Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal of the parts to show printed. The linoleum sheet is inked with a roller, and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.
Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper.
Christopher Keith Wallace-Crabbe is an Australian poet and emeritus professor in the Australian Centre, University of Melbourne.
Renaat Bosschaert (1938–2006) was a Belgian artist working in painting, graphic arts, sculpture, ceramic arts, engraving and printmaking.
Gary Catalano was an Australian poet and art critic.
Alan Perress Loney is a New Zealand writer, poet, editor, publisher and letterpress printer. His work has been published by University and private presses in New Zealand, Australia and North America. His own presses have printed and published many of New Zealand's most noted poets. He has also produced books himself, and in collaboration with artists and printmakers in New Zealand and overseas. Originally living and working in New Zealand, he now resides in Melbourne, Australia.
Danny Flynn, is a D&AD award-winning designer and printer, specialising in limited edition book design and illustration, and letterpress and screen-printing. His work in design, typography and printing led to him working in post-production design for the opening title sequence of the Hollywood film Gladiator.
All Religions are One is a series of philosophical aphorisms by William Blake, written in 1788. Following on from his initial experiments with relief etching in the non-textual The Approach of Doom (1787), All Religions are One and There is No Natural Religion represent Blake's first successful attempt to combine image and text via relief etching, and are thus the earliest of his illuminated manuscripts. As such, they serve as a significant milestone in Blake's career; as Peter Ackroyd points out, "his newly invented form now changed the nature of his expression. It had enlarged his range; with relief etching, the words inscribed like those of God upon the tables of law, Blake could acquire a new role."
Light and Water is a Finlay Press title. It is a collection of forty prose poems by Gary Catalano. None of the poems takes more than a page. They are set in 10pt Baskerville with no italic, except for the book or journal titles listed in the acknowledgements; no bold; and no colour, except for Flame Red for the title on the title page and a stripe of etching down the front cover printed in Ruby Red. This stripe – an etching by Robin Wallace-Crabbe - matches similar etching stripes also drawn by Wallace-Crabbe on sixteen of the forty pages of text. Each stripe bleeds off the fore-edge and, indeed, bleeds over onto the next page. So there are eight etchings, each providing two stripes. The etchings were printed first on an etching press followed by the text printed on a flatbed machine. Printing is on one side only of each sheet of Magnani paper, which is folded and bound with Japanese stabs into the spine of the French false cover. The slipcase is Kraft stock, on which a linocut by Robin Wallace-Crabbe is printed in warm red.
Robin Wallace-Crabbe has been actively involved in the Australian arts scene since the 1960s as a curator of exhibitions, literary reviewer, cartoonist, illustrator, book designer, publisher and a commenter on art. He is best known as a writer and visual artist where he has moved between the two mediums for over fifty years, having had thirteen novels published, five under his own name, and eight under the pseudonym – Robert Wallace, and since the early sixties he has had numerous solo exhibitions in Australian capital cities. Including a Survey Exhibition held at the Australian National University in 1980. And another Survey Exhibition touring Australian Regional galleries across Australia between 1990 and 1991. Sasha Grishin describes him as ‘ … a brilliant draughtsman and colourist, his [pictures] experiment with ideas of levels of perception. The observer and the observed share a common, ambiguous space which opens up an intellectual dimension to the [pictures], where the witty and provocative gestures suggest further levels of interpretation.’
Petr Herel was born in Czechoslovakia. He studied at the Prague College of the Visual Arts between 1957 and 1961. Later he studied the Prague Academy of Applied Arts where he received a Master of Arts. In 1971 he was awarded a scholarship by the French Government of Parts. In 1973 he moved to Australia. Herel is known for making, the not so easily distinguished, artist's books – "... an art form which he has pioneered in this country [Australia]."; an art form where Herel "... embraces the figurative and the abstract, transcends fashion, yet occupies a place which is concentrated in the graphic mediums of drawing, printmaking, and the livre d'artiste."
Leonard Beaumont (1891–1986) was an English printmaker, graphic designer, illustrator and publisher. He was one of the earliest exponents of the new art of linocut printmaking in Britain during the early 1930s. He was one of a small group of progressive and highly regarded printmakers who exhibited at the Redfern and Ward Galleries in central London. Whilst working in relative isolation in Yorkshire, most of his contemporaries were linked in some way to the Grosvenor School of Modern Art, located in Pimlico, London.
Phil Day is an Australian artist. He is formally recognised as a Notable Graduate from the Graphic Investigation Workshop, Australian National University (ANU), alongside Alex Hamilton, Paul McDermott, Danie Mellor and Paul Uhlmann.
Julian Davies is an Australian author, co-founder and publisher of the non-profit press Finlay Lloyd, and Executive Officer of the Consensus Education Foundation.
Cassandra Atherton is an Australian prose-poet, critic, and scholar. She is an expert on prose poetry, contemporary public intellectuals in academia, and poets as public intellectuals, especially hibakusha poets. She is married to historian Glenn Moore.
Tanya Myshkin is an Australian printmaker, born in Adelaide, South Australia and based in Canberra. She is a printmaker known for her drawing, wood engraving and etching. Much of her imagery is centred around the natural world.
David Ruff (1925-2007) was an American painter and print maker.
Allan Holder Jordan (1898–1982) was an Australian painter, designer, printmaker and teacher.
Margaret Stirling Dobson ARE (1882-1965) was a Scottish painter, printmaker and author.
