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Fedir Avramovych Zharko (4(17)/VI/1914-17/VII/1986), Merited Artist of Ukraine (1965).
Fedir Zharko was one of the most renowned singers of dumy (sung epic poems) in Ukraine. He was born in 1914 in village of Mykhailivka, Cherkasy province. From 1931 to 1936 Zharko studied at the Cherkasy Pedagogical Institute, completing his studies in Mathematics and Physics. Here he also became acquainted with the bandurist Vusatyj from the city of Chyhyryn, who inspired him to learn to play the bandura. From 1936 to 1940 up until World War II he worked as a village school teacher in Kiev Oblast (province).
Initially he learned to play the bandura from Fedir Hlushko. After World War II he spent six years incarcerated in Irkutsk and Kolyma for being a village elder during the German occupation of Ukraine.
In 1945, after singing at a concert he was invited to join the Dumka chorus in Kiev. In 1948 he became a member of the Kiev Bandurist Capella where he spent some 25 years performing with the group until his retirement in 1974.
From 1958 he recorded a large number of dumy and historic songs for the Melodia company, and published a number of collections of songs and dumy.(1967, 1969)
His repertoire included the following dumy (ten authentic and four contemporary dumy):
Contemporary dumy-songs
Zharko has also been the author of a number of songs and dumy.
Ukrains'ki narodni pisni dlia holosu v suprovodi bandury
Yuni spivaky-bandurysty
A bandura is a Ukrainian plucked-string folk-instrument. It combines elements of the zither and lute and, up until the 1940s, was also often called a kobza. Early instruments had 5 to 12 strings and resembled lutes. In the 20th century, the number of strings increased initially to 31 strings (1926), then to 56 strings – 68 strings on modern "concert" instruments (1954).
A banduryst is a person who plays the Ukrainian plucked string instrument known as the bandura.
Hnat Martynovych Khotkevych was a Ukrainian writer, ethnographer, playwright, composer, musicologist, and bandurist.
The Poltava Bandurist Capella was vocal-instrumental ensemble who accompanied themselves on the multi-stringed Ukrainian bandura. It was initially established in February 1925, based on a male church choir who sang in the Ukrainian Autocephalous Orthodox Cathedral in Poltava under the direction of Fedir (Khvedir) Popadych. The ensemble was disbanded in October 1934.
Ivan Iovych Kuchuhura-Kucherenko was a Ukrainian minstrel (kobzar) and one of the most influential kobzars of the early 20th century. For his artistry he was awarded the title "People's artist of Ukraine" in 1919 and later "People's Artist of the Ukrainian Soviet Socialist Republic" in 1926.
Ostap Mykytovych Veresai was a renowned minstrel and kobzar from the Poltava Governorate of the Russian Empire. He helped to popularize kobzar art both within Ukraine and beyond. He is noted for influencing both scholarly and popular approaches to minstrelsy.
Zinoviy Shtokalko. Amongst the more renowned performers of bandura art, one of the prominent is that of bandurist virtuoso Zinoviy Shtokalko.
Vasyl' Kuzmych Shevchenko - was one of the most active Ukrainian bandurists and torbanists at the turn of the 19-20th century.
The Ukrainian Bandurist Chorus is a semi-professional male choir which accompanies itself with the multi-stringed Ukrainian folk instrument known as the bandura. It traces its roots to Ukraine in 1918 and has been based in the USA since 1949.
Kobzars and bandurists were a unique class of musicians in Ukraine, who travelled between towns and sang dumas, a meditative poem-song. Kobzars were usually blind, and required the completion of a three-year apprenticeship in specialized Kobzar guilds, in order to be officially recognized as such. In 1932, on the order of Stalin, the Soviet authorities called on all Ukrainian Kobzars to attend a congress in Kharkiv. Those that arrived were taken outside the city and were all put to death.
Terentiy (Tereshko) Makarovych Parkhomenko (1872–1910) was one of the most respected kobzars of the late 19th and early 20th century.
Vasyl' Kostovych Yemetz was born in the village of Sharivka, 40 km from Kharkiv, Ukraine. He was the son of Kost' and Yevdokia (Kurakhovych). He was married to Maria Hotra-Doroshenko. He was a virtuoso bandurist. He was founder and initial director of the Kobzar Choir in 1918 - the direct protégé of the Kiev Bandurist Capella and the Ukrainian Bandurist Chorus.
Serhiy Vasylievych Bashtan was a professor of bandura at the Kiev Conservatory.
Hnat Tykhonovych Honcharenko was one of the most renowned Ukrainian kobzars of the Kharkiv oblast of the late 19th and early 20th centuries.
Hryhory Pavlovych Nazarenko was a bandura player.
Andriy Fedorovych Omelchenko was a Ukrainian virtuoso bandura soloist and composer. He taught bandura at the Ukrainian Institute of Culture and performed outside the Soviet Union.
Andriy Matviyevych Bobyr, People's Artist of Ukraine (1986).
Mykhailo Stepanovych Kravchenko (1858-1917) was regarded as one of the most outstanding kobzars of Poltava province of the late 19th early 20th century.
Peter Deriashnyj is a Ukrainian Australian bandurist, composer of secular and sacred music, and choral conductor. He specializes in the Kharkiv style of bandura playing, but also plays folk and rock guitar.
A Kuban bandurists is a person who plays the Ukrainian plucked string instrument known as the bandura, who is from Kuban, a geographic region of southern Russia surrounding the Kuban River.