Art is a diverse range of human activity and its resulting product that involves creative or imaginative talent generally expressive of technical proficiency, beauty, emotional power, or conceptual ideas.
In the arts and in literature, the term avant-garde identifies an experimental genre, or work of art, and the artist who created it; which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.
Cultural diversity is the quality of diverse or different cultures, as opposed to monoculture. It has a variety of meanings in different contexts, sometimes applying to cultural products like art works in museums or entertainment available online, and sometimes applying to the variety of human cultures or traditions in a specific region, or in the world as a whole. It can also refer to the inclusion of different cultural perspectives in an organization or society.
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BCE, to the present day.
Artistic freedom can be defined as "the freedom to imagine, create and distribute diverse cultural expressions free of governmental censorship, political interference or the pressures of non-state actors." Generally, artistic freedom describes the extent of independence artists obtain to create art freely. Moreover, artistic freedom concerns "the rights of citizens to access artistic expressions and take part in cultural life—and thus [represents] one of the key issues for democracy." The extent of freedom indispensable to create art freely differs regarding the existence or nonexistence of national instruments established to protect, to promote, to control or to censor artists and their creative expressions. This is why universal, regional and national legal provisions have been installed to guarantee the right to freedom of expression in general and of artistic expression in particular. In 2013, Ms Farida Shaheed, United Nations special rapporteur to the Human Rights Council, presented her "Report in the field of cultural rights: The right to freedom of expression and creativity" providing a comprehensive study of the status quo of, and specifically the limitations and challenges to, artistic freedom worldwide. In this study, artistic freedom "was put forward as a basic human right that went beyond the 'right to create' or the 'right to participate in cultural life'." It stresses the range of fundamental freedoms indispensable for artistic expression and creativity, e.g. the freedoms of movement and association. "The State of Artistic Freedom" is an integral report published by arts censorship monitor Freemuse on an annual basis.
In a society, high culture encompasses cultural objects of aesthetic value, which a society collectively esteems as being exemplary works of art, and the intellectual works of literature and music, history and philosophy, which a society considers representative of their culture.
The Royal Commission on National Development in the Arts, Letters and Sciences, otherwise known as the Massey Commission, chaired by Vincent Massey, was founded in 1949. The Massey Commission examined Canada's cultural needs. Massey had long believed that Canadians' rich cultural history was deeply embedded in European culture but was too little known to the world. An avid art collector himself, he sponsored exhibits in Europe and saw the need for a national commitment to promoting the arts.
Visual arts education is the area of learning that is based upon the kind of art that one can see, visual arts—drawing, painting, sculpture, printmaking, and design in jewelry, pottery, weaving, fabrics, etc. and design applied to more practical fields such as commercial graphics and home furnishings. Contemporary topics include photography, video, film, design, and computer art. Art education may focus on students creating art, on learning to criticize or appreciate art, or some combination of the two.
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art:
The Arts and Letters Club of Toronto is a private members' club in Toronto, Ontario, which brings together writers, architects, musicians, painters, graphic artists, actors and others working in or with a love of the arts and letters. It was founded in 1908 as a gentlemen's club, but women have been members since 1985.
Cultural policy is the government actions, laws and programs that regulate, protect, encourage and financially support activities related to the arts and creative sectors, such as painting, sculpture, music, dance, literature, and filmmaking, among others and culture, which may involve activities related to language, heritage and diversity. The idea of cultural policy was developed at UNESCO in the 1960s. Generally, this involves governments setting in place processes, legal classifications, regulations, legislation and institutions which promote and facilitate cultural diversity and creative expressions in a range of art forms and creative activities. Cultural policies vary from one country to another, but generally they aim to improve the accessibility of arts and creative activities to citizens and promote the artistic, musical, ethnic, sociolinguistic, literary and other expressions of all people in a country. In some countries, especially since the 1970s, there is an emphasis on supporting the culture of Indigenous peoples and marginalized communities and ensuring that cultural industries are representative of a country's diverse cultural heritage and ethnic and linguistic demographics.
The Secretariat of Culture, formerly known as the National Council for Culture and Arts, is a Mexican government agency in charge of the nation's museums and monuments, promoting and protecting the arts, and managing the national archives.
Canadian artist-run centres are galleries and art spaces developed by artists in Canada since the 1960s. Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Most centres follow the not-for-profit arts organization model, do not charge admission fees, pay artists for their contributions are non-commercial and de-emphasize the selling of artwork.
Canadian art refers to the visual as well as plastic arts originating from the geographical area of contemporary Canada. Art in Canada is marked by thousands of years of habitation by Indigenous peoples followed by waves of immigration which included artists of European origins and subsequently by artists with heritage from countries all around the world. The nature of Canadian art reflects these diverse origins, as artists have taken their traditions and adapted these influences to reflect the reality of their lives in Canada.
The Sistema Nacional de Creadores de Arte is program developed by the former Consejo Nacional para la Cultura y las Artes, and founded per presidential decree on September 3, 1993. Its goal is the advancement and acceptance of creative activities as an essential part of national identity. It is Mexico's most prestigious arts' grant and a majority of Mexico's most notable architects, fiction writers, poets, essayists, painters, photographers, visual artists, screenwriters, filmmakers, and others who have rendered outstanding services through their work to the creative identity of Mexico, have belonged or currently belong to the program. Every year a new set of 200 creators are selected based on the work produced and contribution to the culture of Mexico. This group of creators receives a special “Artistic Creator” title along with an up to 3-year stimulus that can be used to fund their art endeavors. Creators may reapply once more 3 years after their grant has ended to be awarded again. The 2022 selection included 115 new artists and 85 '2nd time' artists to make up the total of 200 Creadores Artísticos, and all come from 28 different states in Mexico.
The National Theatre Company of Mexico was established in 1977 in Mexico City to promote the theater arts on a national scale. The company was restructured in 2008 and had since been headed by director Luis de Tavira until 2017, when they chose Enrique Singer to take his place to direct the permanent cast of about forty members. The company promotes the theater tradition in general as well as Mexican playwriting and staging, performing classic and new works, as it performs nearly year round in various parts of the country.
The Ministry of Culture and Information Policy (MCIP) is the main state authority in the system of central government of Ukraine responsible for ensuring the informational sovereignty of Ukraine, in particular regarding the dissemination of socially important information in Ukraine and beyond, as well as ensuring the functioning of state information resources and country's cultural development and history preservation. It is fully based on the former Ministry of Culture and Tourism.
Cecilia Lugo is a Mexican contemporary dancer and choreographer. She has participated in groups such as INBA's National Dance Company and the Ballet Folklórico de México.
Rafael Tovar y de Teresa CEM was a Mexican diplomat, lawyer, scholar and historian. First Secretary of Culture of Mexico in the president's cabinet of Enrique Peña Nieto (2015), he was Mexican ambassador to Italy between 2001 and 2007; He was the second president of the National Council for Culture and the Arts (CONACULTA), a position he held on three separate occasions until this organization became the Secretariat of Culture. He was also president of the 'Organizing Committee for the Commemoration of the Bicentennial of the start of the National Independence movement and the Centenary of the start of the Mexican Revolution' between September 2007 and October 2008.
Clément Joseph Bérini, Franco-Ontarian born in Timmins, Canada, was a professional visual artist in Ontario, promoter of Northern Ontario art and Franco-Ontarian culture. He stands out among artists of the North because he was recognized early in his artistic career, when he was training in the classical-academic way of painting, and chose to pursue an artistic career in the North.
