Anamosa is a city in Jones County, Iowa, United States. The population was 5,450 at the 2020 census. It is the county seat of Jones County.
Grant DeVolson Wood was an American painter and representative of Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for American Gothic (1930), which has become an iconic example of early 20th-century American art.
Ezra Cornell was an American businessman, politician, academic, and philanthropist. He was the founder of Western Union and a co-founder of Cornell University. He also served as President of the New York Agriculture Society and as a New York State Senator.
American Gothic is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago.
The Figge Art Museum is an art museum in Davenport, Iowa. The Figge, as it is commonly known, has an encyclopedic collection and serves as the major art museum for the eastern Iowa and western Illinois region. The Figge works closely with several regional universities and colleges as an art resource and collections hub for a number of higher education programs.
Daniel Rhodes was an American artist, known as a ceramic artist, muralist, sculptor, author and educator. During his 25 years (1947–1973) on the faculty at the New York State College of Ceramics at Alfred University, in Alfred, New York, he built an international reputation as a potter, sculptor and authority on studio pottery.
The Stone City Art Colony was an art colony founded by Edward Rowan, Adrian Dornbush, and Grant Wood. The colony gathered on the John A. Green Estate in Stone City, Iowa during the summers of 1932 and 1933.
American Regionalism is an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small-town America primarily in the Midwest. It arose in the 1930s as a response to the Great Depression, and ended in the 1940s due to the end of World War II and a lack of development within the movement. It reached its height of popularity from 1930 to 1935, as it was widely appreciated for its reassuring images of the American heartland during the Great Depression. Despite major stylistic differences between specific artists, Regionalist art in general was in a relatively conservative and traditionalist style that appealed to popular American sensibilities, while strictly opposing the perceived domination of French art.
The American Gothic House, also known as the Dibble House, is a house in Eldon, Iowa, designed in the Carpenter Gothic style with a distinctive upper window. It was the backdrop of the 1930 painting American Gothic by Grant Wood, generally considered Wood's most famous work and among the most recognized paintings in twentieth century American art. Wood, who observed the house only twice in his lifetime, made only an initial sketch of the house—he completed American Gothic at his studio in Cedar Rapids.
Lee Allen, born Edwin Lee Allen, was an American Regionalist painter, a muralist, and a medical illustrator, and an acclaimed ophthalmic photographer and ocularist.
Stone City is an unincorporated community and census-designated place in Jones County, Iowa, United States. Stone City began as a company town for the workers of the local quarries. Stone City is known for its Anamosa Limestone quarries, historic limestone architecture, and 1930s art colony.
Nan Wood Graham was an American artist and art teacher. She was the sister of painter Grant Wood. She is best known as the model for the woman in her brother's most famous painting, American Gothic (1930).
The Cedar Rapids Museum of Art is a museum in downtown Cedar Rapids, Iowa, United States. The museum is privately owned and was established in 1905. The museum acquired the old Cedar Rapids Public Library building after the library moved into a new location in 1985. The current home of the museum, designed by post-modern architect Charles Moore, was built adjoining the old library in 1989.
The University of Iowa Stanley Museum of Art is a visual arts institution that is part of the University of Iowa in Iowa City, Iowa, United States. It is accredited by the American Alliance of Museums.
Grant Wood's "Fall Plowing" Rural Historic Landscape District is a 123-acre (50 ha) historic district near Viola, Iowa.
The University of Iowa School of Art and Art History is a top 10 public art school in the US. The school is part of the University of Iowa located in Iowa City, IA which awards undergraduate and graduate degrees in art and art history. The graduate program offers Masters of Arts in art and art history, Master of Fine Arts in art, and Doctor of Philosophy in art history. One of the largest departments in the College of Liberal Arts and Sciences, the school has approximately 650 undergraduate majors, 100 graduate students and 40 faculty and is consistently ranked as one of the top ten public art schools in the US. Faculty and students have included: Grant Wood, Mauricio Lasansky, David Hockney, Elizabeth Catlett, H. W. Janson, Philip Guston, Charles Ray, and Ana Mendieta.
Tameka Norris, also known as T.J. Dedeaux-Norris and Meka Jean, is an American visual and performing artist. Norris uses painting, sculpture, and performance art to create work about racial identity and the simultaneous visibility and invisibility of blackness through cultural appropriation in modern society. Her work critiques the presence of the Black body in the history of painting and fine art.
Daughters of Revolution (1932) is a painting by American artist Grant Wood; he claimed it as his only satire.
Stone City, Iowa is a 1930 painting by the American artist Grant Wood. It depicts the former boomtown of Stone City, Iowa. It was Wood's first major landscape painting. It is a study of a real place with which Wood was thoroughly familiar, but the landscape has been given fantastical curvy shapes, the trees are ornamental, and the bright surfaces are artificially patterned.
Arnold Comes of Age is a 1930 oil painting by the American regionalist painter Grant Wood, created as a birthday gift for his studio assistant, Arnold Pyle. Wood took Pyle on as his protégé and was deeply affectionate towards him. The painting depicts a figure looking ahead in a rural landscape, as two nude men bathe in a river. It is reminiscent of Italian Renaissance artist Piero della Francesca's work, in particular The Resurrection, and it is interpreted as homoerotic from its detailing.
