Feldzug in Polen (The Campaign in Poland) is a 69-minute Nazi propaganda film released in 1940 depicting the 1939 invasion of Poland and directed by Fritz Hippler. Portraying the Poles as aggressors and ethnic Germans living in Poland as an oppressed minority, the film alleges that the Poles employed unheroic tactics in the war and characterizes as senseless the defence of a besieged Warsaw. The film was often screened by German minorities overseas to clarify the German point of view. [1]
French involvement was de-emphasized, in order to present Great Britain, in its attempt to encircle Germany, as the villain, to justify the Nazi-Soviet pact. [2] Polish provocations finally resulted in the blitzkrieg, led by Hitler; Poles were sometimes depicted as brave, to emphasize the German triumph. [3]
The film was directed by Fritz Hippler and the music was composed by Herbert Windt. [4] Footage shot by Gustav Lantschner and Sepp Allgeier, who were working for Leni Riefenstahl's Special Film Troop, was used in the film. [5]
It was first shown to a select audience on 8 October 1939, but the military's leadership was concern that it did not completely reflect the army's role in the invasion A second version of the film was made and Joseph Goebbels made changed to the script. Adolf Hitler watched this version on 11 December, and asked for more edits. One of Hitler's demands, as reported by Alwin-Broder Albrecht, was to have the Protectorate of Bohemia and Moravia coloured the same as the rest of Germany rather than having its own colour. The first version of the film only covered up to 20 September, and the second version covered up to 5 October. [6]
Its premiere was held in the Berlin Ufa-Palast um Zoo, usually used by Goebbels to present important films. [7] It received massive media support and was officially described as "valuable from a political viewpoint," "artistically valuable," "educational for the nation," and "a film of instruction. [8] It was theatrically released in February 1940. [9]
In Nazi German terminology, Volksdeutsche were "people whose language and culture had German origins but who did not hold German citizenship." The term is the nominalised plural of volksdeutsch, with Volksdeutsche denoting a singular female, and Volksdeutscher, a singular male. The words Volk and völkisch conveyed the meanings of "folk".
Germanisation, or Germanization, is the spread of the German language, people, and culture. It was a central idea of German conservative thought in the 19th and the 20th centuries, when conservatism and ethnic nationalism went hand in hand. In linguistics, Germanisation of non-German languages also occurs when they adopt many German words.
Olympia is a 1938 German documentary film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin during the Nazi period. The film was released in two parts: Olympia 1. Teil — Fest der Völker and Olympia 2. Teil — Fest der Schönheit. The 1936 Summer Olympics torch relay, as devised for the Games by the secretary general of the Organizing Committee, Dr. Carl Diem, is shown in the film.
The Eternal Jew is a 1940 antisemitic Nazi propaganda film, presented as a documentary. The film's initial German title was Der ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore. The film was directed by Fritz Hippler at the insistence of Nazi Germany's Minister of Propaganda, Joseph Goebbels.
Nazism made extensive use of the cinema throughout its history. Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister, Joseph Goebbels, used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination for Hitler. The Nazis valued film as a propaganda instrument of enormous power, courting the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Department of Film also used the economic power of German moviegoers to influence the international film market. This resulted in almost all Hollywood producers censoring films critical of Nazism during the 1930s, as well as showing news shorts produced by the Nazis in American theaters.
Fritz Hippler was a German filmmaker who ran the film department in the Propaganda Ministry of Nazi Germany, under Joseph Goebbels. He is best known as the director of the propaganda film Der Ewige Jude .
U-Boote westwärts! is a 1941 German war propaganda film promoting the Kriegsmarine. It concerns a U-boat mission in the Battle of the Atlantic and was produced by UFA. The U-boat used for the film was U-123, which would later play a major role in Operation Drumbeat.
Homecoming is a 1941 Nazi German anti-Polish propaganda film directed by Gustav Ucicky. Filled with heavy-handed caricature, it justifies extermination of Poles with a depiction of relentless persecution of ethnic Germans, who escape death only because of the German invasion.
Sieg im Westen is a 1941 Nazi propaganda film.
Hans Westmar was the last of an unofficial trilogy of films produced by the Nazis shortly after coming to power in January 1933, celebrating their Kampfzeit – the history of their period in opposition, struggling to gain power. The film is a partially fictionalized biography of the Nazi martyr Horst Wessel.
Die Deutsche Wochenschau is the title of the unified newsreel series released in the cinemas of Nazi Germany from June 1940 until the end of World War II, with the final edition issued on 22 March 1945. The co-ordinated newsreel production was set up as a vital instrument for the mass distribution of Nazi propaganda at war. Today the preserved Wochenschau short films make up a significant part of the audiovisual records of the Nazi era.
Wunschkonzert is a 1940 German drama propaganda film by Eduard von Borsody. After Die große Liebe, it was the most popular film of wartime Germany, reaching the second highest gross.
The Fox of Glenarvon is a German propaganda film from the Nazi era portraying the years of the Irish fight for independence during World War I. It was produced in 1940 by Max W. Kimmich and starred Olga Chekhova, Karl Ludwig Diehl, Ferdinand Marian and others. The screenplay was written by Wolf Neumeister and Hans Bertram based on a novel of the same title by Nicola Rhon that had been published by the Ullstein publishing house in 1937. It was made at the Johannisthal Studios in Berlin, with sets designed by the art directors Wilhelm Depenau and Otto Erdmann. The shoot lasted from December 1939 to February 1940. It passed censorship on 22 April 1940 and had its debut in Berlin's Ufa-Palast am Zoo two days later.
Ohm Krüger is a 1941 German biographical film directed by Hans Steinhoff and starring Emil Jannings, Lucie Höflich, and Werner Hinz. It was one of a series of major propaganda films produced in Nazi Germany attacking the United Kingdom. The film depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.
I Accuse is a 1941 Nazi German pro-euthanasia propaganda film directed by Wolfgang Liebeneiner and produced by Heinrich Jonen and Ewald von Demandowsky.
The propaganda of the Nazi regime that governed Germany from 1933 to 1945 promoted Nazi ideology by demonizing the enemies of the Nazi Party, notably Jews and communists, but also capitalists and intellectuals. It promoted the values asserted by the Nazis, including Heldentod, Führerprinzip, Volksgemeinschaft, Blut und Boden and pride in the Germanic Herrenvolk. Propaganda was also used to maintain the cult of personality around Nazi leader Adolf Hitler, and to promote campaigns for eugenics and the annexation of German-speaking areas. After the outbreak of World War II, Nazi propaganda vilified Germany's enemies, notably the United Kingdom, the Soviet Union and the United States, and in 1943 exhorted the population to total war.
Nazi propaganda towards the United Kingdom changed its position over time in keeping with Anglo-German relations. Prior to 1938, as the Nazi regime attempted to court the British into an alliance, Nazi propaganda praised the "Aryan" character of the British people and the British Empire. However, as Anglo-German relations deteriorated, and the Second World War broke out, Nazi propaganda vilified the British as oppressive German-hating plutocrats. During the war, it accused "perfidious Albion" of war crimes and sought to drive a wedge between Britain and France.
Opfergang is a 1944 German film directed by Veit Harlan. It is based on Rudolf G. Binding's work of the same title, with alterations for propaganda purposes. Unlike other Harlan films of the era, Opfergang does not include explicit Nazi messages, but instead features more subtle Nazi motifs and themes. The film was dubbed a "masterpiece" by Slovenian philosopher Slavoj Žižek in 2012.
The Dismissal is a 1942 German film directed by Wolfgang Liebeneiner about the dismissal of Otto von Bismarck. It was one of only five films to receive the honorary distinction "Film of the Nation" by the Reich Propaganda Ministry Censorship Office.
Menschen im Sturm is a 1941 German film directed by Fritz Peter Buch. It was an anti-Serbian propaganda and part of a concerted propaganda push against Serbs, attempting to split them from the Croats.