This article needs additional citations for verification . (July 2012) (Learn how and when to remove this template message) |
Faintly Blowing | ||||
---|---|---|---|---|
Studio album by | ||||
Released | April 11, 1969 | |||
Recorded | 1968-1969 | |||
Genre | Psychedelic rock, folk rock | |||
Length | 37:44 | |||
Label | Fontana | |||
Producer | Dick Leahy | |||
Kaleidoscope chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Faintly Blowing is Kaleidoscope's second studio album released by Fontana Records in April 1969.
Though not as popular as the U.S. Kaleidoscope, this British band was also a band from the psychedelic movement with moderate domestic success, and just enough international exposure to have this album recognized in the genre's catalogue and regarded as one of the best in the same.
All songs composed by Eddy Pumer (music) and Peter Daltrey (lyrics).
The album was re-released in 2011 by Sunbeam records with all the original artwork and a 12 pages inner-book with new photos and recording history written by Peter Daltrey.
The Moody Blues are a rock band formed in Birmingham, England, in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick. The group came to prominence playing rhythm and blues music. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward, and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s.
The Isle of Wight Festival 1970 was held between 26 and 31 August 1970 at Afton Down, an area on the western side of the Isle of Wight in England. It was the last of three consecutive music festivals to take place on the island between 1968 and 1970 and widely acknowledged as the largest musical event of its time, greater than the attendance of Woodstock. Although estimates vary, Guinness World Records estimated 600,000 to 700,000 people attended. It was organised and promoted by local brothers, Ron and Ray Foulk through their company Fiery Creations Ltd and their brother Bill Foulk. Ron Smith was site manager and Rikki Farr acted as compere.
Empty Glass is the second solo studio album by English rock musician Pete Townshend, and his first composed of original material, released on 21 April 1980 by Atco Records.
Who Are You is the eighth studio album by English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts.
Face Dances is the ninth studio album by English rock band the Who. It was released in 1981 by Warner Bros. in the United States and on Polydor in the United Kingdom. It was one of two Who studio albums with drummer Kenney Jones, who joined the band after Keith Moon's death three years earlier.
Endless Wire is the eleventh studio album by the English rock band the Who, released on 30 October 2006 in the UK through Polydor Records and the following day in the US by Universal Republic. It was their first new studio album of original material in 24 years following the release of It's Hard in 1982, as well as their first since the death of the bassist John Entwistle, and their last one for the 13 years to follow, until the release in December 2019 of their follow-up studio album, Who. The album was originally due to be released in early 2005 under the working title WHO2.
"Have a Cigar" is the third track on Pink Floyd's 1975 album Wish You Were Here. It follows "Welcome to the Machine" and on the original LP opened side two. In some markets, the song was issued as a single. The song, written by Waters, is his critique of the rampant greed and cynicism so prevalent in the management of rock groups of that era.
Guy Sigsworth is a British record producer and songwriter from Ilkley, England. During his career he has worked with many artists, including Seal, Björk, Goldie, Madonna, Britney Spears, Kate Havnevik, Imogen Heap, Bebel Gilberto, Mozez, David Sylvian, Alanis Morissette, Eric Whitacre, Alison Moyet and AURORA. He has also collaborated with many celebrated instrumental musicians, including Talvin Singh, Jon Hassell and Lester Bowie. He was previously a member of the band Frou Frou together with Imogen Heap.
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, Quadrophenia. It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US Billboard Hot 100 and number 54 on Cash Box.
"Eminence Front" is a song written and sung by Pete Townshend of the Who. It appears as the sixth track on the group's 1982 studio album, It's Hard. The single reached number 68 on the Billboard Hot 100. Lead singer Roger Daltrey, vocally critical of the album, described "Eminence Front" as the only song on it that he felt was worthy of being released.
"747" is a Swedish-language song by rock band Kent, written by Joakim Berg. It's the final song on their album Isola and was released as third single in 1998 with B-sides "Din skugga" and "Elever". It's been recorded both with Swedish and English lyrics. It quickly became a fan favorite, and for eight years, the band always ended their concerts with it.
Sacred Cows, subtitled "The Songs That Helped Us," is an album featuring the rock band The Swirling Eddies, performing their own less-than-serious versions of popular CCM hits, released in 1996 on StarSong.
Russell Glyn Ballard is an English singer, songwriter and musician.
Kaleidoscope are an English psychedelic rock band from London that originally were active between 1967 and 1970. The band's songs combined the elements of psychedelia with lyrics. The band were also known at various times as The Sidekicks, The Key, I Luv Wight and Fairfield Parlour.
Peter James Daltrey is an English musician. He has been the lead singer and chief songwriter for the bands Kaleidoscope and Fairfield Parlour. He is also a solo artist.
Josina van de Wijdeven, known as José Hoebee, is a Dutch pop singer. She was a member of Luv', a famous Dutch girl group in the late 1970s and early 1980s that scored hits in more than 15 countries. In late 1981, she went solo and was successful in her homeland and in the Flanders region of Belgium between 1982 and 1985. She formed an occasional duo known as Bonnie & José with Bonnie St. Claire to record Dutch cover versions of ABBA's songs.
White Faced Lady is an album by UK band Kaleidoscope. It is a concept album that tells the story of a pale-skinned girl named Angel, from her troubled youth to her sudden rise to fame as a movie star to her tragic decline and untimely death. Reportedly, it was inspired by the life of Marilyn Monroe, and indeed the final track name-checks Marilyn and Arthur Miller. As a rock opera, it follows the example of The Pretty Things' S. F. Sorrow rather than The Who's Tommy, with the liner notes telling the complete story and the songs expounding on key events. Many of the songs are tied together by brief musical segues.
Tangerine Dream is Kaleidoscope's debut album released by Fontana Records on 24 November 1967. Despite the group’s following, good reviews and radio play it failed to reach the charts.
From Home to Home is a 1970 album by the English prog-rock group Fairfield Parlour. In 2000 was re-released as double longplay album by "Burning Airlines" and marketed in 2001 by "Get Back" only in Italy.
"Quicksilver Lightning" is a song by Roger Daltrey, who at the time was the former lead singer of The Who. The track is credited as being written by Dean Pitchford and being composed by Giorgio Moroder. The track is the theme tune for the 1986 film Quicksilver starring Kevin Bacon, Jami Gertz, Paul Rodriguez, Louie Anderson, Laurence Fishburne and Rudy Ramos. The film was directed by Thomas Michael Donnelly. The film went quite unnoticed, so both the song and the film are not easily remembered.