Parma is a city in the northern Italian region of Emilia-Romagna known for its architecture, music, art, prosciutto (ham), cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the stream of the same name. The district on the far side of the river is Oltretorrente. Parma's Etruscan name was adapted by Romans to describe the round shield called Parma.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
Baldassare Franceschini, called Il Volterrano after his birth place Volterra and, to distinguish him from Ricciarelli, Il Volterrano Giuniore was an Italian late Baroque painter and draughtsman active principally around Florence and Volterra. He was mainly known for his frescoes, altarpieces and easel paintings for churches and palaces in Florence, Volterra and Rome. His subject matter was diverse and included portraits, biblical and mythological scenes, history paintings and allegorical compositions.
Lorenzo Lippi was an Italian painter and poet from Florence.
Girolamo Mazzola Bedoli was an Italian painter active in the Mannerist style.
Gregorio de Ferrari was an Italian Baroque painter of the Genoese School.
Ferdinando Galli-Bibiena, surname also spelled Galli da Bibiena or Bibbiena, was an Italian Baroque-era architect, designer, and painter.
Filippo Lauri was an Italian painter of the Baroque period, active mainly in Rome.
Giulio Cesare Amidano was an Italian painter of the late-Renaissance style. He was also known as Pomponio Amidano, in part because he is either confused with or was a pupil of Pomponio Allegri; others claim he was a pupil of Francesco Mazzola (Parmigianino). Much of his biography is poorly documented. He is said to have been born in Parma and to have died there from the plague.
The decade of the 1460s in art involved some significant events.
The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence in the church. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by a Marian devotee, Fray Giacomo di Forli of the Capuchin order. Pope Benedict XVI raised the Marian sanctuary to the status of Basilica minor on 9 February 2008.
Giovanni Battista Natali, also known as Joan(nes) or Ioannes Baptista Natali, was an Italian painter and draughtsman of the late-Baroque period, active in his natal (?) city of Piacenza,[apparent contradiction] but also Savona, Lucca, and Naples, and finally Genoa in 1736.
Francesco Pesellino, also known as Francesco di Stefano, was an Italian Renaissance painter active in Florence. His father was the painter Stefano di Francesco, and his maternal grandfather was the painter Giuliano Pesello (1367–1446), from whose name the diminutive nickname "Pesellino" arose. After the death of his father in 1427, the young Pesellino went to live with his grandfather whose pupil he became. Pesellino remained in his grandfather's studio until the latter's death, when he began to form working partnerships with other artists, such as Zanobi Strozzi and Fra Filippo Lippi. He married in 1442, and probably joined the Florentine painters' guild in 1447. In the following years he made for reputation with small, highly-finished works for domestic interiors, including religious panels for private devotional use and secular subjects for pieces of furniture.
Francesco da Cotignola, also called Zaganelli, was an Italian painter of the Renaissance period, active mainly in Parma and Ravenna.
Ireneo Affò was an Italian art historian, writer, numismatist and Franciscan friar.
The Vision of Saint Jerome is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is now in the National Gallery, London, United Kingdom.
Jacopo Loschi or Jacopo d' Ilario Loschi was an Italian painter.
Bernardino Zaganelli, also Bernardino di Bosio Zaganelli and Bernardino da Cotignola, was an Italian painter, of the Renaissance period.
