Everyman is a stock character in drama, originally appearing in mediaeval morality plays.
Everyman may also refer to:
The Somonyng of Everyman, usually referred to simply as Everyman, is a late 15th-century morality play by an anonymous English author, printed circa 1530. It is possibly a translation of the Dutch play Elckerlijc (Everyman).
The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts alongside angels and demons, who are engaged in a struggle to persuade a protagonist who represents a generic human character toward either good or evil. The common story arc of these plays follows "the temptation, fall and redemption of the protagonist".
Max Reinhardt was an Austrian-born theatre and film director, intendant, and theatrical producer. With his radically innovative and avante garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th century.
Hugo Laurenz August Hofmann von Hofmannsthal was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist.
Drama was introduced to Britain from Europe by the Romans, and auditoriums were constructed across the country for this purpose.
The Salzburg Festival is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of the festival; one highlight is the annual performance of Hofmannsthal's play Jedermann (Everyman).
An empire is a group of states or peoples under centralized rule.
Elckerlijc is a morality play from the Low Countries which was written in Dutch somewhere around the year 1470. It was first printed in 1495. The play was extremely successful and may have been the original source for the English play Everyman, as well as many other translations for other countries. The authorship of Elckerlijc is attributed to Peter van Diest, a medieval writer from the Low Countries.
The everyman is a stock character of fiction. An ordinary and humble character, the everyman is generally a protagonist whose benign conduct fosters the audience's identification with them.
Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as Everyman. One of the first surviving secular plays in English is The Interlude of the Student and the Girl.
George J. Costigan is an English actor who is best known for portraying Bob in the 1987 film Rita, Sue and Bob Too and for roles in TV series such as Happy Valley and So Haunt Me.
Jedermann. Das Spiel vom Sterben des reichen Mannes is a play by the Austrian playwright Hugo von Hofmannsthal. It is based on several medieval mystery plays, including the late 15th-century English morality play Everyman. It was first performed on 1 December 1911 in Berlin, directed by Max Reinhardt at the Circus Schumann. Since 1920, it has been performed regularly at the Salzburg Festival.
Prodigy, Prodigies or The Prodigy may refer to:
Afterlife is a 2008 play by Michael Frayn. It tells the life and career of Austrian theatrical director and actor Max Reinhardt, from the revival of the Salzburg Festival in 1920, which he helped to re-establish, until his death in New York in 1943. It draws from Hugo von Hofmannsthal's 1911 play Jedermann, which Reinhardt directed at the Salzburg Festival for many years following its revival in 1920.
Everyman Theatre is the name of a number of theatres:
Jedermann is a 1961 Austrian drama film directed by Gottfried Reinhardt, based on the 1911 play of the same title written by Hugo von Hofmannsthal. The film was submitted as the Austrian entry for the Best Foreign Language Film at the 34th Academy Awards, but it was not selected as one of the five nominees in the category.
Everyman is a modern play produced by Charles Frohman and directed by Ben Greet that is based on the medieval morality play of the same name. The modern play was first performed in 1901 on tour in Britain. It opened in the United States in 1902 on Broadway, where it ran for 75 performances, followed by tours over the next several years that included four Broadway revivals.
Everyman, Op. 83, is a theatre score—comprising 16 numbers—for soloists, mixed choir, orchestra, piano, and organ by the Finnish composer Jean Sibelius; he wrote the music in 1916 to accompany a Finnish-language production of the Austrian author Hugo von Hofmannsthal's 1911 play of the same name.
Jedermann may refer to:
The Play of Everyman is American poet and playwright George Sterling's adaptation of Austrian writer Hugo von Hofmannsthal's 1911 German play Jedermann. Lavish productions of The Play of Everyman in 1917 and 1936 were acclaimed by critics and boosted the careers of people involved. Sterling's adaptation was also staged in 1941 in New York City and 1977 in Brentwood, Los Angeles.