artist and novelist. She was best known for paintings and prints that combine the system-based aesthetic of conceptual art with the painterly approach of Neo-Expressionism. Many of her pieces were executed on small, square, enamel-coated steel plates that are combined in grid formations to create very large works.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Perle Fine (1905–1988) was an American Abstract expressionist painter. Fine's work was most known by its combination of fluid and brushy rendering of the materials and the use of biomorphic forms encased and intertwined with irregular geometric shapes.
Jean-Marie van Staveren is a Dutch painter and art teacher.
Lilia Carrillo García was a Mexican painter from the Generación de la Ruptura, which broke with the Mexican School of Painting of the early 20th century. She was trained in the traditional style but her work began to evolve away from it after studying in Paris in the 1950s. While she and husband abstract artist Manuel Felguérez struggled to get their work accepted, even selling Mexican handcrafts and folk art to survive, she eventually had her canvas work exhibited at large venues in Mexico City and various cities in the world. Her work was part of the inaugural exhibition of the Museo de Arte Moderno in Mexico City in 1964. After her death in 1974, her work received honors from the Palacio de Bellas Artes and has been exhibited in various venues.
Sonia Gechtoff was an American abstract expressionist painter. Her primary medium was painting, but she also created drawings and prints.
Corinne Michelle West (1908–1991) was an American painter; she also used the names Mikael and Michael West. She was an Abstract Expressionist.
Angelica Carrasco is a Mexican graphic artist who is a pioneer of large scale printmaking in the country. Her work often is related to violence and classified as “abstract neo-expressionism.” Much of her career has been dedicated to teaching and the promotion of the arts, especially the graphic arts and has been recognized with membership in the Salón de la Plástica Mexicana and the Sistema Nacional de Creadores de Arte.
Francesca Llopis is a visual artist from Barcelona. She began exhibiting in 1981. Her works are based and focused on her travels and on nature, mainly working on painting, drawing and video installations and collaborating with other artists such as Barbara Held and Robert Waytt. "Painting, drawing and image in movement are the basis and the main instrumental from which arises the system where I start any proposal".
References
- ↑ "Exhibition Archive". The fall of the rebel angels. Retrieved 20 May 2015.
- ↑ "le dame Archive". le dame gallery. Archived from the original on 23 January 2017. Retrieved 21 Aug 2016.
- ↑ "bardia Archive". David Bardía Gallery. Retrieved 21 Aug 2016.
- 1 2 "SOY autodidacta". Lasa Provincias (in Spanish). 25 July 2015. Retrieved 25 July 2015.
Additional sources
- "Ciudades planas que cobran vida... Eva Raboso, una artista inédita ante el mundo". Sobremesa: revista de gastronomía y vinos. 19 May 2015.
- R. NAVARRO. "El 'Urban Vertical' de Eva Raboso". metropoli.com.
- "Soy autodidacta. No he estudiado porque no quiero contagiarme de ninguna regla". Las Provincias. 14 September 2015.
- "le dame Archive". Britesmagazine. Archived from the original on 2017-01-23. Retrieved 2016-08-21.
- "bardia Archive". arteinformado.