Felice Scotto ( Early 15th Century) was an Italian painter of the Quattrocento, active in Como in the Region of Lombardy.
Felice Scotto ( Early 15th Century) was an Italian painter of the Quattrocento, active in Como in the Region of Lombardy.
It is not clear where he obtained his training. His style is said to have similarities to that of Ambrogio Borgognone. [1] His son, Stefano Scotto, also a painter, was one of the masters of Gaudenzio Ferrari and Bernardino Luini.
In Como, for the church of Santa Croce di Boscaglia, Felice painted frescoes depicting the Life of San Bernardino da Siena and a Crucifixion. [2] Luigi Lanzi describes him as varied, expressive, and judicious in composition; one of the best quattrocentisti of that region. [3]
Giuseppe Cesari was an Italian Mannerist painter, also named Il Giuseppino and called Cavaliere d'Arpino, because he was created Cavaliere di Cristo by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome.
Bernardino Luini was a North Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
Vincenzo Civerchio or Civercio was an Italian painter of the Renaissance, born at Crema, and active also in Brescia, where there are some of his alter-pieces. One of his works is at the National Gallery of Art, Washington D.C., others in the Pinacoteca di Brera, Milan, Italy. He is said to be an imitator of Bernardino Butinone, Bernardino Zenale, and influenced by Vincenzo Foppa.
Meda is a city and comune in the province of Monza and Brianza, located in the northern Italian region of Lombardy, close to Milan and Como. It is a center of furniture production.
Giovanni Gioseffo dal Sole was an Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painters in Bologna, described as the Guido Moderno.
Aurelio Luini was an Italian painter and draughtsman from Milan, the fourth and last son of Bernardino Luini. A representative of late Lombard Mannerism, he was a friend of Gian Paolo Lomazzo.
Giuseppe Vermiglio was a Caravaggist painter from Northern Italy, active also in Rome.
Zanobi Poggino of Zanobi di Poggino was an Italian painter, active as a portrait and historical painter in Florence. He was a pupil of Giovanni Antonio Sogliani. While he was noted by Filippo Baldinucci, none of his works could be identified by Luigi Lanzi.
Como Cathedral is the Catholic cathedral of the city of Como, Lombardy, Italy, and the seat of the Bishop of Como. It is dedicated to the Assumption of the Blessed Virgin Mary.
The Italian painter and engraver Bernardino Mei worked in a Baroque manner in his native Siena and in Rome, finding patronage above all in the Chigi family.
Luzio Dolci or Lucio Dolce was a late 16th-century Italian painter active in Castel Durante in the Province of Pesaro and Urbino in the Region of the Marche.
Annibale Mazzuoli was an Italian painter.
Pietro Antonio Avanzini (1656–1733) was an Italian painter.
Benedetto Nucci (1515–1587) was an Italian painter of the late-Renaissance or Mannerism period.
Virgilio Nucci (1545-1620) was an Italian painter of the late-Renaissance or Mannerism period.
Andrea Mainardi, also known as il Chiaveghino, was an Italian painter of the late-Renaissance period, active in Cremona.
The Palazzo D'Arco is a Neoclassical-style palace located on Piazza Carlo D'Arco #4 in Mantua, region of Lombardy, Italy. The palace houses the Museo di Palazzo d'Arco, which displays the furnishings and artwork collected by the Duke D'Arco.
Luigi Donato was an Italian painter, known for altarpieces, and active in and near Como.
Stefano Felice Ficatelli was an Italian painter of the late Baroque period.
Giovanni Antonio De Pieri, known as il Zoppo Vicentino (1671–1751) was an Italian painter of the Baroque style, born and active in Vicenza.
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