Grant DeVolson Wood was an American artist and representative of Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for American Gothic (1930), which has become an iconic example of early 20th-century American art.
John Steuart Curry was an American painter whose career spanned the years from 1924 until his death. He was noted for his paintings depicting rural life in his home state, Kansas. Along with Thomas Hart Benton and Grant Wood, he was hailed as one of the three great painters of American Regionalism of the first half of the twentieth century. Curry's artistic production was varied, including paintings, book illustrations, prints, and posters.
The Figge Art Museum is located on the north bank of the Mississippi River in Davenport, Iowa. The Figge, as it is commonly known, has an encyclopedic collection and serves as the major art museum for the eastern Iowa and western Illinois region. The Figge works closely with several regional universities and colleges as an art resource and collections hub for a number of higher education programs.
Carpenter Gothic, also sometimes called Carpenter's Gothic or Rural Gothic, is a North American architectural style-designation for an application of Gothic Revival architectural detailing and picturesque massing applied to wooden structures built by house-carpenters. The abundance of North American timber and the carpenter-built vernacular architectures based upon it made a picturesque improvisation upon Gothic a natural evolution. Carpenter Gothic improvises upon features that were carved in stone in authentic Gothic architecture, whether original or in more scholarly revival styles; however, in the absence of the restraining influence of genuine Gothic structures, the style was freed to improvise and emphasize charm and quaintness rather than fidelity to received models. The genre received its impetus from the publication by Alexander Jackson Davis of Rural Residences and from detailed plans and elevations in publications by Andrew Jackson Downing.
The Nightmare is a 1781 oil painting by the Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with a demonic and ape-like incubus crouched on her chest. The painting's dreamlike and haunting erotic evocation of infatuation and obsession was a huge popular success. After its debut at the 1782 Royal Academy of London, critics and patrons reacted with horrified fascination. The work became widely popular, to the extent that it was parodied in political satire and engraved versions were widely distributed. In response, Fuseli produced at least three other versions.
American Regionalism is an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small-town America primarily in the Midwest. It arose in the 1930s as a response to the Great Depression, and ended in the 1940s due to the end of World War II and a lack of development within the movement. It reached its height of popularity from 1930 to 1935, as it was widely appreciated for its reassuring images of the American heartland during the Great Depression. Despite major stylistic differences between specific artists, Regionalist art in general was in a relatively conservative and traditionalist style that appealed to popular American sensibilities, while strictly opposing the perceived domination of French art.
Marvin Dorwart Cone was an American painter in the regionalist style.
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. The museum is based in the Art Institute of Chicago Building in Chicago's Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research.
The American Gothic House, also known as the Dibble House, is a house in Eldon, Iowa, designed in the Carpenter Gothic style with a distinctive upper window. It was the backdrop of the 1930 painting American Gothic by Grant Wood, generally considered Wood's most famous work and among the most recognized paintings in twentieth century American art. Wood, who observed the house only twice in his lifetime, made only an initial sketch of the house—he completed American Gothic at his studio in Cedar Rapids.
2,000 Feet Away is a play by British playwright Anthony Weigh. The play is a portrait of small-town life in the Midwest. It is set primarily in Eldon, Iowa, which provided the setting for Grant Wood's famous painting American Gothic. The opening and closing scenes are set in the Art Institute of Chicago where the painting is now preserved. The title of the play alludes to a state law preventing sex offenders from living within 2,000 feet (610 m) of any place where children may gather.
Nan Wood Graham was an American artist and art teacher. She was the sister of painter Grant Wood. She is best known as the model for the woman in her brother's most famous painting, American Gothic (1930).
The Cedar Rapids Museum of Art is a museum in downtown Cedar Rapids, Iowa, United States. The museum is privately owned and was established in 1905. The museum acquired the old Cedar Rapids Public Library building after the library moved into a new location in 1985. The current home of the museum, designed by post-modern architect Charles Moore, was built adjoining the old library in 1989.
The portrait is made by Ole Mejlvang Hedeager, Denmark
Davenport Bank and Trust Company was the leading bank of the Quad Cities metropolitan area for much of the 20th century and for the surrounding region of eastern Iowa and western Illinois. It was once Iowa's largest commercial bank, and the headquarters building has dominated the city's skyline since it was constructed in 1927 at the corner of Third and Main Streets in downtown Davenport, Iowa. It was acquired by Norwest Bank of Minneapolis in 1993 and now operates as part of Wells Fargo following a 1998 merger of the two financial institutions. The historic building was listed on the National Register of Historic Places in 1983 under the name of its predecessor financial institution American Commercial and Savings Bank. In 2016 the National Register approved a boundary increase with the Davenport Bank and Trust name. It was included as a contributing property in the Davenport Downtown Commercial Historic District in 2020. It remains the tallest building in the Quad Cities, and is today known as Davenport Bank Apartments as it has been redeveloped into a mixed-use facility housing commercial, office, and residential space.
Hotel Lobby is a 1943 oil painting on canvas by American realist painter Edward Hopper; it is held in the collection of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana, United States.
Velma Wallace Rayness (1896–1977) was an American artist, writer, and instructor who lived in Iowa. She usually signed her paintings "V.W. Rayness."
Daughters of Revolution (1932) is a painting by American artist Grant Wood; he claimed it as his only satire.
Stone City, Iowa is a 1930 painting by the American artist Grant Wood. It depicts the former boomtown of Stone City, Iowa. It was Wood's first major landscape painting. It is a study of a real place with which Wood was thoroughly familiar, but the landscape has been given fantastical curvy shapes, the trees are ornamental, and the bright surfaces are artificially patterned.
Byron Gordon McKeeby (1936-1984) was an American artist, educator and master printmaker known primarily for lithography. McKeeby's interest dovetailed with a burgeoning contemporary community in advancing lithography as an art form. He was active in all form of print exhibition. He built a full scope printmaking department of rank at the University of Tennessee that exists today.
Arnold Comes of Age is a 1930 oil painting by the American regionalist painter Grant Wood, created as a birthday gift for his studio assistant, Arnold Pyle. Wood took Pyle on as his protégé and was deeply affectionate towards him. The painting depicts a figure looking ahead in a rural landscape, as two nude men bathe in a river. It is reminiscent of Italian Renaissance artist Piero della Francesca's work, in particular The Resurrection, and it is interpreted as homoerotic from its detailing.
