Robin Wallace-Crabbe

Last updated

Robin Wallace-Crabbe
Born1938 (1938) (age 85)
NationalityAustralian
Known forArtist and writer

Robin Wallace-Crabbe (born 1938, Melbourne) has been actively involved in the Australian arts scene since the 1960s as a curator of exhibitions, literary reviewer, cartoonist, illustrator, book designer, publisher and a commenter on art. He is best known as a writer and visual artist where he has moved between the two mediums for over fifty years, having had thirteen novels published (either in Australia, the UK, and the USA), five under his own name, and eight under the pseudonym – Robert Wallace, and since the early sixties he has had numerous solo exhibitions in Australian capital cities. Including a Survey Exhibition held at the Australian National University in 1980. And another Survey Exhibition touring Australian Regional galleries across Australia between 1990 and 1991. Sasha Grishin describes him as ‘ … a brilliant draughtsman and colourist, his [pictures] experiment with ideas of levels of perception. The observer and the observed share a common, ambiguous space which opens up an intellectual dimension to the [pictures], where the witty and provocative gestures suggest further levels of interpretation.’ [1]

Contents

Robin Wallace-Crabbe Lovers at Port Macquarie. Oil on canvas. (1968) Robin Wallace-Crabbe 'Lovers at Port Mcquarie'.jpg
Robin Wallace-Crabbe Lovers at Port Macquarie. Oil on canvas. (1968)

Painting and drawing

Wallace-Crabbe was in his early twenties when his paintings caught the attention of the art historian Bernard Smith. Smith described his paintings with: "Lovers of solitary nudes inhabit interiors … the feeling of something held in reserve". [2] The solitary nude inhabiting interiors is a continuing theme in Wallace-Crabbe's art, in 2004 Wallace-Crabbe explained why:

One of my main pleasures when I'm drawing is talking to the model, just the exchange between two people … I don't want to produce those self-important drawings that once came out of art schools. [3]

Evidence of Wallace-Crabbe conversing with the model is repeated throughout his art practice. In 1996 he received a Creative arts Fellowship at the Australian National University (ANU) where he produced a limited edition book titled Scratchings. [4] The book includes a group of etchings each displaying portraits. Twelve of the thirteen portraits are professors at the ANU, including a portrait of John Passmore, accompanying them is a narrative essay by Wallace-Crabbe describing the conversations he had while talking to each sitter for their portrait. Conversing with the model while drawing is also evident in chapter seven 'In the Shade of Young Maidens' of his autobiography A Man's Childhood (1997). In 2003 a collection of charcoal drawings of his many models was exhibited at the Queen Victoria Building, Sydney, the exhibition was accompanied with a book ‘Conversations and Portraits’ [5] written by himself and including pieces written by some of his models. And in 2004 the publication ‘Studio: Australian Painters on the Nature of Creativity’ Wallace-Crabbe can be seen in his Canberra studio observing and painting the nude model. [6] Art historian and critic, John McDonald, suggests the continuing theme of the nude and the interior has to do with pleasure, rather than conscious art making.

‘[Wallace-Crabbe] thinks of art as a private pleasure. If artists don’t find pleasure in their studios he argues that it is because they are not focused on making art, but on a business called ‘being an artists.’ [7]

Rather than ‘being an artist’, as McDonald suggest, Gary Catalano argues that Wallace-Crabbe is in search of the primal psychological aspects of picture making, ‘… Wallace-Crabbe wants to recapture something of the freshness of perception that comes naturally to children when they are first exposed to the external world.’. [8]

Novels

Wallace-Crabbe's literary career began in 1978 with the publication of Feral Palit.

"[Feral Palit] was published without any notice at all and then it suddenly got a very good review in The National Times. Then about three months later Geoffrey Dutton gave it a very good review, mentioning that I think Patrick White and David Campbell had drawn his attention to it." [9]

Patrick White's fondness for Feral Palit formed a correspondence between White and Wallace-Crabbe. [10]

Under the pseudonym Robert Wallace

Under the pseudonym Hartmann Wallis

Between 2008 and 2016, Wallace-Crabbe occasionally wrote essays and poems using the name 'Hartmann Wallis'. Finlay Lloyd publishers explain:

Hartmann Wallis, [...] has a wild and somewhat incestuous relationship with the well-known author and artist Robin Wallace-Crabbe. [14]

Through Hartmann, Wallace-Crabbe mused on various reoccurring subjects: art, love/lust, loneliness and animals; usually with a tone of disdain regarding cruelty toward animals and our fellow man. Wallace-Crabbe also composed a short biography (under the name R. C. Brace) for Hartmann. The short biography claims Hartmann spent much of his life living in either Australia, or in an outsider community in remote Northern Canada. Living out the latter yet years of his life in a 'wigwam' on the banks of the Yarra River in Melbourne.

Adam Collier [15] (playwright), of Toronto, composed a monologue titled My friend Rodney. Collier wrote the monologue under the pretence that he and Hartmann had had many conversations. Collier explains:

... I got to know Hartmann while he lived on Parliament Street in Toronto. We would meet most days at a coffee shop, and talk about art, everyday life, and Australian football (what he called ‘footy’). I haven’t spoke to Hartmann since he moved to the Yukon. [16]

Hartmann's poems were describe by Peter Keneally as:

"... a glorious romp or rant, ranging across history, the minutiae of surburbia, and acerbic view of the literary and artistic world." [17]

Robin Wallace-Crabbe cover design for 'Gardening for Australians'. Robin Wallace-Crabbe cover design for 'Gardening for Australians'.jpg
Robin Wallace-Crabbe cover design for 'Gardening for Australians'.

Book design, illustration, and publishing

Wallace-Crabbe has been involved in the writing, illustrating, designing, and publishing of books for almost fifty years. He designed the cover for the Penguin Publication of R. T. M. Pescott's 'Gardening for Australians' (1965); he also designed books covers for Melbourne University Press (Melbourne) including Vincent Buckley's 'Arcady and Other Places' (1966). Later Wallace-Crabbe collaborated with three presses on the production of limited edition books: 'Elegies: Nine Poems' Brindabella Press (1976); [18] 'Scratchings: a brief account of interloping with a pristine etching plate in hand and other matters' The Edition and Artists Book Studio (1996); and seven titles with Finlay Press (1998-2009).

Related Research Articles

<span class="mw-page-title-main">Suzanne Valadon</span> French painter and artists model

Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.

<span class="mw-page-title-main">Lucian Freud</span> British painter and engraver

Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933, when he was 10 years old, to escape the rise of Nazism. He became a British naturalized citizen in 1939. From 1942 to 1943 he attended Goldsmiths' College, London. He served at sea with the British Merchant Navy during the Second World War.

<span class="mw-page-title-main">William Strang</span> British artist and printmaker (1859–1921)

William Strang was a Scottish painter and printmaker, notable for illustrating the works of Bunyan, Coleridge and Kipling.

<span class="mw-page-title-main">Norman Lindsay</span> Australian artist (1879–1969)

Norman Alfred William Lindsay was an Australian artist, etcher, sculptor, writer, art critic, novelist, cartoonist and amateur boxer. One of the most prolific and popular Australian artists of his generation, Lindsay attracted both acclaim and controversy for his works, many of which infused the Australian landscape with erotic pagan elements and were deemed by his critics to be "anti-Christian, anti-social and degenerate". A vocal nationalist, he became a regular artist for The Bulletin at the height of its cultural influence, and advanced staunchly anti-modernist views as a leading writer on Australian art. When friend and literary critic Bertram Stevens argued that children like to read about fairies rather than food, Lindsay wrote and illustrated The Magic Pudding (1918), now considered a classic work of Australian children's literature.

<span class="mw-page-title-main">Henry Scott Tuke</span> English painter and photographer

Henry Scott Tuke, was an English artist; primarily a painter, but also a photographer. His most notable work was in the Impressionist style, and he is best known for his paintings of nude boys and young men.

<span class="mw-page-title-main">Max Klinger</span> German artist (1857–1920)

Max Klinger was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled Paraphrase on the Finding of a Glove and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902.

<span class="mw-page-title-main">Model (art)</span> Person who poses for a visual artist

An art model poses, often nude, for visual artists as part of the creative process, providing a reference for the human body in a work of art. As an occupation, modeling requires the often strenuous 'physical work' of holding poses for the required length of time, the 'aesthetic work' of performing a variety of interesting poses, and the 'emotional work' of maintaining a socially ambiguous role. While the role of nude models is well-established as a necessary part of artistic practice, public nudity remains transgressive, and models may be vulnerable to stigmatization or exploitation. Artists may also have family and friends pose for them, in particular for works with costumed figures.

<span class="mw-page-title-main">Lionel Lindsay</span> Australian 20th century artist

Sir Lionel Arthur Lindsay was an Australian artist, known for his paintings and etchings.

Lawrence Daws is an Australian painter and printmaker, who works in the media of oil, watercolour, drawing, screenprints, etchings and monotypes.

<span class="mw-page-title-main">Percy Leason</span> Australian artist (1889–1959)

Percy Alexander Leason was an Australian political cartoonist and artist who was a major figure in the Australian tonalist movement. As a painter and commercial artist his works span two continents.

<span class="mw-page-title-main">Finlay Press</span>

Finlay Press is the name of an independent private press founded by Ingeborg Hansen and Phil Day (artist). It began production in Goulburn, NSW, Australia in 1997. In 2001 the press moved to Braidwood, New South Wales, Australia, where it printed its final publication in 2009.

Light and Water is a Finlay Press title. It is a collection of forty prose poems by Gary Catalano. None of the poems takes more than a page. They are set in 10pt Baskerville with no italic, except for the book or journal titles listed in the acknowledgements; no bold; and no colour, except for Flame Red for the title on the title page and a stripe of etching down the front cover printed in Ruby Red. This stripe – an etching by Robin Wallace-Crabbe - matches similar etching stripes also drawn by Wallace-Crabbe on sixteen of the forty pages of text. Each stripe bleeds off the fore-edge and, indeed, bleeds over onto the next page. So there are eight etchings, each providing two stripes. The etchings were printed first on an etching press followed by the text printed on a flatbed machine. Printing is on one side only of each sheet of Magnani paper, which is folded and bound with Japanese stabs into the spine of the French false cover. The slipcase is Kraft stock, on which a linocut by Robin Wallace-Crabbe is printed in warm red.

Freda Rhoda Robertshaw (1916–1997) was an Australian artist and painter of neoclassical figures and landscapes. Her works are represented in major Australian public galleries, and her Standing Nude (1944) was considered a key attraction at a 2001 exhibition of Modern Australian Women at the Art Gallery of New South Wales.

Yvonne Audette is an Australian abstract artist.

<span class="mw-page-title-main">Rose Lindsay</span> Australian author, artist and artists model (1885-1978)

Rose Lindsay (1885–1978), née Rosa Soady, was an Australian artist's model, author, and printmaker.

<span class="mw-page-title-main">Geoff Todd</span>

Geoff Todd is an Australian artist and social commentator and has a contemporary figurative style in drawing, painting and sculpture. Geoff Todd works between studios in Winnellie, NT, and Ararat, Victoria.

Phil Day is an Australian artist. He is formally recognised as a Notable Graduate from the Graphic Investigation Workshop, Australian National University (ANU), alongside Alex Hamilton, Paul McDermott, Danie Mellor and Paul Uhlmann.

Julian Davies is an Australian author.

<span class="mw-page-title-main">Adelaide Perry</span> Australian artist (1891–1973)

Adelaide Perry (1891–1973) was an influential Australian artist, printmaker and respected art teacher. Based in Sydney, she started her own art school. Perry actively exhibited her paintings and prints from 1925 to 1955 and is partly credited with introducing and promoting the new relief print technique using linoleum in the 1920s.

Ludwik Dutkiewicz was a Ukrainian-born Australian artist. He was born in Stara Sil, Ukraine on 2 February 1921. He won the 1953 and 1954 Cornell Prize.

References

  1. Sasha Grishin, ‘The Golden Age of Printmaking in Australia’ in Contemporary Australian Printmaking. Craftsman House. 1994. Pp. 76.
  2. Bernard Smith, Pop Art and Traditional Genres Australian Painting. Oxford University Press. 1962. Pp 411
  3. Ian R Lloyd and John McDonald Studio: Australian Painters on the Nature of Creativity. Pp. 234-237
  4. Scratchings: A brief account of interloping with a pristine etching plate in hand and other matters. Edition and Artist Book Studio, Canberra School of Art, Australian National University. 1996. OCLC   222313791.
  5. "Trove".
  6. Ian R Lloyd and John McDonald Studio: Australian Painters on the Nature of Creativity. Pp. 232-237
  7. Ian R Lloyd and John McDonald Studio: Australian Painters on the Nature of Creativity. Pp. 232-237.
  8. Gary Catalano ‘How Images Appear'. Building a Picture: Interviews with Australian Artists. McGraw-Hill. 1997. Pp.1
  9. James Gleeson Interviews: Robin Wallace-Crabbe. 8 February 1980.
  10. Correspondence with Patrick White. http://www.nla.gov.au/ms/findaids/8053.html
  11. "Trove".
  12. "Trove".
  13. "Trove".
  14. "Finlay Lloyd Publications". Finlay Lloyd Publications. Retrieved 23 July 2023.
  15. "Adam Collier | Playwrights Guild of Canada". www.playwrightsguild.ca. Archived from the original on 12 July 2016.
  16. Collier. A, (2016) My friend Rodney. And Jump Toronto, Canada. Carrier Books. P. 60 ISBN   9780995090705
  17. Keneally. P, (2016)'Australian Poets: Lawrence;Page;Wallis;Giannoukos;' The Australian. 5 November 2016.
  18. Elegies: Nine poems. Brindabella Press. 1974. ISBN   9780909422028.