Related Research Articles
Anna Boleyn, also known as Deception, is a 1920 German historical film directed by Ernst Lubitsch. It stars Henny Porten as Anne Boleyn and Emil Jannings as King Henry VIII.
Paul Biensfeldt was a German-Jewish stage and film actor.
Rudolf Meinert was an Austrian screenwriter, film producer and director.
Uncle Bräsig is a 1936 German historical comedy film directed by Erich Waschneck and starring Otto Wernicke, Heinrich Schroth and Harry Hardt. It marked the film debut of the Swedish actress Kristina Söderbaum who went on to be a major star of Nazi cinema. Söderbaum won her part in a contest organised by UFA. It was based on the 1862 novel From My Farming Days by Fritz Reuter. The film was shot at the Grunewald Studios in Berlin with sets designed by the art director Robert A. Dietrich.
The Ufa-Palast am Zoo, located near Berlin Zoological Garden in the New West area of Charlottenburg, was a major Berlin cinema owned by Universum Film AG, or Ufa. Opened in 1919 and enlarged in 1925, it was the largest cinema in Germany until 1929 and was one of the main locations of film premières in the country. The building was destroyed in November 1943 during the Bombing of Berlin in World War II and replaced in 1957 by the Zoo Palast.
Peter Voss, Thief of Millions is a 1913 comedy crime novel written by the German writer Ewald Gerhard Seeliger. The novel has been the basis for a number of films and one television series. The first adaptation was a 1921 silent film Peter Voss, Thief of Millions directed by Georg Jacoby. The 1959 film Peter Voss, Hero of the Day was an original story based on the character of the novel.
The Telephone Operator is a 1925 German silent comedy film directed by Hanns Schwarz and starring André Mattoni, Alexander Murski, and Willy Kaiser-Heyl. The film's art direction was by Erich Czerwonski. It was notable for the number of leading UFA technicians who worked on it. It premiered on 15 October 1925 at the Tauenzienpalast in Berlin. It is also known by the alternative title Liebe und Telefon.
The Second Mother is a 1925 German silent comedy film directed by Heinrich Bolten-Baeckers and starring Margarete Lanner, Hans Mierendorff and Maria Melchoir. It was one of a number of popular comedies released by UFA alongside its more prestigious art films.
Wood Love is a 1925 German silent comedy film directed by Hans Neumann and starring Werner Krauss, Valeska Gert and Alexander Granach. It was an adaptation of William Shakespeare's A Midsummer Night's Dream.
Lotte is a 1928 German silent film directed by Carl Froelich and starring Henny Porten, Walter Jankuhn and Hermann Vallentin. Lotte, a young woman from an aristocratic background, masquerades as a poor person. Art direction was by Franz Schroedter.
Katharina Knie is a 1929 German silent drama film directed by Karl Grune and starring Eugen Klöpfer, Carmen Boni and Adele Sandrock. It is based on the 1928 play of the same title by Carl Zuckmayer. It was shot at the Babelsberg Studios in Berlin The film's art direction was by Robert Neppach and Erwin Scharf. It was distributed by the Munich-based Bavaria Film.
Queen Louise is a German silent historical film directed by Karl Grune and starring Mady Christians, Mathias Wieman, and Anita Dorris. It was released in two separate parts slightly less than a month from each other in December 1927 and January 1928. It commenced a series of historical epics directed by Grune. It was shot partly at the Terra Studios in Berlin. The film's sets were designed by the art director Hans Jacoby.
At the Edge of the World is a 1927 German silent drama film directed by Karl Grune and starring Albert Steinrück, William Dieterle and Brigitte Helm. It was shot at the Babelsberg Studios in Berlin. Robert Neppach oversaw the film's art direction and designed the sets. The film was so heavily cut by the management of UFA that Grune tried to have his name removed from the credits and publicly criticized them in an open letter.
The Mystery of Betty Bonn is a 1938 German adventure film directed by Robert A. Stemmle and starring Maria Andergast, Theodor Loos and Hans Nielsen. The film was shot at the Babelsberg Studios in Berlin with sets designed by the art directors Wilhelm Depenau and Ludwig Reiber. It was made by the leading German company UFA, based on a novel by Friedrich Lindemann.
The Life and Loves of Tschaikovsky or It Was a Lovely Night at the Ball is a 1939 German historical drama film directed by Carl Froelich and starring Zarah Leander, Aribert Wäscher and Hans Stüwe. The film portrays the fictional relationship between the Russian composer Pjotr Iljitsch Tschaikowsky and an aristocratic woman who, unhappily married, falls in love with him and decides to secretly support his work financially. It premiered on 13 August 1939 at the Venice Film Festival.
Happy Days in Aranjuez is a 1933 German comedy film directed by Johannes Meyer and starring Brigitte Helm, Gustaf Gründgens and Wolfgang Liebeneiner. The film focus on a notorious jewel thief operating in high society. The title refers to Aranjuez in Spain.
Make Me Happy is a 1935 German musical comedy film directed by Arthur Robison and starring Julia Serda, Albert Lieven and Richard Romanowsky. It was made by Germany's largest film company UFA. A separate French-language version Les époux célibataires was released, also directed by Robison. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Otto Hunte and Willy Schiller.
Three Fathers for Anna is a 1939 German comedy film directed by Carl Boese and starring Ilse Werner, Hans Stüwe and Theodor Danegger. It was made by the German company UFA at the firm's Babelsberg Studios in Potsdam, with some location shooting taking place around Passau in Bavaria. The film's sets were designed by the art director Herbert Frohberg.
Congo Express is a 1939 German adventure film directed by Eduard von Borsody and starring Marianne Hoppe, Willy Birgel. and René Deltgen.
Under Blazing Skies or Under Blazing Heavens is a 1936 German adventure film directed by Gustav Ucicky and starring Hans Albers, Lotte Lang and Aribert Wäscher. It was shot at the Babelsberg Studios in Berlin and on location on the Aegean Sea coast of Greece. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. It was produced and distributed by UFA, Germany's largest film company. The film was popular enough to be given a second release in West Germany in 1950.
References
- ↑ Kreimeier p.101
