Related Research Articles
Henry Fielding was an English novelist and dramatist known for his earthy humour and satire, and as the author of the comic novel Tom Jones. He and Samuel Richardson are seen as founders of the traditional English novel. He also holds a place in the history of law enforcement by using his authority as a magistrate to found the Bow Street Runners, which some have called London's first active police force.
Robert Walpole, 1st Earl of Orford,, known between 1721 and 1742 as Sir Robert Walpole, was a British politician who is generally regarded as the de facto first Prime Minister of Great Britain.
Whig and Tory is a 1720 comedy play by the British writer and actor Benjamin Griffin. Griffin himself starred as Sir John Indolent with Mrs Gulick as Charlotte. John Harper played Sir Roland Heartfree, Christopher Bullock was Ned Indolent, Lacy Ryan was Reynard and William Bullock was Coblecause.
The Golden Rump is a farcical play of unknown authorship said to have been written in 1737. It acted as the chief trigger for the Theatrical Licensing Act of 1737. The play has never been performed on stage or published in print. No manuscript of the play survives, casting some doubt over whether it ever existed in full at all. The authorship of the play has often been ascribed to Henry Fielding, at that time a popular and prolific playwright who often turned his incisive satire against the monarch George II and particularly the "prime minister" Sir Robert Walpole. Modern literary historians, however, increasingly embrace the opinion that The Golden Rump may have been secretly commissioned by Walpole himself in a successful bid to get his Bill for theatrical licensing passed before the legislature.
Jael Henrietta Pye, born Jael Mendez, was an English writer. She is known to have authored four works, all of different genres: a piece of garden writing, a collection of poetry, a play, and a two-volume novel. She is perhaps best known for A Short Account, of the Principal Seats and Gardens, in and about Twickenham (1760), an account of the Twickenham homes of various Georgian eminences.
The What D'Ye Call It is a 1715 farce by the British writer John Gay. It was written as a parody of tragic plays, with particular reference to Thomas Otway's Venice Preserv'd.
The Spartan Dame is a 1719 tragedy by the Irish writer Thomas Southerne. It was inspired by a story from Plutarch's Life of Aegis and was orginally written as early 1687, but faced a long period of censorship and revision. The Drury Lane managers chose to revive it at a time of tension with the Stanhope-led government Whigs over licensing issues, and may have selected it because its plot subtly allowed them to demonstrate sympathy with the opposition Whigs led by Robert Walpole following the recent Whig Split.
The Fall of Saguntum is a 1727 tragedy by the British writer Philip Frowde. The plot revolves around the Siege of Saguntum in the Second Punic War, and is fall the forces of the Carthaginian general Hannibal. Influenced by the style of John Addison's play Cato it was dedicated to the Prime Minister Sir Robert Walpole.
Philotas is a 1731 tragedy by the British writer Philip Frowde. It is based on the life of the Ancient Greek warrior Philotas who was executed for conspiring against Alexander the Great. The story had previously been written as a 1604 play by Samuel Daniel.
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Antiochus is a 1721 tragedy by the British writer John Mottley. The play is set in Ancient Greece, revolving round the relationship between Stratonice of Syria and Seleucus I Nicator and his son Antiochus I Soter, the leaders of the Seleucid Empire.
The Refusal, Or, The Ladies Philosophy is a 1721 comedy play by the British writer Colley Cibber. It is a reworking of the 1672 farce Les Femmes Savantes by Molière, with reference to the recent South Sea Bubble.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
Marina is a 1738 tragedy by the British writer George Lillo. It is a reworking of Shakespeare's Pericles, Prince of Tyre, produced at a time when Covent Garden was experimenting with a summer season.
The Christian Hero is a 1735 tragedy by the British writer George Lillo. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Two years earlier William Havard had written Scanderbeg, another work based on his life.
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
References
- ↑ Burling p.178
