Fapy Lafertin | |
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Background information | |
Born | Kortrijk, Belgium | 20 November 1950
Genres | Jazz, Gypsy jazz, samba, fado |
Occupation(s) | Musician |
Instrument(s) | Guitar |
Years active | 1975–present |
Fapy Lafertin (born 20 November 1950) is a Belgian guitarist in the Belgian-Dutch gypsy jazz style. [1]
Lafertin was born in Kortrijk, Belgium in the Manouche Romani community and took up guitar at the age of five. After performing in a family band with his father on violin and his brother on second guitar, he joined the Piotto Limberger orchestra. He also toured with his uncle, Eddie Ferret. [2]
In the 1970s and '80s, he was lead acoustic guitarist with the band "Waso", with Albert "Vivi" Limberger on rhythm guitar, Koen De Cauter on reeds (clarinet and saxophone) and vocals, and Michel Verstraeten on double bass. In 1985 he began a quartet which has featured Rudi Brink, Tim Kliphuis, and Joop Hendricks. He based the quartet on the Quintette du Hot Club de France. He began a solo career and toured throughout Europe and the UK. He has played with American jazz musicians such as Charlie Byrd, Al Casey, Scott Hamilton, Milt Hinton, and Benny Waters. Briefly he performed with Stéphane Grappelli. [3]
Lafertin has used the 12-string guitarra, combining Portuguese fado and Brazilian samba with the music of Reinhardt, Duke Ellington, and the Great American Songbook in his repertoire. [3]
Jean Reinhardt, known by his Romani nickname Django, was a Romani-Belgian jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents.
Stéphane Grappelli was a French jazz violinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called "the grandfather of jazz violinists" and continued playing concerts around the world well into his eighties.
Martin Taylor, MBE is a British jazz guitarist who has performed solo, in groups, guitar ensembles, and as an accompanist.
Biréli Lagrène is a French jazz guitarist who came to prominence in the 1980s for his Django Reinhardt–influenced style. He often performs in swing, jazz fusion, and post-bop styles.
Gypsy jazz is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed in their group the Quintette du Hot Club de France. Because its origins are in France, Reinhardt was from the Manouche clan, and the style has remained popular amongst this clan. Gypsy jazz is often called by the French name "jazz manouche", or alternatively, "manouche jazz" in English language sources.
The Quintette du Hot Club de France, often abbreviated "QdHCdF" or "QHCF", was a jazz group founded in France in 1934 by guitarist Django Reinhardt and violinist Stéphane Grappelli and active in one form or another until 1948.
Christian Escoudé is a French Gypsy jazz guitarist.
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Jean-Jacques "Babik" Reinhardt was a French guitarist and the younger son of gypsy jazz guitarist Django Reinhardt by Django's second wife, Naguine. His elder half-brother Lousson, who was Django's son by his first wife, Bella, was also a guitarist, but the two grew up in different families and rarely met. He was christened Jean-Jacques but generally known by his family nickname, Babik.
Joseph "Jimmy" Rosenberg is a Dutch Sinto-Romani guitarist known for his virtuoso playing of gypsy jazz.
Hot Club de Norvège is a string jazz quartet from Norway, established in 1979, by guitarist Jon Larsen with childhood friends Per Frydenlund and Svein Aarbostad.
Hot Club Records is a jazz record label established 1982, by guitarist Jon Larsen in Oslo, Norway. The label has released over 350 CDs, DVDs and books, mostly jazz related.
Étienne "Sarane" Ferret (1912–1970) was a French musette and gypsy jazz guitarist and composer, a contemporary and musical associate of Django Reinhardt, and the brother of noted Gitan (gypsy) guitar players Baro and Matelo Ferret. He recorded with his own quintet in Paris in the 1940s and continued performing there, with occasional recording sessions, until his death in 1970.
Joseph "Nin-Nin" Reinhardt (1912–1982) was the younger brother of guitarist Django Reinhardt and played rhythm guitar on most of Django's pre-war recordings, especially those with the Quintette du Hot Club de France between 1934 and 1939. He was a pioneer of the amplified jazz guitar in France and performed for years on a home-made instrument of his own design.
Pierre Joseph "Baro" Ferret (1908–1976) was a gypsy jazz guitarist and composer. He was known by his gypsy nickname "Baro," which meant "Big One" or even "King" in Romany. Through his brother Jean "Matelo" Ferret, Baro met Django Reinhardt, and the two men became both friends and rivals. From 1931, the Ferret brothers, along with their third brother Etienne "Sarane" Ferret, and cousin René "Challain" Ferret, were favorite sidemen of Reinhardt. Baro recorded around 80 sides with Reinhardt. The Ferret brothers played with musicians including Didi Duprat.
Henri Baumgartner (1929–1992), known professionally as Lousson Reinhardt, was a French gypsy jazz guitarist and the first son of Django Reinhardt by his first wife, Florine Mayer.
Paulus Schäfer is a guitarist, composer, and arranger from the Netherlands. A member of the Dutch Sinti-Romani, he considers Django Reinhardt his idol. He has worked with Stochelo Rosenberg, Fapy Lafertin, Tim Kliphuis, Jimmy Rosenberg, Dominique Paats, Biréli Lagrène, and Andreas Öberg.
Le QuecumBar is a music venue and brasserie in Battersea, London, England dedicated to Gypsy Swing and the music of Django Reinhardt.
Franz "Schnuckenack" Reinhardt was a German gypsy jazz musician (violinist), composer and interpreter. He was considered the "great violin virtuoso of Sinti music." He was a German Sinto; his music was mostly published and categorized under the contemporary names gypsy jazz or "Musik deutscher Zigeuner". He "made this music accessible to a broad public" and made the most significant contribution to the presentation of gypsy music and jazz in Germany into a concert form. He was the pioneer of this style of music in Germany and directly or indirectly inspired many of the succeeding generation of gypsy jazz players in that country, as well as preserving on record a great many folkloric and gypsy compositions for future generations.
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