Type | Private |
---|---|
Industry | Ceramics |
Founded | 1610 |
Headquarters | , |
Area served | Global |
Key people | Evan Jenkins (1st generation) David John Jenkins (5th generation) Alun & Jayne Jenkins (7th generation) Caitlin Jenkins (8th generation) |
Products | Pottery |
Owner | Alun & Jayne Jenkins |
Number of employees | 3 |
Website | www |
Ewenny Pottery, founded in 1610 in the village of Ewenny, is the oldest working pottery in Wales. [1]
The village of Ewenny is sited above all of the natural resources to make the local red earthenware pottery: clay deposited from the ice age; wood and coal for firing; glaze materials; and stone to build the kilns. Since 1427, there have been fifteen potteries in the Ewenny area at one time or another, all small family concerns. [1]
The Ewenny Pottery was founded in 1610, probably by farmers in the area looking to make commercial use of the clay. In the early 1800s Evan Jenkins married Mary, the daughter of then owner John Morgan, and so started the Jenkins family period of ownership that continues to this present day. The products at this time would have been mainly for agricultural and local use, plus occasional commissions. At this time, the number of potteries in the area was at its height, but quickly dwindled due to the onset of cheap enamelware and china imports from the Far East. [1]
In 1883 at the height of the Arts and Crafts movement, Bayswater, London based designer and ceramics dealer Horace W Elliot was visiting country potteries looking for pieces to sell in his showrooms. Having struck up a friendship with the Jenkins brothers, he is particularly associated with Ewenny, but also with C.H. Brannam and Bourne Denby. [1] [2]
Elliott made annual visits to Eweny until 1913, designing many pieces for the Jenkins brothers to make. His fleur-de-lys design mark was often applied to Ewenny and other wares, and as a proponent of the Esperanto movement, sometimes inscribed his pots in that language. [2]
In the early 1900s, David John Jenkins was born into the family business. After working with his father in the pottery and uncles at the claypits, he married Martha Arthur whose family had owned the Corntown Pottery, with whom he had seven children. [1]
After buying the Ewenny Pottery from his cousin Edwin II, he invented the classical mottled-glazing technique that is still used by the pottery today. The piece is firstly dipped completely in one glaze, and then splashed with a second glaze. David John Jenkins created the technique as he had noticed that thanks to the railways, there were many more visitors travelling into the countryside looking for a unique and original memento of their excursion. [1]
At the outbreak of World War II, all of his sons were called-up, and he could only fire the kiln when given permission by the Air Raid Warden. He was however regularly commissioned by ROF Bridgend to make one-off and commemorative pieces, with his son Dai given leave of absence on one occasion from the Royal Air Force to help his father fire the kilns. [3]
Post the war, and only Dai and Arthur returned to the business. With growth in the business, the partnership could no longer afford to dig its own clay, and so it consolidated to just being a pottery. After the death of David John Jenkins in 1961, the two brothers became co-owners. However, with mass-produced pottery now cheap, the business was in decline. [3]
In 1969, Arthur's eldest son Alun had graduated with a degree in Ceramics from Cardiff College of Art. Wishing to see the business continue, Alun and his wife Jayne started producing pieces in their garage, and then gained a large commission to produce commemorative mugs for the Silver Jubilee of Elizabeth II in 1977. [1] [3]
Alun and Jayne Jenkins (7th generation) continue to produce pieces, together with their daughter Caitlin Jenkins (8th generation) who has a degree in ceramics from the University of Wales Institute Cardiff and a master's degree from the Royal College of Art. The present pottery and showrooms are situated on the site of a former kiln, on the main road through the village of Ewenny. [3]
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a potter is also called a pottery. The definition of pottery, used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Clay as a part of the materials used is required by some definitions of pottery, but this is dubious.
Delftware or Delft pottery, also known as Delft Blue, is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made elsewhere. It is also used for similar pottery, English delftware.
Earthenware is glazed or unglazed nonvitreous pottery that has normally been fired below 1,200 °C (2,190 °F). Basic earthenware, often called terracotta, absorbs liquids such as water. However, earthenware can be made impervious to liquids by coating it with a ceramic glaze, which the great majority of modern domestic earthenware has. The main other important types of pottery are porcelain, bone china, and stoneware, all fired at high enough temperatures to vitrify.
Pottery and porcelain, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were created as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony.
Ewenny is a village and community (parish) on the River Ewenny in the Vale of Glamorgan, Wales.
Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown, blue, or purple.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long period of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it's decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. A lot of talented Korean potters were captured to Japan after the porcelain war in 1592–1598. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
North Dakota in the United States has been the scene of modern era pottery production using North Dakota clays since the early 1900s. In 1892 a study was published by Earle Babcock, a chemistry instructor at the University of North Dakota (UND) that reported on the superior qualities of some of the North Dakota clays for pottery production. The UND School of Mines began operations in 1898 with Earle Babcock as director. With the assistance of several eastern potteries, pottery made from North Dakota clay was first displayed at the 1904 St. Louis World's Fair.
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Royal Doulton is an English ceramic and home accessories manufacturer that was founded in 1815. Operating originally in Vauxhall, London, and later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start, the backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1901, its wares were marked Doulton & Co., then from 1901, when a royal warrant was given, Royal Doulton.
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Blue Ridge is a brand and range of American tableware (dishware) manufactured by Southern Potteries Incorporated from the 1930s until 1957. Well known in their day for their underglaze decoration and colorful patterns, Blue Ridge pieces are now popular items with collectors of antique dishware. The underglaze technique made the decorations more durable, and while basic patterns were reused consistently, the fact that each piece was hand-painted means that no two pieces are exactly alike.
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