Eve's Leaves | |
---|---|
Directed by | Paul Sloane |
Written by | Elmer Harris (story) Jack Jevne (adaptation) John W. Krafft (intertitles) |
Based on | Eve's Leaves by Harry Chapman Ford |
Produced by | Cecil B. DeMille |
Starring | Leatrice Joy William Boyd |
Cinematography | Arthur C. Miller |
Production company | DeMille Pictures Corporation |
Distributed by | Producers Distributing Corporation |
Release date |
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Running time | 7 reels (6,754 feet) |
Country | United States |
Language | Silent (English intertitles) |
Eve's Leaves is a 1926 American silent romantic comedy film starring Leatrice Joy and William Boyd. The film was produced and distributed by Cecil B. DeMille and directed by Paul Sloane [1] [2] It is based upon the 1925 play of the same name by Harry Chapman Ford. [2] [3]
Captain Corbin (Edeson), who operates the tramp cargo ship Garden of Eden, has raised his daughter Eve (Joy) as a boy. After learning about men after reading some romance novels belonging to the cook Cookie (Harris), she goes ashore in a Chinese port to find her true love and spies American Bob Britton (Boyd), whom she then has kidnapped to augment the ship's crew. Pirate Chang Fang (Long) and his pirates capture the ship seeking passage to his stronghold. With Cookie's help, Eve remakes herself using an outfit made from a curtain and some beads, which draws the interest of both Chang and Bob. In the end, Eve saves the day and she and Bob are married on board by a missionary (Hoyt). [4]
Leatrice Joy had impulsively cut her hair short in 1926, and DeMille, whom Joy had followed when he set up Producers Distributing Corporation, was publicly angry as it prevented her from portraying traditional feminine roles. [5] The studio developed projects with roles suitable for her “Leatrice Joy bob”, [5] and Eve's Leaves was the second of five films before she regrew her hair. In both Eve's Leaves and The Clinging Vine (1926), Joy's character is mistaken as being male in at least one scene. [6] In 1928, a professional dispute would end the Joy / Demille partnership and she signed with MGM.
Intertitles featuring quotes from stereotype Chinese characters are in a racist fictional Asian dialect that today would be considered offensive. [4]
A 16mm print of Eve's Leaves is preserved film at the UCLA Film and Television Archive [2] [7] and the film has been released on DVD. [2]
Chicago is a 1927 American silent crime comedy-drama film produced by Cecil B. DeMille and directed by Frank Urson. The first film adaptation of Maurine Dallas Watkins' play of the same name, the film stars Phyllis Haver as Roxie Hart, a fame-obsessed housewife who kills her lover in cold blood and, after trying to coerce her husband into taking the blame, is put on trial for murder.
Leatrice Joy was an American actress most prolific during the silent film era.
The Volga Boatman is a 1926 American silent drama film directed by Cecil B. DeMille, who reportedly said the film was, "his greatest achievement in picture making". The film's budget was $479,000 and it grossed $1.27 million. The film was highly successful, turning William Boyd into matinee idol overnight. The filming location was Wood Island, near Rio Vista, California, in 1925.
Robert Edeson was an American film and stage actor of the silent era and a vaudeville performer.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
Manslaughter is a 1922 American silent drama film directed by Cecil B. DeMille and starring Thomas Meighan, Leatrice Joy, and Lois Wilson. It was scripted by Jeanie MacPherson adapted from the novel of the same name by Alice Duer Miller. The film portrays its main character, Lydia Thorne, as a thrill-seeking, self-entitled, and wild woman who does not have a reputation of thinking before acting. She acts selfishly by dancing with other men in the presence of her husband and not providing help to her maid who is in dire straits due to her son's health. She is eventually taken to court after she crashes into a motorcycle cop during a high-speed chase. She is then prosecuted by her husband, Daniel O'Bannon, a lawyer, and is imprisoned for manslaughter. After her sentence, Lydia comes out of jail to find her husband has become an alcoholic.
Triumph is a 1924 American silent drama film directed by Cecil B. DeMille and starring Leatrice Joy.
Feet of Clay is a 1924 American silent drama film directed and produced by Cecil B. DeMille, starring Vera Reynolds and Rod La Rocque, and with set design by Norman Bel Geddes. The film is based on the 1923 novel by Margaretta Tuttle, and Beulah Marie Dix's one-act 1915 play Across the Border.
The Road to Yesterday is a 1925 American silent romantic drama film directed by Cecil B. DeMille. The film is significant because it was Cecil B. DeMille's first release from his new production company, DeMille Pictures Corporation. It was also upcoming actor William Boyd's first starring role. In DeMille's next picture, The Volga Boatman, which was a tremendous success, he cast Boyd as the solo leading man.
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
The Dressmaker from Paris is a 1925 American silent romantic comedy drama film directed by Paul Bern. The story was written by Howard Hawks and Adelaide Heilbron. Heilbron also wrote the screenplay. The film starred Leatrice Joy and was her last film for Paramount Pictures. The film was costume designer Travis Banton's first assignment.
The Silent Partner is a 1923 American silent drama film produced by Famous Players–Lasky and released through Paramount Pictures. It was based on a series of articles from the Saturday Evening Post by Maximilian Foster and directed by Charles Maigne. Leatrice Joy and Owen Moore star in the feature. The film is a remake of the 1917 film of the same name.
Vanity is a 1927, American silent drama film directed by Donald Crisp and starring Leatrice Joy. The film was written by Douglas Doty, produced by DeMille Pictures Corporation and distributed by Producers Distributing Corporation.
A Girl's Folly is a 1917 American silent comedy film directed by Maurice Tourneur and starring Robert Warwick, Doris Kenyon, June Elvidge, Jane Adair, Chester Barnett, and Johnny Hines. Tourneur also played the director for the film within the film.
The Clinging Vine is a 1926 American silent comedy film produced by Cecil B. DeMille and Paul Slone and directed by Sloane. It was distributed by DeMille's Producers Distributing Corporation. The film is based on a 1922 Broadway play of the same name by Zelda Sears. The film was a starring vehicle for Leatrice Joy who left Paramount Pictures along with DeMille when he formed his own distributing company PDC.
Made for Love is a 1926 American silent drama film directed by Paul Sloane, produced by Cecil B. DeMille, and starring Leatrice Joy.
Toby Claude was an Irish actress and singer in vaudeville, on the Broadway stage, and in silent films.
A Most Immoral Lady is a 1929 American drama film directed by John Griffith Wray and written by Forrest Halsey. It is based on the 1928 play A Most Immoral Lady by Townsend Martin. The film stars Leatrice Joy, Walter Pidgeon, Sidney Blackmer, Montagu Love, Josephine Dunn and Robert Edeson. The film was released by Warner Bros. on September 22, 1929.
For Alimony Only is a 1926 American silent drama film directed by William C. deMille and starring Leatrice Joy, Clive Brook, and Lilyan Tashman.