Film Appreciation on Cinemas (1980 to 1990) of Jahnu Barua: Social, Economic, Political and Cultural Perspectives

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Film Appreciation on Cinemas (1980 to 1990) of Jahnu Barua: Social, Economic, Political and Cultural Perspectives
Book Coverpage of Film Appreciation on Cinemas.jpg
AuthorJuhi P. Pathak
PublisherREDSHINE Publication
Publication date
Jan 24, 2022
ISBN 978-93-90937-20-2

Film Appreciation on Cinemas of Jahnu Barua: Social, Economic, Political and Cultural Perspectives (1980-1990) is a research book written by Dr. Juhi P. Pathak and publish by Redshine Publication. The book is an exploration of the works of Jahnu Barua, a renowned Indian film director who has made significant contributions to Assamese and Hindi cinema. [1]

Contents

Overview

The book examines the social, economic, political, and cultural perspectives that are presented in Jahnu Barua's films during the 1980s and 1990s. [2] The author provides an in-depth analysis of each film, highlighting the themes and issues that are explored in them. [3] The book also sheds light on Jahnu Barua's filmmaking techniques and how they contribute to the overall impact of his films. [4]

The book is divided into four chapters that explore different aspects of Barua's films, ‘Aparoopa’ ‘Papori’, 'Halodhia Choraye Baodhan Khai', Bonani’.

"Aparoopa" (1982) is Jahnu Barua's directorial debut and tells the story of a young couple, Hari and Hemnalini, who struggle to make ends meet in Guwahati. The film explores themes of love, relationships, and societal pressures. Dr. Pathak analyzes how the film portrays the middle-class struggles and anxieties of the time. [5] [6] [7]

"Papori" (1986) is a film that deals with the theme of child marriage. The film portrays the story of a young girl, Papori, who is married off at a young age. Dr. Pathak examines how the film challenges the patriarchal norms and the oppressive social practices. [5] [6] [7]

"Halodhia Choraye Baodhan Khai" (1987) is a film that is often regarded as a classic in Assamese cinema. The film portrays the struggles of a poor farmer and his family in rural Assam during the 1980s. The film explores themes of poverty, land rights, and the impact of modernization on rural communities. The book analyzes how the film highlights the economic and political issues faced by the rural communities during that time. [5] [7]

"Bonani" (1992) is a film that explores the life of a young woman, Bonani, who is a tea garden worker in Assam. The film portrays the struggles of the tea garden workers and the oppressive conditions they face. The author examines how the film exposes the exploitation and economic deprivation faced by the tea garden workers and how it portrays the struggle for workers' rights. [5] [7]

The research made way for an abundance of data that has been divided into three volumes. This volume is the first of the trilogy. [6]

Related Research Articles

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<span class="mw-page-title-main">Jahnu Barua</span> Indian film director

Jahnu Barua is an Indian film director. He has written and directed a number of Assamese and Hindi films. Some of his notable films are Halodhia Choraye Baodhan Khai (1987), Firingoti (1992), Xagoroloi Bohu Door (1995), Maine Gandhi Ko Nahi Mara (2005), Konikar Ramdhenu (2003), Baandhon (2012), and Ajeyo (2014).

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Halodhia Choraye Baodhan Khai is a 1987 Indian Assamese-language film made by director Jahnu Barua. It won the National Film Award for Best Feature Film in 1988 and multiple awards at the Locarno International Film Festival in 1988. It was the third full-length feature film made by Barua.

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<i>Aparoopa</i> 1982 Indian film

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<i>Papori</i> 1986 Indian film

Papori is a 1986 Indian Assamese language feature film directed by Jahnu Barua. The film stars Gopi Desai, Biju Phukan, Sushil Goswami, Chetana Das and Dulal Roy. The film was released in 1986.

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<span class="mw-page-title-main">Ganesh Gogoi</span>

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Jupitora Bhuyan is an Indian actress works in the Assamese films. She worked in a few Assamese films along with VCD films and telefilms. She is also part of Assamese mobile theatre industry debut by playing lead female roles in Kohinoor Theatre. She is especially known for playing extraordinary character with a powerful appearance.

<span class="mw-page-title-main">Indra Bania</span>

Indra Bania was an Indian theatre actor, playwright, film actor and director from Assam. His performance in Jahnu Barua's Halodhia Choraye Baodhan Khai earned him the Silver Leopard Best Actor's award at the Locarno International Film Festival. He was the recipient of the Natasurya Phani Sarma Award.

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Kaal Sandhya is a 1997 Indian Hindi crime drama film dwelling on militancy in Assam, directed by Bhabendra Nath Saikia. The film deals with the theme of the impact of the insurgency on common people. It stars Jatin Bora, Ashish Vidyarthi, Debashree Roy, Nipon Goswami, Pranjal Saikia, Hemen Barman, Munin Barua and Mridula Baruah in the lead roles.

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Film Appreciation on Cinemas of Jahnu Barua: Women, Children, Political and Psychological Perspectives is a research book written by Dr. Juhi P. Pathak and published by Redshine Publication. The book is the second part of a trilogy on the works of Jahnu Barua, a prominent Assamese filmmaker.

<span class="mw-page-title-main">Tuloni biya</span>

Tuloni biya, also referred to as Xoru Biya, Nua-tuloni, or Santi Biya, is a traditional Assamese Hindu ceremony that marks the attainment of puberty in girls and celebrates the girl's transition from childhood to womanhood. The Tuloni biya, which translates to "small wedding", is accompanied by a multitude of rituals and traditions, all rooted in the concepts of purity and separation.

References