Evil laughter

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<span class="mw-page-title-main">Joke</span> Display of humor using words

A joke is a display of humour in which words are used within a specific and well-defined narrative structure to make people laugh and is usually not meant to be interpreted literally. It usually takes the form of a story, often with dialogue, and ends in a punch line, whereby the humorous element of the story is revealed; this can be done using a pun or other type of word play, irony or sarcasm, logical incompatibility, hyperbole, or other means. Linguist Robert Hetzron offers the definition:

A joke is a short humorous piece of oral literature in which the funniness culminates in the final sentence, called the punchline… In fact, the main condition is that the tension should reach its highest level at the very end. No continuation relieving the tension should be added. As for its being "oral," it is true that jokes may appear printed, but when further transferred, there is no obligation to reproduce the text verbatim, as in the case of poetry.

"The Funniest Joke in the World" is a Monty Python comedy sketch revolving around a joke that is so funny that anyone who reads or hears it promptly dies from laughter. Ernest Scribbler, a British "manufacturer of jokes", writes the joke on a piece of paper only to die laughing. His mother also immediately dies laughing after reading it, as do the first constables on the scene. Eventually the joke is contained, weaponized, and deployed against Germany during World War II.

<span class="mw-page-title-main">Humour</span> Tendency of experiences to provoke laughter and provide amusement

Humour or humor is the tendency of experiences to provoke laughter and provide amusement. The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as humours, controlled human health and emotion.

<i>Goldfinger</i> (novel) Novel by Ian Fleming

Goldfinger is the seventh novel in Ian Fleming's James Bond series. Written in January and February 1958, it was first published in the UK by Jonathan Cape on 23 March 1959. The story centres on the investigation by the British Secret Service operative James Bond into the gold-smuggling activities of Auric Goldfinger, who is also suspected by MI6 of being connected to SMERSH, the Soviet counter-intelligence organisation. As well as establishing the background to the smuggling operation, Bond uncovers a much larger plot: Goldfinger plans to steal the gold reserves of the United States from Fort Knox.

<span class="mw-page-title-main">Laughter</span> Expression of amusement

Laughter is a pleasant physical reaction and emotion consisting usually of rhythmical, often audible contractions of the diaphragm and other parts of the respiratory system. It is a response to certain external or internal stimuli. Laughter can rise from such activities as being tickled, or from humorous stories, imagery, videos or thoughts. Most commonly, it is considered an auditory expression of a number of positive emotional states, such as joy, mirth, happiness, or relief. On some occasions, however, it may be caused by contrary emotional states such as embarrassment, surprise, or confusion such as nervous laughter or courtesy laugh. Age, gender, education, language, and culture are all indicators as to whether a person will experience laughter in a given situation. Other than humans, some other species of primate show laughter-like vocalizations in response to physical contact such as wrestling, play chasing or tickling.

A catchphrase is a phrase or expression recognized by its repeated utterance. Such phrases often originate in popular culture and in the arts, and typically spread through word of mouth and a variety of mass media. Some become the de facto or literal "trademark" or "signature" of the person or character with whom they originated, and can be instrumental in the typecasting of a particular actor. Catchphrases are often humorous, but are never long enough or structured enough to be jokes in themselves. However, a catchphrase can be the punch line of a joke, or a callback reminder of a previous joke.

<span class="mw-page-title-main">Villain</span> Evil character or person

A villain is a stock character, whether based on a historical narrative or one of literary fiction. Random House Unabridged Dictionary defines such a character as "a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot". The antonym of a villain is a hero.

<span class="mw-page-title-main">LOL</span> Internet slang

LOL, or lol, is an initialism for laughing out loud or laugh out loud and a popular element of Internet slang. It was first used almost exclusively on Usenet, but has since become widespread in other forms of computer-mediated communication and even face-to-face communication. It is one of many initialisms for expressing bodily reactions, in particular laughter, as text, including initialisms for more emphatic expressions of laughter such as LMAO and ROFL or ROTFL.

A blooper is a short clip from a film or video production, usually a deleted scene, containing a mistake made by a member of the cast or crew. It also refers to an error made during a live radio or TV broadcast or news report, usually in terms of misspoken words or technical errors. The term blooper was popularized in the 1950s and 1960s in a series of record albums produced by Kermit Schafer entitled Pardon My Blooper, in which the definition of a blooper is thus given by the record series' narrator: "Unintended indiscretions before microphone and camera."

A recurring character is a fictional character, usually in a prime time TV series, who frequently appears from time to time during the series' run. Recurring characters often play major roles in more than one episode, sometimes being the main focus. They may be contrasted with "regular" characters, who typically appear in every or almost every episode of a series. Recurring characters appear less frequently than regulars, but more frequently than guest star characters, who may appear in only one or two episodes without being expected to return.

"No soap radio" is a form of practical joke and an example of surreal comedy. The joke is a prank whereby the punch line has no relation to the body of the joke, but participants in the prank pretend otherwise. The effect is to either trick someone into laughing along as if they "get it" or to ridicule them for not understanding.

<i>King Kong Escapes</i> 1967 film directed by Ishirō Honda

King Kong Escapes is a 1967 kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. The film was a Japanese–American co-production between Toho and Rankin/Bass, and stars Rhodes Reason, Linda Miller, Akira Takarada, Mie Hama, Eisei Amamoto, with Haruo Nakajima as King Kong and Hiroshi Sekita as Mechani-Kong and Gorosaurus. The film is loosely based on Rankin/Bass' series The King Kong Show, and was the second and final Toho-produced film featuring King Kong, until its 2021 collaboration with Warner Bros on Godzilla vs. Kong. King Kong Escapes was released in Japan on July 22, 1967, and released in the United States on June 19, 1968. It is the fourth entry in the King Kong franchise.

Albinism organisations and others have expressed criticism over the portrayal of individuals with albinism in popular culture, specifically in movies and fictional works, citing the overwhelmingly negative depiction. There is concern that such depictions could increase social bias and discrimination against individuals with albinism. This phenomenon is often referred to as the "evil albino" plot device.

<span class="mw-page-title-main">Gelotology</span> Study of laughter and its effects

Gelotology is the study of laughter and its effects on the body, from a psychological and physiological perspective. Its proponents often advocate induction of laughter on therapeutic grounds in alternative medicine. The field of study was pioneered by William F. Fry of Stanford University.

<i>Hyde and Go Tweet</i> 1960 film by Friz Freleng

Hyde and Go Tweet is a 1960 Warner Bros. Merrie Melodies animated short directed by Friz Freleng. The voices were performed by Mel Blanc. The short was released on May 14, 1960, and stars Tweety and Sylvester.

<span class="mw-page-title-main">Comedy</span> Genre of dramatic works intended to be humorous

Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.

<span class="mw-page-title-main">Khan Noonien Singh</span> Fictional character from Star Trek

Khan Noonien Singh is a fictional character in the Star Trek science fiction franchise, who first appeared as the main antagonist in the Star Trek: The Original Series episode "Space Seed" (1967), and was portrayed by Ricardo Montalbán, who reprised his role in the 1982 film Star Trek II: The Wrath of Khan. In the 2013 film Star Trek Into Darkness, he is portrayed by Benedict Cumberbatch.

To be ridiculous is to be something highly incongruous or inferior, sometimes deliberately so to make people laugh or get their attention, and sometimes unintendedly so as to be considered laughable and earn or provoke ridicule and derision. It comes from the 1540s Latin "ridiculosus" meaning "laughable", from "ridiculus" meaning "that which excites laughter", and from "ridere" meaning "to laugh". "Ridiculous" is an adjective describing "the ridiculous".

<span class="mw-page-title-main">Gabbar Singh (character)</span> Fictional character

Gabbar Singh is a fictional character and the antagonist of the 1975 Bollywood film Sholay. It was written by the duo Salim–Javed, consisting of Salim Khan and Javed Akhtar. Played by Amjad Khan, he is depicted in Sholay as a dacoit with an evil laugh much like "El Indio", the robber, from the Western film For a Few Dollars More, who leads a group in looting and plundering the villages in the region of Ramgarh. He has a sadistic personality and insists on killing whenever required to continue his status and to take revenge on his enemies. The character is considered to be one of the most iconic villains in Indian cinema. He was featured in the 1991 spoof Ramgarh Ke Sholay, with Khan portraying a parody version of the character. His famous dialogues include -" Yahan se pachas pachas kos door gaon mein ' jab bachcha raat ko rota hai, toh maa kehti hai bete soo ja ' soo ja nahi toh Gabbar Singh aa jayega", "Kitne aadmi the?", "Arre O Samba", "Tera kya hoga Kalia?", "Kab holi, holi kab hai", and "Ye haath humko dede Thakur".

<span class="mw-page-title-main">Sentimental comedy</span>

Sentimental comedy is an 18th-century dramatic genre which sprang up as a reaction to the immoral tone of English Restoration plays. In sentimental comedies, middle-class protagonists triumphantly overcome a series of moral trials. These plays aimed to produce tears rather than laughter and reflected contemporary philosophical conceptions of humans as inherently good but capable of being led astray by bad example. By appealing to his noble sentiments, a man could be reformed and set back on the path of virtue. Although the plays contained characters whose natures seemed overly virtuous and whose problems were too easily resolved, they were accepted by audiences as truthful representations of the human predicament.

References

  1. Littell, Eliakim; Littell, Robert S.; Making of America Project (1860), "The Luck of Ladysmede, part X", Littell's the Living Age, Littell, son & company, 64: 228
  2. Burney, Fanny (1784), Barrett, Charlotte (ed.), Diary and Letters of Madame D'Arblay: 1778 to 1784, Bickers and son, p. 279
  3. Steele, Richard; Addison, Joseph (April 14, 1714), The Guardian, vol. 1, J. Tonson, p. 118
  4. Kjeldgaard-Christiansen, Jens (October 2018). "Social Signals and Antisocial Essences: The Function of Evil Laughter in Popular Culture". The Journal of Popular Culture. 51 (5): 1214–1233. doi:10.1111/jpcu.12728. S2CID   149719344.
  5. Zawacki, Neil; Dignan, James (2003). How to be a villain: evil laughs, secret lairs, master plans, and more!!! . Chronicle Books. p.  23. ISBN   0-8118-4666-0.
  6. Mott, Robert L. (2009). The audio theater guide: vocal acting, writing, sound effects and directing for a listening audience. McFarland. p. 31. ISBN   978-0-7864-4483-0.