Figure and ground is a concept drawn from Gestalt psychology by media theorist Marshall McLuhan in the early 1970s. This concept underpins the meaning of his famous phrase, "The medium is the message". The concept was an approach to what was called "perceptual organization." He began to use the terms figure and ground as a way "to describe the parts of a situation [1] " and "to help explain his ideas about media and human communication. [1] " The concept was later employed to explain how a communications technology, the medium or figure, necessarily operates through its context, or ground.
To McLuhan, "‘figure’ refers to something that jumps out at us, something that grabs our attention, [whereas] ‘ground’ refers to something that supports or contextualizes a situation and is usually an area of unattention. [1] " When we first experience a new image or sensation, there are certain aspects of the object that grab our attention and engage us and certain aspects that we unintentionally ignore. We should not focus on just the "figure" or the "ground" though, as McLuhan believed that both were equally as important to understanding the full meaning of the situation. "This distinction between that which is perceived and that which is blocked out in order to focus perception is central for McLuhan. [2] "
McLuhan used different words to describe the figure/ground relationship, sometimes using content for figure and environment or, more often, medium for ground. [2]
"McLuhan looked at media through a figure/ground relationship. [1] " To him, people tended to focus on only specific parts of the media, and disregard other parts. "To examine the total effect of any medium, McLuhan pointed out that we need to look at both figure AND ground, and their relationship to one another. [1] " He believed that "only focusing on the ‘content’ of the media was like looking at figures without examining their ground. [1] " "The ground, or environment, is not a passive container, but active processes that influence the relationships between all of the elements in it. [2] "
McLuhan believed that to fully grasp the impact of a new technology in regard to figure (medium) and ground (context), [3] one must understand that the whole is greater than the sum of its parts. Neither piece is definitive without the other. His Understanding Media explores different grounds as they are structured by different media including print, radio, and television.
Al Held, a well-known artist, exemplifies this idea in one of his paintings. The work is called The Big N and it "provides us with an introduction to the concepts of figure and ground. [1] " Looking at a glance, you might draw your attention to the black triangles. "Once you were given the name of the painting, however, the frame became linked to the figures, and an 'N' suddenly appeared. [1] " In understanding the work, it is important to look at the bigger picture. Al Held's painting is well known for its display of framing, or context, and its importance to the meaning of the overall situation. If either the frame or the painting itself were to change, the interpretation of the work might shift. Pertaining to media, we must look at both the figure and the ground to "understand [its] effects. [1] " The ground which media creates gives a context for human communication, and thus "directs human action in unique and important ways. [1] "
McLuhan argued that we must study media in their historical context, particularly in relation to those technologies that preceded them. The present environment, itself made up of the effects of previous technologies, gives rise to new technologies, which, in turn, further shapes societies and individuals. [3]
Furthermore, all technologies have embedded within them their own assumptions about time and space. Again, the message conveyed by the medium can only be understood if the medium is concurrently analyzed with the environment in which it is used — and which, simultaneously, it effectively creates. McLuhan believed that an examination of the figure-ground relationship can offer a critical commentary on culture and society. [3]
Alternately, the idea of "figure" can also refer to content of a particular medium, while "ground" refers to the medium itself. McLuhan's aphorism "The medium is the message" can thus be read as an attempt to draw attention away from a preoccupation with the figure/message to a consideration of the importance of the ground/medium.
Communication is the act of conveying meanings from one entity or group to another through the use of mutually understood signs, symbols, and semiotic rules.
Herbert Marshall McLuhan was a Canadian philosopher, whose work is among the cornerstones of the study of media theory. Born in Edmonton, Alberta, McLuhan studied at the University of Manitoba and the University of Cambridge. He began his teaching career as a professor of English at several universities in the US and Canada before moving to the University of Toronto in 1946, where he remained for the rest of his life.
Media ecology theory is the study of media, technology, and communication and how they affect human environments. The theoretical concepts were proposed by Marshall McLuhan in 1964, while the term media ecology was first formally introduced by Marshall McLuhan in 1962.
Understanding Media: The Extensions of Man is a 1964 book by Marshall McLuhan, in which the author proposes that the media, not the content that they carry, should be the focus of study. He suggests that the medium affects the society in which it plays a role mainly by the characteristics of the medium rather than the content. The book is considered a pioneering study in media theory.
A sensorium (/sɛnˈsɔːrɪəm/) is the apparatus of an organism's perception considered as a whole, the "seat of sensation" where it experiences and interprets the environments within which it lives. The term originally entered English from the Late Latin in the mid-17th century, from the stem sens- ("sense"). In earlier use it referred, in a broader sense, to the brain as the mind's organ. In medical, psychological, and physiological discourse it has come to refer to the total character of the unique and changing sensory environments perceived by individuals. These include the sensation, perception, and interpretation of information about the world around us by using faculties of the mind such as senses, phenomenal and psychological perception, cognition, and intelligence.
The Medium Is the Massage: An Inventory of Effects is a book co-created by media analyst Marshall McLuhan and graphic designer Quentin Fiore, with coordination by Jerome Agel. It was published by Bantam books in 1967 and became a bestseller with a cult following. The U.K. edition was published by Allen Lane Penguin Books using cover art by Newsweek photographer Tony Rollo.
In media studies, mass communication, media psychology, communication theory, and sociology, media influence and media effects are topics relating to mass media and media culture's effects on individual or an audience's thoughts, attitudes, and behavior. Whether it is written, televised, or spoken, mass media reaches a large audience. Mass media's role and effect in shaping modern culture are central issues for study of culture.
Salience is the state or condition of being prominent. The Oxford English Dictionary defines salience as "most noticeable or important." The concept is discussed in communication, semiotics, linguistics, sociology, psychology, and political science. It has been studied with respect to interpersonal communication, persuasion, politics, and its influence on mass media.
Media psychology is the branch and specialty field in psychology that focuses on the interaction of human behavior with media and technology. Media psychology is not limited to mass media or media content; it includes all forms of mediated communication and media technology-related behaviors, such as the use, design, impact and sharing behaviors. This branch is a relatively new field of study because of advancement in technology. It uses various methods of critical analysis and investigation to develop a working model of a user's perception on media experience. These methods are used for society as a whole and on an individual basis. Media psychologists are able to perform activities that include consulting, design, and production in various media like television, video games, films, and news broadcasting. Media psychologists are not considered to be those who are featured in media, rather than those who research, work or contribute to the field.
"The medium is the message" is a phrase coined by the Canadian communication theorist Marshall McLuhan and introduced in his Understanding Media: The Extensions of Man, published in 1964. McLuhan proposes that a communication medium itself, not the messages it carries, should be the primary focus of study. He showed that artifacts as media affect any society by their characteristics, or content.
Medium theory is the name assigned to a variety of approaches used to examine how the means of expression of human communication impact the meaning(s) of human communication(s).
Technological somnambulism is a concept used when talking about the philosophy of technology. The term was used by Langdon Winner in his essay Technology as forms of life. Winner puts forth the idea that we are simply in a state of sleepwalking in our mediations with technology. This sleepwalking is caused by a number of factors. One of the primary causes is the way we view technology as tools, something that can be put down and picked up again. Because of this view of objects as something we can easily separate ourselves from technology, and so we fail to look at the long term implications of using that object. A second factor is the separation of those who make the technology and those who use the technology. This division causes there to be little thought and research going into the effects of using/developing that technology. The third and most important idea is the way in which technology seems to create new worlds in which we live. These worlds are created by the restructuring of the common and seemingly everyday things around us. In most situations the changes take place with little attention or care from us because we are more focused on the menial aspects of the technology.
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Joshua Meyrowitz is a professor of communication at the department of Communication at the University of New Hampshire in Durham. He has published works regarding the effects of mass media, including No Sense of Place: The Impact of Electronic Media on Social Behavior, an analysis of the effects various media technologies have caused, particularly television.
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