Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Wheeler & Woolsey were an American vaudeville comedy double act who performed together in comedy films from the late 1920s. The team comprised Bert Wheeler (1895–1968) of New Jersey and Robert Woolsey (1888–1938) of Illinois.
Robert Rolla Woolsey was an American stage and screen comedian and half of the 1930s comedy team Wheeler & Woolsey.
George O'Brien was an American actor, popular during the silent film era and into the sound film era of the 1930s, best known today as the lead actor in F. W. Murnau's 1927 film Sunrise: A Song of Two Humans.
Dixiana (1930) is a lavish American pre-Code comedy, musical film directed by Luther Reed and produced and distributed by RKO Radio Pictures. The final twenty minutes of the picture were photographed in Technicolor. The film stars Bebe Daniels, Everett Marshall, Bert Wheeler, Robert Woolsey, Joseph Cawthorn, Jobyna Howland, Ralf Harolde, Bill "Bojangles" Robinson and Dorothy Lee. The script was adapted by Luther Reed from a story by Anne Caldwell.
The Butcher Boy is a 1917 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Al St. John, Buster Keaton and Alice Lake. This was the first in Arbuckle's series of films with the Comique Film Corporation, and Keaton's film debut.
Hook, Line and Sinker is a 1930 American pre-Code slapstick comedy directed by Edward F. Cline from a screenplay by Ralph Spence and Tim Whelan. It was the third starring vehicle for the comedy team of Wheeler & Woolsey, and also featured Dorothy Lee. It would be one of the largest financial successes for RKO Pictures in 1930.
The Round-Up is a 1920 American silent Western film starring Roscoe "Fatty" Arbuckle and featuring Wallace Beery. The movie was written by Edmund Day and Tom Forman, directed by George Melford, and based on Day's play that was a huge hit for Roscoe Arbuckle's older cousin Macklyn Arbuckle and Julia Dean on the Broadway stage in 1907. It was Macklyn in the play who created the famous phrase used in advertisements of the film, nobody loves a fat man.
Tango Tangles is a 1914 American film comedy short starring Charles Chaplin and Roscoe Arbuckle. The action takes place in a dance hall, with a drunken Chaplin, Ford Sterling, and the huge, menacing, and acrobatic Arbuckle fighting over a girl. The supporting cast also features Chester Conklin and Minta Durfee. The picture was written, directed and produced by Mack Sennett for Keystone Studios and distributed by Mutual Film Corporation.
Dorothy Lee was an American actress and comedian during the 1930s. She appeared in 28 films, usually appearing alongside the Wheeler & Woolsey comedy team.
A Noise from the Deep is a 1913 American short silent comedy film starring Mabel Normand and Roscoe "Fatty" Arbuckle. The film was directed and produced by Mack Sennett and also features the Keystone Cops on horseback. A Noise from the Deep still exists and was screened four times in 2006 in the Museum of Modern Art in New York City as part of a 56-film retrospective of all known surviving Arbuckle movies.
That Little Band of Gold is a 1915 American short comedy film directed by Roscoe "Fatty" Arbuckle and starring Arbuckle, Mabel Normand, and Ford Sterling.
Miss Fatty's Seaside Lovers is a 1915 American short comedy film directed by and starring Fatty Arbuckle and featuring Harold Lloyd.
The Dollar-a-Year Man is a 1921 American comedy film starring Fatty Arbuckle. It is not known whether the film currently survives, which suggests that it is a lost film.
The Back Page is a 1931 American pre-Code comedy film directed by and starring Fatty Arbuckle. The title satirizes the famous play and 1931 film The Front Page.
Home Cured is a 1926 American silent comedy film directed by Roscoe Arbuckle. Although Arbuckle was acquitted in the third trial for the death of Virginia Rappe, he could not obtain work in Hollywood under his own name, so he adopted the pseudonym William Goodrich for directing the comedy shorts he made under his contract with Educational Film Exchanges.
Phyllis Barry was an English film actress. Born in Leeds, West Riding of Yorkshire, England, to Seth Henry and Bertha Hillyard, Barry appeared in over 40 films between 1925 and 1947.
Elgin Lessley was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming. Though Lessley worked earlier with Roscoe "Fatty" Arbuckle, and later with Harry Langdon, he is best known for the groundbreaking effects he produced with Buster Keaton, who dubbed him "the human metronome" for his ability to crank consistently at any requested speed.
Leni Stengel was a German-born actress who appeared on Broadway, on television, and in films, through the 1920s to 1950s.
Hold 'Em Jail is a 1932 American pre-Code comedy film starring Wheeler and Woolsey. They play a couple of boobs who are wrongfully convicted for firearm possession and sent to prison, where they somehow end up playing on the warden's football team.
