| Everything Must Change | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1976 | |||
| Studio | Hit Factory, New York Hollywood Sound Recorders | |||
| Genre | Jazz | |||
| Length | 38:03 | |||
| Label | Warner Bros. | |||
| Producer | Stewart Levine | |||
| Randy Crawford chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
Everything Must Change is the debut studio album by singer Randy Crawford released in 1976 on the Warner Bros. label. [2]
It was recorded and mixed at Hollywood Sound Recorders except "I'm Easy" and "I've Never Been To Me", which, along with all horns and strings, were recorded at The Hit Factory, New York City, and engineered by Kevin Herron with assistant engineer Ted Spencer. In addition "Everything Must Change" and "Gonna Give Lovin' A Try" were recorded live at the World Jazz Association's first recorded concert at the Shrine Auditorium in Los Angeles in November 1975.
Veronica "Randy" Crawford is a retired American jazz and R&B singer. She has been more successful in Europe than in the United States, where she has not entered the Billboard Hot 100 as a solo artist. However, she has appeared on the Hot 100 singles chart twice. The first time was in 1979 as a guest vocalist on the Crusaders' top-40 hit "Street Life". She also dueted with Rick Springfield on the song "Taxi Dancing", which hit number 59 as the B-side of Springfield's hit "Bop Til You Drop". She has had five top-20 hits in the UK, including her 1980 number-two hit, "One Day I'll Fly Away", as well as six UK top-10 albums. Despite her American nationality, she won Best British Female Solo Artist in recognition of her popularity in the UK at the 1982 Brit Awards. In the late 2000s, she received her first two Grammy Award nominations.
Boys in the Trees is the seventh studio album by American singer-songwriter Carly Simon, released by Elektra Records in April 1978.
Let Me in Your Life is the twentieth studio album by American singer Aretha Franklin, released on February 26, 1974, by Atlantic Records.
Songs for the New Depression is the third studio album by the American singer Bette Midler, released in early 1976 on the Atlantic Records label. The album was released on CD for the first time in 1990. A remastered version of the album was released by Atlantic Records/Warner Music in 1995. A limited edition remastered version of the album was released by Friday Music in 2014.
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Chaka is the debut solo album by singer Chaka Khan, released on October 12, 1978 through Warner Bros. Records label.
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Everything's Coming Up Love is a 1976 album from then-former Temptations singer, David Ruffin.
Pleasure Train is the first album by singer, songwriter, producer and composer Teri DeSario, released in 1978 by Casablanca.
From the Depths of My Soul is an album by American vocalist Marlena Shaw recorded in 1973 and released on the Blue Note label.
Taking Off is a studio album by David Sanborn, released in 1975 on Warner Bros. Records. The album reached number 19 on Billboard's Jazz Albums chart.
Chance is the eighth album by American soul and gospel singer Candi Staton. Singles released from the album included "When You Wake Up Tomorrow", and the title track, which became a top 20 R&B record. The album peaked at No. 23 on the US R&B Album chart and No. 129 on the Billboard 200.
You Are Everything I Need is the fifth album by American pop singer/songwriter/pianist Larry Santos, released in 1976 on Casablanca Records. This follow-up also features "Early in the Morning", I Don't Know Why", a cover of Linda Ronstadt's 1970 tune, "Long, Long Time", written by Gary White and "We Can't Hide It Anymore". It was also produced by Detroit soul producer Don Davis.
Russell Morris is the second studio album by Australian singer songwriter Russell Morris and first on label Wizard Records and was released in November 1975. It features re-recording of two of Morris' previous hits; "Wings of an Eagle" and "Sweet, Sweet Love" as well as 8 new tracks penned by Morris. The lead single "Let's Do It"/"Don't Rock the Boat" peaked at number 30, whilst the album peaked at number 14 on the Kent Music Report chart in November 1975.
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