Faking (Western classical music)

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According to The Strad, a leading Classical music magazine, "faking" occurs in all types of orchestras. Oxford Millennium Orchestra - 2016 Santa Maria del Mar 01.jpg
According to The Strad , a leading Classical music magazine, "faking" occurs in all types of orchestras.

In instrumental music performances in Western classical music, "faking" is the process by which a musician gives the "...impression of playing every note as written" in the printed music part, typically for a very challenging passage that is very high in pitch and/or very rapid, while not actually playing all of the notes in the part. [1] Faking may be done by an orchestra musician, a concerto soloist or a chamber musician; however, faking tends to be more associated with orchestra playing, because the presence of such a large music ensemble (as many as 100 musicians) makes it easier for musicians who "fake" to do so without being detected. A concerto soloist or chamber musician who faked passages would be much easier for audience members and other musicians to detect. Orchestra musicians at every level, from amateur orchestras and youth orchestras to professional orchestra players will occasionally "fake" a hard passage.

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Faking is considered controversial in orchestral playing; The Strad magazine calls it one of the "great unmentionable [topics] of orchestral playing". A professional cellist states that all orchestral musicians, even those in the top orchestras, occasionally "fake" certain passages. [1] Professional players who were interviewed were of a consensus that faking because a part is not written well for the instrument may be acceptable, but faking "just because you haven't practised" the music is not acceptable. [1]

A musician from the Canadian Music Centre stated that "...when I hear someone [a musician] say "I can just fake that" [music] is akin to nails on a chalkboard." [2] The CMC musician states that as a "...performer I feel obligated to make sure I can play the music as well as I can. If that means I have to woodshed [(practice) a] lick up until the day of the concert that is what I will do, I can't personally accept "faking" it as an answer for any kind of music." [2]

The classical music comedy YouTube channel duo TwoSetViolin has made several videos reacting to and criticizing fake classical music portrayals. [3]

Explanations

One reason that musicians "fake" is because there are not enough rehearsals or time to learn the pieces. [1] Another factor is the extreme challenges in contemporary pieces; professionals interviewed by the magazine said "faking" was "...necessary in anything from ten to almost ninety per cent of some modern works. [1] Youth orchestra members and players in amateur or community orchestras may fake because the parts in professional orchestral repertoire are beyond their technical level. Gigging musicians playing in "one-off" pickup groups and local pit orchestras may fake because they do not have time to practice or prepare the music.

Other meanings

In jazz, the term "fake" does not have the same meaning as in Classical music, and as well, it does not carry negative connotations. In jazz, when a jazz quartet "fakes" accompaniment parts to a song with a singer, this is a synonym for improvising their backup parts. Improvising backup lines (chord voicings for piano/guitar, basslines for bass, and drum parts for drum set) is an essential skill for jazz musicians. The use of the term "fake" in the jazz scene is illustrated by the expression "fake book", a collection of lead sheets and chord progressions for jazz standards (commonly-played jazz tunes). The reason the book is called a "fake book" is because trained jazz performers are able to improvise accompaniment parts and solos from the chord charts contained therein.

Comparison with miming

There is some overlap between faking and miming in instrumental performance. The distinction is that with miming, the instrumentalists pretend to play while a pre-recorded backing track sounds over the PA system or, for a broadcast performance, on the audience's TV or radio; with faking, there is no backing track or use of technology. As well, with faking, the performer often plays some portion of the notated music. For example, with a fast scale run, an orchestral musician who is faking may play the first note and the last note. In contrast, a musician who is miming while the recording is playing over speakers does not need to make any sounds at all. They only need move their body, arms and fingers to give the appearance of playing. Indeed, in some miming contexts, the instrumentalists are instructed not to make any sounds at all, as these might be picked up by live vocal mics on the stage.

While miming in instrumental performance is most often associated with popular music, due to the widespread use of lip-synching and miming instrumental playing on TV shows such as Top of the Pops (while the recording plays on the viewer's TV speakers), there are examples where producers have hired an orchestra or chamber musicians to appear on a stage and pretend to play, while the spectators (if in a live venue) or viewers (if a broadcast event) hear a previously recorded tape of that orchestra/ensemble (or a different orchestra or ensemble) playing.

See also

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Musical ensemble Group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name

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Orchestra Large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families, including bowed string instruments such as the violin, viola, cello, and double bass, brass instruments such as the horn, trumpet, trombone and tuba, woodwinds such as the flute, oboe, clarinet and bassoon, and percussion instruments such as the timpani, bass drum, triangle, snare drum, cymbals, and mallet percussion instruments each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.

Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper, although the access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instruments.

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A bassline is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.

Accompaniment Musical parts which provide the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece

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Pit orchestra

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Rehearsal

A rehearsal is an activity in the performing arts that occurs as preparation for a performance in music, theatre, dance and related arts, such as opera, musical theatre and film production. It is undertaken as a form of practising, to ensure that all details of the subsequent performance are adequately prepared and coordinated. The term rehearsal typically refers to ensemble activities undertaken by a group of people. For example, when a musician is preparing a piano concerto in their music studio, this is called practicing, but when they practice it with an orchestra, this is called a rehearsal. The music rehearsal takes place in a music rehearsal space.

Lead sheet

A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation, the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff.

A pickup group is a group of professional musicians, which may be session musicians who are hired to play for a limited time period—ranging from a single concert or sound recording session to several weeks of shows—before disbanding. Pickup groups are formed to play in pit orchestras for musical theatre performances, operas, or operettas, accompany jazz singers or instrumental soloists, and act as a temporary backup band for a pop singer for a tour. As well, pickup groups are hired to perform at social events such as weddings or holiday parties. The size of these ensembles ranges from a three- or four-member rock ensemble or jazz group or classical chamber ensemble to a 20-piece jazz big band, a 20-27 member pit orchestra for a Broadway musical or a 30-100 member orchestra.

Musical improvisation

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Jazz improvisation

Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments and accompanied by drums. Although blues, rock, and other genres use improvisation, it is done over relatively simple chord progressions which often remain in one key.

Music stand

A music stand is a pedestal or elevated rack designed to hold a paper score or sheets of music in position for reading. Most music stands for orchestral, chamber music or solo orchestra-family instruments can be raised or lowered to accommodate seated or standing performers, or performers of different heights. Many types of keyboard instruments have a built-in or removable music rack or stand where sheet music can be placed. Music stands enable musicians to read sheet music or scores while playing an instrument or conducting, as the stand leaves the hands free. Music stands are sometimes used by singers, however for choirs, singers typically hold their sheet music in a folder, and singers performing solo recitals or opera performances typically memorize the lyrics and melodies. Some singers use stands, such as lounge singers and wedding vocalists who have a repertoire of hundreds of songs, which makes remembering all of the verses difficult. There are evidence of music stands from china as early as 200 BC, but they became more known during the 1300 hundereds in Europe. During Shakespeares time late 1500 hundereds musical scores were still, if used at all, just put laying down on an even surfance in front of the musicians. In church pillar stands, with space for music scores or Bible reading or painting, were some times set up on all fore sides of the pillar.

Audition

An audition is a sample performance by an actor, singer, musician, dancer or other performer. It typically involves the performer displaying their talent through a previously memorized and rehearsed solo piece or by performing a work or piece given to the performer at the audition or shortly before. In some cases, such as with a model or acrobat, the individual may be asked to demonstrate a range of professional skills. Actors may be asked to present a monologue. Singers will perform a song in a popular music context or an aria in a Classical context. A dancer will present a routine in a specific style, such as ballet, tap dance or hip-hop, or show his or her ability to quickly learn a choreographed danceion is a systematic process in which industry professionals select performers, which is in some ways analogous to a job interview in the regular job market. In an audition, the employer is testing the ability of the applicant to meet the needs of the job and assess how well the individual will take directions and deal with changes. After some auditions, after the performer has demonstrated their abilities in a given performance style, the audition panel may ask a few questions that resemble those used in standard job interviews.

Todmorden 513 is a composition by the German composer Markus Reuter.

In jazz, the term "faking" means to improvise accompaniment parts. The term "faking" in jazz does not have the same meaning as in faking in Classical music, where faking is seen as a controversial activity. In jazz, when a jazz quartet "fakes" accompaniment parts to a song with a singer, this is a synonym for improvising their backup parts. Improvising backup lines is an essential skill for jazz musicians. The use of the term "fake" in the jazz scene is illustrated by the expression "fake book", a collection of lead sheets and chord progressions for jazz standards. The reason the book is called a "fake book" is because trained jazz performers are able to improvise accompaniment parts and solos from the chord charts contained therein.

Faking may refer to:

References

  1. 1 2 3 4 5 McVeigh, Alice. "Faking it – the great unmentionable of orchestral playing" in The Strad, June 2006. http://www.thestrad.com/faking-it-the-great-unmentionable-of-orchestral-playing/
  2. 1 2 James, Mathew S (November 26, 2014). ""Faking" it". Canadian Music Centre / Centre de Musique Canadienne. Retrieved May 17, 2019.
  3. "Actors being roasted by two professional violinists is hilariously brutal". Classic FM. Retrieved February 7, 2020.