An essay is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a letter, a paper, an article, a pamphlet, and a short story. Essays have been sub-classified as formal and informal: formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the personal element, humor, graceful style, rambling structure, unconventionality or novelty of theme," etc.
Sir Kingsley William Amis was an English novelist, poet, critic and teacher. He wrote more than 20 novels, six volumes of poetry, a memoir, short stories, radio and television scripts, and works of social and literary criticism. He is best known for satirical comedies such as Lucky Jim (1954), One Fat Englishman (1963), Ending Up (1974), Jake's Thing (1978) and The Old Devils (1986).
Philip Henry Gosse, known to his friends as Henry, was an English naturalist and populariser of natural science, an early improver of the seawater aquarium, and a painstaking innovator in the study of marine biology. Gosse created and stocked the first public aquarium at the London Zoo in 1853, and coined the term "aquarium" when he published the first manual, The Aquarium: An Unveiling of the Wonders of the Deep Sea, in 1854. His work was the catalyst for an aquarium craze in early Victorian England.
Robert Louis Stevenson was a Scottish novelist, essayist, poet and travel writer. He is best known for works such as Treasure Island, Strange Case of Dr Jekyll and Mr Hyde, Kidnapped and A Child's Garden of Verses.
Sir Edmund William Gosse was an English poet, author and critic. He was strictly brought up in a small Protestant sect, the Plymouth Brethren, but broke away sharply from that faith. His account of his childhood in the book Father and Son has been described as the first psychological biography.
Charles Lamb was an English essayist, poet, and antiquarian, best known for his Essays of Elia and for the children's book Tales from Shakespeare, co-authored with his sister, Mary Lamb (1764–1847).
Creative nonfiction is a genre of writing that uses literary styles and techniques to create factually accurate narratives. Creative nonfiction contrasts with other nonfiction, such as academic or technical writing or journalism, which are also rooted in accurate fact though not written to entertain based on prose style. Many writers view creative nonfiction as overlapping with the essay.
Walter Horatio Pater was an English essayist, art and literary critic, and fiction writer, regarded as one of the great stylists. His first and most often reprinted book, Studies in the History of the Renaissance (1873), revised as The Renaissance: Studies in Art and Poetry (1877), in which he outlined his approach to art and advocated an ideal of the intense inner life, was taken by many as a manifesto of Aestheticism.
John Barrington Wain CBE was an English poet, novelist, and critic, associated with the literary group known as "The Movement". He worked for most of his life as a freelance journalist and author, writing and reviewing for newspapers and the radio.
Jack Lindsay was an Australian-born writer, who from 1926 lived in the United Kingdom, initially in Essex. He was born in Melbourne, but spent his formative years in Brisbane. He was the eldest son of Norman Lindsay and brother of author Philip Lindsay.
"The Death of the Author" is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the essay emphasizes the primacy of each individual reader's interpretation of the work over any "definitive" meaning intended by the author, a process in which subtle or unnoticed characteristics may be drawn out for new insight. The essay's first English-language publication was in the American journal Aspen, no. 5–6 in 1967; the French debut was in the magazine Manteia, no. 5 (1968). The essay later appeared in an anthology of Barthes' essays, Image-Music-Text (1977), a book that also included his "From Work to Text".
Text types in literature form the basic styles of writing. Factual texts merely seek to inform, whereas literary texts seek to entertain or otherwise engage the reader by using creative language and imagery. There are many aspects to literary writing, and many ways to analyse it, but four basic categories are descriptive, narrative, expository, and argumentative.
Father and Son (1907), originally subtitled "A Study of Two Temperaments", is a memoir by the poet and critic Edmund Gosse, initially published anonymously. Gosse had already published a biography of his father in 1890.
Omphalos: An Attempt to Untie the Geological Knot is a book by Philip Gosse, written in 1857, in which he argues that the fossil record is not evidence of evolution, but rather that it is an act of creation inevitably made so that the world would appear to be older than it is. The reasoning parallels the reasoning that Gosse chose to explain why Adam had a navel: Though Adam would have had no need of a navel, God gave him one anyway to give him the appearance of having a human ancestry. Thus, the name of the book, Omphalos, which means 'navel' in Greek.
Andrew Holleran is the pseudonym of Eric Garber, an American novelist, essayist, and short story writer, born on the island of Aruba. Most of his adult life has been spent in New York City, Washington, D.C., and a small town in Florida. He was a member of The Violet Quill with Christopher Cox, a gay writer's group that met in 1980 and 1981 and also included Robert Ferro, Edmund White and Felice Picano. Following the critical and financial success of his first novel Dancer from the Dance in 1978, he became a prominent author of post-Stonewall gay literature. Historically protective of his privacy, the author continues to use the pseudonym Andrew Holleran as a writer and public speaker.
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
The Personal Heresy is a series of articles, three each by C.S. Lewis and E. M. W. Tillyard, first published on 27 April 1939 by Oxford University Press and later reprinted, also by Oxford University Press, in 1965. The book has been reprinted in 2008 by Concordia University Press with an Introduction by Lewis scholar Bruce L. Edwards and a new Preface by the editor, Joel D. Heck. The central issue of the essays is whether a piece of imaginative writing, particularly poetry, is primarily a reflection of the author's personality or is about something external to the author. The two positions may be summarized briefly as the subjective position (Tillyard) and the objective position (Lewis). In general, Lewis attempts to keep poetry within the reach of the common person, while Tillyard thinks of the poet as a person who is "a cut above the common person."
Where Adam Stood is a television play by Dennis Potter, first broadcast on BBC 2 in 1976. It is a free adaptation, wholly shot on film, of Edmund Gosse's autobiographical book Father and Son (1907).
This is a portmanteau word which combines "pater" and "memoir" to describe personal poems, essays, graphic narratives, books and films about the father. Coined by Andre Gerard, and first used in the introduction to Fathers: A Literary Anthology, the word calls attention to the rapidly growing body of personal, often critical, responses to fathers. Some scholars have started to use a competing neologism, “patriography,” to describe such material, but patremoir has the advantage of being both more precise and more inclusive, as well as being easier to pronounce.
Inscape and instress are complementary and enigmatic concepts about individuality and uniqueness derived by the poet Gerard Manley Hopkins from the ideas of the medieval philosopher Duns Scotus. Inscape has been rendered variously as: external design, aesthetic conception, intrinsic beauty, the intrinsic form of a thing, a form perceived in nature, the individual self, the expression of the inner core of individuality, the peculiar inner nature of things and persons, expressed in form and gesture, and an essence or identity embodied in a thing. These twin concepts are what his most famous poems are about.
[Hopkins] felt that everything in the universe was characterized by what he called inscape, the distinctive design that constitutes individual identity. This identity is not static but dynamic. Each being in the universe 'selves,' that is, enacts its identity. And the human being, the most highly selved, the most individually distinctive being in the universe, recognizes the inscape of other beings in an act that Hopkins calls instress, the apprehension of an object in an intense thrust of energy toward it that enables one to realize specific distinctiveness. Ultimately, the instress of inscape leads one to Christ, for the individual identity of any object is the stamp of divine creation on it.
