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Carlton Douglas Ridenhour, known professionally as Chuck D, is an American rapper, best known as the leader and frontman of the hip hop group Public Enemy, which he co-founded in 1985 with Flavor Flav. Chuck D is also a member of the rock supergroup Prophets of Rage. He has released several solo albums, most notably Autobiography of Mistachuck (1996).
Public Enemy is an American hip hop group formed by Chuck D and Flavor Flav in Roosevelt, New York, in 1985. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll. Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).
Lana Michele Moorer, better known by her stage name MC Lyte, is an American rapper. Considered one of the pioneers of female rap, MC Lyte first gained fame in the late 1980s, becoming the first female rapper to release a full solo album with 1988's critically acclaimed Lyte as a Rock. The album spawned the singles "10% Dis" and "Paper Thin".
West Coast hip-hop is a regional genre of hip-hop music that encompasses any artists or music that originated in the West Coast of the United States. West Coast hip-hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Dr. Dre's Aftermath Entertainment, and others.
Gilbert Scott-Heron was an American jazz poet, singer, musician, and author known for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson fused jazz, blues, and soul with lyrics relative to social and political issues of the time, delivered in both rapping and melismatic vocal styles. He referred to himself as a "bluesologist", his own term for "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip hop music.
Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, It Takes a Nation of Millions to Hold Us Back (1988). Having fulfilled their initial creative ambitions with that album, the group aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff's anti-Semitic public comments and his consequent dismissal from the group in 1989.
Rap rock is a music genre that developed from the early to mid-1980s, when hip hop DJs incorporated rock records into their routines and rappers began incorporating original and sampled rock instrumentation into hip hop music. Rap rock is considered to be rock music in which lyrics are rapped, rather than sung. The genre achieved its greatest success in the late 1990s and early 2000s.
Ahmir K. Thompson, known professionally as Questlove, is an American drummer, record producer, disc jockey, filmmaker, music journalist, and actor. He is the drummer and joint frontman for the hip-hop band the Roots. The Roots have been the in-house band for The Tonight Show Starring Jimmy Fallon since 2014, after having fulfilled the same role on Late Night with Jimmy Fallon. Questlove is also one of the producers of the 2015 cast album of the Broadway musical Hamilton. He has also co-founded of the websites Okayplayer and OkayAfrica. He joined Clive Davis Institute of Recorded Music at New York University as an adjunct professor in 2016, and hosts the podcast Questlove Supreme.
The Canadian hip hop scene was established in the 1980s. Through a variety of factors, it developed much slower than Canada's popular rock music scene, and apart from a short-lived burst of mainstream popularity from 1989 to 1991, it remained largely an underground phenomenon until the early 2000s.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, starting in the Bronx, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as Latino Americans and Caribbean Americans. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
"Lose Control" is a song by American rapper Missy Elliott featuring American singer Ciara and American hip hop artist Fatman Scoop. It was released as the lead single from Elliott's sixth studio album, The Cookbook, on May 23, 2005. It contains samples from Hot Streak's "Body Work" and Cybotron's "Clear". The song peaked at number three on the Billboard Hot 100 in the United States, number two in New Zealand, and in the top thirty in various countries.
"Fight the Power" is a song by American hip hop group Public Enemy, released as a single in the summer of 1989 on Motown Records. It was conceived at the request of film director Spike Lee, who sought a musical theme for his 1989 film Do the Right Thing. First issued on the film's 1989 soundtrack, the extended version was featured on Public Enemy's third studio album Fear of a Black Planet (1990).
Political hip hop is a subgenre of hip hop music that emerged in the 1980s as a form of political expression and activism. It typically addresses sociopolitical issues through lyrics, aiming to inspire action, promote social change, or convey specific political viewpoints. The genre draws inspiration from earlier politically conscious artists, such as The Last Poets and Gil Scott-Heron, as well as movements like the Black Power movement and the Black Panther Party from the 1960s and 1970s.
Positive Black Soul is a hip hop group based in Dakar, Senegal, one of the first such collectives in the country. Founded in 1989, the group is composed of Didier Sourou Awadi and Amadou Barry, both of whom had previously been in other hip hop groups. They perform in the English, French, and Wolof languages and use traditional Senegalese instruments as part of their songs. Political and social activism have played important roles in the group since it was founded.
Top R&B/Hip-Hop Albums is a music chart published weekly by Billboard magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Luminate. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965, in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade.
Hip-Hop: Beyond Beats and Rhymes is a 2006 documentary film written, produced, and directed by Byron Hurt. The documentary explores the issues of masculinity, violence, homophobia, and sexism in hip hop music and culture, through interviews with artists, academics, and fans. Hurt's activism in gender issues and his love of hip-hop caused him to feel what he described as a sense of hypocrisy, and began working on the film. The premiere of the film took place at the Sundance Film Festival, and was welcomed by a standing ovation. It has also won Best Documentary at the San Francisco Black Film Festival and the Audience Award at the Roxbury Film Festival. On February 20, 2007 the film aired on the PBS Emmy-winning documentary series, Independent Lens.
Rap Kreyòl started in Haiti in the early ‘80s by the Late Great Master Dji, who witnessed how American Hip Hop gave birth to French Hip Hop while living in France. Hence, he moved back to Haiti and started the Hip Hop movement that took Haiti by storm. Consequently, many of those kids which Hip Hop spoke to in their special language for the first time continue to rap in Haitian Creole even after being in the United States the most part of their lives. Artists like Oz'mosis and Bennchoumy still rap in Haitian Creole still today.
It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988, by Def Jam Recordings and Columbia Records. It was recorded from 1987 to 1988 in sessions at Chung King Studios, Greene St. Recording, and Sabella Studios in New York.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music, that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
References
- 1 2 "Q&A". Fight the Power: How Hip-Hop Changed the World PBS. PBS . Retrieved 2023-02-21.
- 1 2 "How Hip-Hop Changed the World". Fight the Power: How Hip-Hop Changed the World PBS. PBS . Retrieved 2023-02-21.
- ↑ Goggins, Joe; joegoggins (2023-01-23). "The story behind new BBC hip-hop documentary 'Fight the Power'". Rolling Stone.
- ↑ Seale, Jack (January 21, 2023), "Chuck D is a brilliant history teacher", The Guardian , retrieved 2 February 2022
- ↑ "STREAM IT OR SKIP IT?". Fight the Power: How Hip-Hop Changed the World PBS. Decider . Retrieved 2023-02-21.
- ↑ Mitchell, Gail (2023-01-31). "Chuck D Talks PBS & BBC Music Premiere of 'Fight the Power: How Hip Hop Changed the World'". Billboard.