Face in the Night | |
---|---|
Directed by | Lance Comfort |
Written by | Bruce Graeme (novel) Norman Hudis John Sherman |
Produced by | Charles Leeds |
Starring | Griffith Jones Lisa Gastoni Vincent Ball Eddie Byrne |
Cinematography | Arthur Graham |
Edited by | Peter Pitt |
Music by | Richard Rodney Bennett |
Production company | Gibraltar Films |
Distributed by | Grand National Pictures United Artists (US) |
Release date |
|
Running time | 78 minutes |
Country | United Kingdom |
Language | English |
Face in the Night, released in the US as Menace in the Night, is a 1957 British second feature [1] crime film directed by Lance Comfort and starring Griffith Jones, Lisa Gastoni and Vincent Ball. [2] It was based on the novel Suspense by Bruce Graeme. [3]
A young woman witnesses a mailbag robbery that ends with a dead postman, but she is intimidated into not coming forward.
The Monthly Film Bulletin wrote: "This small-budget thriller is distinctly above the average of its type. The acting is in general of a high standard; there is a very good behind-the-scenes joke about British Banking and a skilfully-handled sentimental scene. The script is simple but brisk; the direction efficient." [4]
Allmovie wrote, "this British crime quickie reads rather better than it plays." [5]
TV Guide wrote that the film is "hampered by some less-than-impressive camerawork." [6]
Sky Movies noted "a crisp thriller, economic in length but correspondingly fast in pace and actionful." [7]
Blue Murder at St Trinian's is a 1957 British comedy film, directed by Frank Launder, co-written by Launder and Sidney Gilliat, and starring Terry-Thomas, George Cole, Joyce Grenfell, Lionel Jeffries and Richard Wattis; the film also includes a brief cameo of Alastair Sim, reprising his lead role in the 1954 film, The Belles of St. Trinian's. Inspired by the St Trinian's School comic strips by British cartoonist Ronald Searle, the film is the second entry in the St. Trinian's film series, with its plot seeing the students of the fictional school making plans to secure a place on a European tour, all while subsequently aiding a criminal who is secretly seeking to escape the country with stolen jewels.
Interpol is a 1957 British-American CinemaScope crime film noir directed by John Gilling and starring Victor Mature, Anita Ekberg, Trevor Howard, Bonar Colleano and Sid James. The screenplay was by John Paxton, based on the 1955 novel of the same name by A.J. Forrest. The film was produced by Irving Allen and Albert R. Broccoli for Warwick Films.
Village of Daughters is a 1962 British comedy film directed by George Pollock and starring Eric Sykes, Scilla Gabel, John Le Mesurier, Grégoire Aslan, Graham Stark, and Warren Mitchell.
Double Confession is a 1950 British crime film directed by Ken Annakin and starring Derek Farr, Joan Hopkins, William Hartnell and Peter Lorre. The screenplay by William Templeton is based on the novel All On A Summer's Day by H.L.V. Fletcher, written under the pen name John Garden.
Three Men in a Boat is a 1956 British CinemaScope colour comedy film directed by Ken Annakin, starring Laurence Harvey, Jimmy Edwards, David Tomlinson and Shirley Eaton. It was written by Hubert Gregg and Vernon Harris based on the 1889 novel of the same name by Jerome K. Jerome.
Lisa Gastoni is an Italian film actress. Gastoni was named "Best Italian Actress of the Year, 1966" as she received both the Nastro D'Argento Award and the Golden Globe Award from Italy's Foreign Press Association.
No Trees in the Street is a 1959 British crime thriller directed by J. Lee Thompson and starring Sylvia Syms, Herbert Lom and Melvyn Hayes. It was written by Ted Willis, from his 1948 stage play of the same name.
Man from Tangier is a 1957 British second feature crime film directed by Lance Comfort and starring Robert Hutton, Lisa Gastoni and Martin Benson.
The Breaking Point is a 1961 second feature British crime film directed by Lance Comfort and starring Peter Reynolds, Dermot Walsh, Joanna Dunham and Lisa Gastoni.
The Psychopath is a 1966 British horror film directed by Freddie Francis and starring Patrick Wymark and Margaret Johnston. It was written by Robert Bloch and was an Amicus production.
Unman, Wittering and Zigo is a 1971 British thriller film directed by John Mackenzie and starring David Hemmings, Douglas Wilmer and Carolyn Seymour. It was adapted by Simon Raven from Giles Cooper's 1958 BBC Radio 3 radio drama Unman, Wittering and Zigo.
That Woman Opposite is a 1957 British crime drama, directed by Compton Bennett and starring Phyllis Kirk, Dan O'Herlihy and William Franklyn. The screenplay, by Bennett, was adapted from John Dickson Carr's 1942 novel The Emperor's Snuff-Box.
The Hypnotist is a 1957 British thriller film directed by Montgomery Tully and starring Paul Carpenter, Patricia Roc and Roland Culver. It is based on a play by Falkland Cary. A hypnotist has grown sick of his wife and attempts to convince one of his patients to murder her.
Morning Call is a 1957 British thriller film, directed by Arthur Crabtree and starring Greta Gynt and Ron Randell. It was written by Bill Luckwell and Paul Tabori from a story by Leo Townsend. It was distributed in the U.S. by Republic Pictures.
Intent to Kill is a 1958 British film noir thriller directed by Jack Cardiff and starring Richard Todd, Betsy Drake and Herbert Lom. The film was based on the 1957 novel of the same name by Brian Moore. It was shot on location in Montreal, Quebec, Canada, with an international cast of European and North American actors.
The Flying Scot is a 1957 British 'B' crime film produced and directed by Compton Bennett and starring Lee Patterson, Kay Callard and Alan Gifford. The screenplay was by Norman Hudis based on a story by Jan Read and Ralph Smart.
For the 1952 Fritz Lang film of the same name see Clash by Night.
Witness in the Dark is a 1959 British second feature crime drama film directed by Wolf Rilla, and starring Patricia Dainton, Conrad Phillips, Madge Ryan and Nigel Green. It was produced by Norman Williams.
Dead Man's Evidence is a 1962 British black-and-white crime thriller "B" film directed by Francis Searle, starring Conrad Phillips and Jane Griffiths. A British spy is sent to Ireland to investigate the death of a former colleague who defected.
Wrong Number is a 1959 British second feature crime film directed by Vernon Sewell and starring Peter Reynolds, Lisa Gastoni and Olive Sloane. It was written by James Eastwood and Norman Edwards.