The buildings and architecture of Chicago reflect the city's history and multicultural heritage, featuring prominent buildings in a variety of styles. Most structures downtown were destroyed by the Great Chicago Fire in 1871.
The Southern Literary Messenger was a periodical published in Richmond, Virginia, from August 1834 to June 1864, and from 1939 to 1945. Each issue carried a subtitle of "Devoted to Every Department of Literature and the Fine Arts" or some variation thereof and included poetry, fiction, nonfiction, reviews, and historical notes. It was founded by Thomas Willis White, who served as publisher and occasional editor until his death, in 1843.
Henry Ossawa Tanner was an American artist who spent much of his career in France. He became the first African-American painter to gain international acclaim. Tanner moved to Paris, France, in 1891 to study at the Académie Julian and gained acclaim in French artistic circles. His painting Daniel in the Lions' Den was accepted into the 1896 Salon, the official art exhibition of the Académie des Beaux-Arts in Paris. Tanner's Resurrection of Lazarus was purchased by the French government after winning the third-place medal at the 1897 Salon. In 1923, the French government elected Tanner chevalier of the Legion of Honor.
The Burlington Magazine is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986.
Cyrus Edwin Dallin was an American sculptor best known for his depictions of Native Americans. He created more than 260 works, including the Equestrian Statue of Paul Revere in Boston; the Angel Moroni atop Salt Lake Temple in Salt Lake City; and Appeal to the Great Spirit (1908), at the Museum of Fine Arts, Boston. He was also an accomplished painter and an Olympic archer.
Russell Sturgis was an American architect and art critic of the 19th and early 20th centuries. He was one of the founders of the Metropolitan Museum of Art in 1870.
Robert Lewis Reid was an American Impressionist painter and muralist. His work tended to be very decorative, much of it centered on depiction of young women set among flowers. He later became known for his murals and designs in stained glass.
Jessie Willcox Smith was an American illustrator during the Golden Age of American illustration. She was considered "one of the greatest pure illustrators". A contributor to books and magazines during the late 19th and early 20th centuries, Smith illustrated stories and articles for clients such as Century, Collier's, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. She had an ongoing relationship with Good Housekeeping, which included a long-running Mother Goose series of illustrations and also the creation of all of the Good Housekeeping covers from December 1917 to 1933. Among the more than 60 books that Smith illustrated were Louisa May Alcott's Little Women and An Old-Fashioned Girl, Henry Wadsworth Longfellow's Evangeline, and Robert Louis Stevenson's A Child's Garden of Verses.
Frank Jewett Mather Jr. was an American art critic and professor. He was the first "modernist" professor at the Department of Art and Archaeology, Princeton University. He was a direct descendant of Richard Mather a Puritan minister in 17th century Boston.
Everett Shinn was an American painter and member of the urban realist Ashcan School.
Black and White: A Weekly Illustrated Record and Review was a British Victorian-era illustrated weekly periodical founded in 1891 by Charles Norris Williamson. In 1912, it was incorporated with The Sphere.
Adelaide Alsop Robineau (1865–1929) was an American china painter and potter, and is considered one of the top ceramists of American art pottery in her era.
Clara Elsene Peck was an American illustrator and painter known for her illustrations of women and children in the early 20th century. Peck received her arts education from the Minneapolis School of Fine Arts and was employed as a magazine illustrator from 1906 to 1940. Peck's body of work encompasses a wide range, from popular women's magazines and children's books, works of fiction, commercial art for products like Ivory soap, and comic books and watercolor painting later in her career. Peck worked during the "Golden Age of American Illustration" (1880s–1930s) contemporaneous with noted female illustrators Jessie Willcox Smith, Elizabeth Shippen Green and Violet Oakley.
Marion Harry Alexander Spielmann was a prolific Victorian art critic and scholar who was the editor of The Connoisseur and Magazine of Art. Among his voluminous output, he wrote a history of Punch, the first biography of John Everett Millais and a detailed investigation into the evidence for portraits of William Shakespeare.
Horace Thompson Carpenter, was an illustrator, artist and art writer of the late 19th and early 20th century United States.
John J. Boyle was an American sculptor active in Philadelphia in the last decades of the 19th century, known for his large-scale figurative bronzes in public settings, and, particularly, his portraiture of Native Americans.
Nina Evans Allender was an American artist, cartoonist, and women's rights activist. She studied art in the United States and Europe with William Merritt Chase and Robert Henri. Allender worked as an organizer, speaker, and campaigner for women's suffrage and was the "official cartoonist" for the National Woman's Party's publications, creating what became known as the "Allender Girl."
Helen Mary Knowlton was an American artist, art instructor and author. She taught in Boston from 1871 until the mid-1910s, when she was in her 70s. Her instructor and later employer, William Morris Hunt, was the subject of a portrait she made and several books; she is considered his principal biographer.
Henry Hutt (1875–1950) was an American painter and illustrator born in Chicago. He was educated at the School of the Art Institute of Chicago and was a member of the class of 1892. He was also a member of the Art Students League of the Chicago Art Institute. With several fellow students he formed the Palette and Chisel, an independent artists' association in Chicago.
