The Silver Age of Comic Books was a period of artistic advancement and widespread commercial success in mainstream American comic books, predominantly those featuring the superhero archetype. Following the Golden Age of Comic Books and an interregnum in the early to mid-1950s, the Silver Age is considered to cover the period from 1956 to 1970, and was succeeded by the Bronze Age.
Entertaining Comics, more commonly known as EC Comics, was an American publisher of comic books, which specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series. Initially, EC was owned by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines' death in a boating accident in 1947, his son William Gaines took over the company and began to print more mature stories, delving into genres of horror, war, fantasy, science-fiction, adventure, and others. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes that anticipated the Civil Rights Movement and dawn of 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor magazine Mad, leading to the company's greatest and most enduring success. Consequently, by 1956, the company ceased publishing all of its comic lines except Mad.
The Comics Code Authority (CCA) was formed in 1954 by the Comics Magazine Association of America as an alternative to government regulation. The CCA allowed the comic publishers to self-regulate the content of comic books in the United States. The code was voluntary; there was no law requiring its use, although some advertisers and retailers looked to it for reassurance. Some publishers including Dell, Western, and Classics Illustrated never used it. Its code, commonly called "the Comics Code", lasted until the early 21st century. The CC formation followed a moral panic centered around a series of Senate hearings and the publication of psychiatrist Fredric Wertham's book Seduction of the Innocent.
The Vault of Horror was an American bi-monthly horror comic anthology series published by EC Comics in the early 1950s. Along with Tales from the Crypt and The Haunt of Fear, it formed a trifecta of popular EC horror anthologies. The Vault of Horror hit newsstands with its April/May 1950 issue and ceased publication with its December/January 1955 issue, producing a total of 40 issues.
The Haunt of Fear was an American bi-monthly horror comic anthology series published by EC Comics, starting in 1950. Along with Tales from the Crypt and The Vault of Horror, it formed a trifecta of popular EC horror anthologies. The Haunt of Fear was sold at newsstands beginning with its May/June 1950 issue. It ceased publication with its November/December 1954 issue, compiling a total of 28 issues.
Crime SuspenStories was a bi-monthly anthology crime comic published by EC Comics in the early 1950s. The title first arrived on newsstands with its October/November 1950 issue and ceased publication with its February/March 1955 issue, producing a total of 27 issues. Years after its demise, the title was reprinted in its entirety, and four stories were adapted for television in the HBO's Tales From The Crypt.
Tales from the Crypt was an American bi-monthly horror comic anthology series published by EC Comics from 1950 to 1955, producing 27 issues. Along with its sister titles, The Haunt of Fear and The Vault of Horror, Tales from the Crypt was popular, but in the late 1940s and early 1950s comic books came under attack from parents, clergymen, schoolteachers and others who believed the books contributed to illiteracy and juvenile delinquency. In April and June 1954, highly publicized congressional subcommittee hearings on the effects of comic books upon children left the industry shaken. With the subsequent imposition of a highly restrictive Comics Code, EC Comics publisher Bill Gaines cancelled Tales from the Crypt and its two companion horror titles, along with the company's remaining crime and science fiction series in September 1954.
Eerie Publications was a publisher of black-and-white horror-anthology comics magazines.
Atlas Comics is the 1950s comic-book publishing label that evolved into Marvel Comics. Magazine and paperback novel publisher Martin Goodman, whose business strategy involved having a multitude of corporate entities, used Atlas as the umbrella name for his comic-book division during this time. Atlas evolved out of Goodman's 1940s comic-book division, Timely Comics, and was located on the 14th floor of the Empire State Building. This company is distinct from the 1970s comic-book company, also founded by Goodman, that is known as Atlas/Seaboard Comics.
Tower of Shadows is a horror/fantasy anthology comic book published by the American company Marvel Comics under this and a subsequent name from 1969 to 1975. It featured work by writer-artists Neal Adams, Jim Steranko, Johnny Craig, and Wally Wood, writer-editor Stan Lee, and artists John Buscema, Gene Colan, Tom Sutton, Barry Windsor-Smith, and Bernie Wrightson.
Chamber of Darkness is a horror/fantasy anthology comic book published by the American company Marvel Comics. Under this and a subsequent name, it ran from 1969 to 1974. It featured work by creators such as writer-editor Stan Lee, writers Gerry Conway, Archie Goodwin, and Roy Thomas, and artists John Buscema, Johnny Craig, Jack Kirby, Tom Sutton, Barry Windsor-Smith, and Bernie Wrightson. Stories were generally hosted by either of the characters Digger, a gravedigger, or Headstone P. Gravely, in undertaker garb, or by one of the artists or writers.
This Magazine is Haunted was a horror comic originally published by Fawcett between 1951 and 1953. Running 14 issues, it was the first of Fawcett's supernatural line; a string of titles which included Beware! Terror Tales, Worlds of Fear, Strange Suspense Stories, and Unknown Worlds.
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s.
Toby Press was an American comic-book company that published from 1949 to 1955. Founded by Elliott Caplin, brother of cartoonist Al Capp and himself an established comic strip writer, the company published reprints of Capp's Li'l Abner strip; licensed-character comics starring such film and animated cartoon properties as John Wayne and Felix the Cat; and original conceptions, including romance, war, Western, and adventure comics. Some of its comics were published under the imprint Minoan. Some covers bore the logo ANC, standing for American News Company, at the time the country's largest newsstand distributor.
Menace was a 1953 to 1954 American crime/horror anthology comic book series published by Atlas Comics, the 1950s precursor of Marvel Comics. It is best known for the first appearance of the supernatural Marvel character the Zombie, in a standalone story that became the basis for the 1970s black-and-white comics magazine Tales of the Zombie. As well, a standalone story in the final issue introduced a robot character that was revived decades later as the Human-Robot, a.k.a. M-11, the Human-Robot.
Key Publications was an American comic-book company founded by Stanley P. Morse that published under the imprints Aragon Magazines, Gillmor Magazines, Medal Comics, Media Publications, S. P. M. Publications, Stanmor Publications, and Timor Publications.
Farrell Publications is the name of a series of American comic book publishing companies founded and operated by Robert W. Farrell in the 1940s and 1950s, including Elliot Publishing Company, Farrell Comic Group, and Excellent Publications. Farrell is particularly known for its pre-Comics Code horror comics, mostly produced by the S. M. Iger Studio. Farrell also published romance, Western, adventure, superhero, and talking animal comics. Farrell acted as editor throughout. In addition to packaging art for Farrell from the beginning, Jerry Iger was the company's art director from 1955–1957.
Thorpe & Porter was a British publisher, importer, and distributor of magazines and comic books. At first, the company was known for repackaging American comics and pulp magazines for the UK market. Later on, it became a publisher of original material. The company released more than 160 comics titles in the UK, the most prominent being Classics Illustrated, MAD UK, Edgar Rice Burroughs' Tarzan of the Apes, Larry Harmon's Laurel & Hardy, House of Hammer, and Forbidden Worlds. T & P's most prominent imprints were Top Sellers Ltd. and Brown Watson. Thorpe & Porter operated from 1946 to c. 1979.
Arnold Book Company (ABC) was a British publisher of comic books that operated in the late 1940s and 1950s, most actively from 1950 to 1954. ABC published original titles like the war comic Ace Malloy of the Special Squadron and the science fiction title Space Comics, and reprints of American horror and crime titles like Adventures into the Unknown, Black Magic Comics, and Justice Traps the Guilty. British contributors to the company's titles include Mick Anglo and Denis Gifford. Arnold Book Company was closely connected to the fellow British comics publisher L. Miller & Son.
