Fintan Cullen (born 3 January 1954) in Dublin, is an Irish academic, educator and writer. Cullen is a professor at the University of Nottingham. [1]
He and Roy Foster co-created the exhibit Conquering England: Ireland in Victorian England, which was in the National Portrait Gallery in London from 9 March 2005 to 19 June 2005. They also co-wrote a book that accompanied the exhibit. [2] The name comes from G. B. Shaw's mordant observation that "England had conquered Ireland, so there was nothing for it but to come over and conquer England." [3]
The exhibition explored the diversity of the Irish in London and their influence in the visual arts, literature, theatre, journalism and politics. It featured portraits of Shaw, Oscar Wilde, W. B. Yeats and Charles Stewart Parnell. [4]
Conquering England also included painters, sculptors, politicians, journalists, theatrical entrepreneurs (including Bram Stoker, the author of Dracula ) ... [t]he reign of Queen Victoria was characterized by a contentious and contradictory relationship between Ireland and Britain ... with the Parnellite Irish Parliamentary Party holding the balance of power at Westminster in the 1880s and Parnell himself being the focus of intense controversy ... [the] Irish were prominent in other spheres, notably medicine and the law, but the worlds of the visual arts, politics, literature and the stage retain the most vivid impression of Irish influence in Queen Victoria's reign ... [by] the end of the period, ... the Celtic craze and events such as the new Abbey Theatre's visits to London ... coincided with the return of the cultural focus to Dublin, to an Ireland undergoing political radicalization and cultural renaissance."
John Butler Yeats was an Irish artist and the father of W. B. Yeats, Lily Yeats, Elizabeth Corbett "Lolly" Yeats and Jack Butler Yeats. The National Gallery of Ireland holds a number of his portraits in oil and works on paper, including one of his portraits of his son William, painted in 1900. His portrait of John O'Leary (1904) is considered his masterpiece.
Isaac Butt was an Irish barrister, editor, politician, Member of Parliament (M.P.) in the House of Commons of the United Kingdom, economist and the founder and first leader of a number of Irish nationalist parties and organisations. He was a leader in the Irish Metropolitan Conservative Society in 1836, the Home Government Association in 1870 and in 1873 the Home Rule League. Colin W. Reid argues that Home Rule was the mechanism Butt proposed to bind Ireland to Great Britain. It would end the ambiguities of the Act of Union of 1800. He portrayed a federalised United Kingdom, which would have weakened Irish exceptionalism within a broader British context. Butt was representative of a constructive national unionism. As an economist, he made significant contributions regarding the potential resource mobilisation and distribution aspects of protection, and analysed deficiencies in the Irish economy such as sparse employment, low productivity, and misallocation of land. He dissented from the established Ricardian theories and favoured some welfare state concepts. As editor he made the Dublin University Magazine a leading Irish journal of politics and literature.
The Hugh Lane Gallery, officially Dublin City Gallery The Hugh Lane and originally the Municipal Gallery of Modern Art, is an art museum operated by Dublin City Council and its subsidiary, the Hugh Lane Gallery Trust. It is in Charlemont House on Parnell Square, Dublin, Ireland. Admission is free.
Seán Keating was an Irish romantic-realist painter who painted some iconic images of the Irish War of Independence and of the early industrialization of Ireland. He spent two weeks or so each year during the late summer on the Aran Islands and his many portraits of island people depicted them as rugged heroic figures. However, he ceased to visit the Aran Islands in 1965.
Victor Sloan MBE is a Northern Irish photographer and artist.
Robert Fitzroy 'Roy' Foster, publishing as R. F. Foster, is an Irish historian and academic. He was the Carroll Professor of Irish History from 1991 until 2016 at Hertford College, Oxford.
Samuel Walsh was born in London, England to Irish parents in 1951. His mother was from Limerick, Ireland and his father from Ennis, Ireland. After his family returned to Ireland to relocate in Limerick, Walsh continued to live and study in London. He joined his family in Limerick in 1968, where he resided until 1990. He now lives and works in County Clare.
Richard Rothwell was a nineteenth-century Irish portrait and genre painter.
Muriel Brandt was an Irish artist known for her portraiture and murals.
Deborah BrownHRUA is a Northern Irish sculptor. She is well known in Ireland for her pioneering exploration of the medium of fibre glass in the 1960s and has established herself as one of the country's leading sculptors, achieving extensive international acclaim.
Reginald Gray was an Irish portrait artist. He studied at The National College of Art (1953) and then moved to London, becoming part of the School of London led by Francis Bacon, Lucian Freud and Frank Auerbach. In 1960, he painted a portrait of Bacon which now hangs in the permanent collection of the National Portrait Gallery in London. He subsequently painted portraits from life of writers, musicians and artists such as Samuel Beckett, Harold Pinter, Brendan Behan, Garech Browne, Derry O'Sullivan, Alfred Schnittke, Ted Hughes, Rupert Everett and Yves Saint Laurent. In 1993 Gray had a retrospective exhibition at UNESCO Paris and in 2006, his portrait "The White Blouse" won the Sandro Botticelli Prize in Florence, Italy.
Roy Petley is a British painter.
Patrick Anthony Hennessy RHA was an Irish realist painter. He was known for his highly finished still lifes, landscapes and trompe l'oeil paintings. The hallmark of his style was his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique. He was brought up in Arbroath by his mother and step-father, his father having been killed during World War One. He attended Dundee School of Art where he met his lifelong companion, the painter Henry (Harry) Robertson Craig. Two of his paintings were accepted in 1939 at the Royal Scottish Academy for their Annual Exhibition. For the next 29 years he lived in Ireland with extended trips abroad. He was elected a member of the Royal Hibernian Academy in 1949. The Hendriks Gallery in Dublin and the Guildhall Galleries in Chicago were the main outlets for his work. In the late 1960s he moved permanently to Tangier and then, after suffering ill health, to the Algarve. He died in London.
Niall McCormack is an Irish painter. Since the 1980s, he exhibited in England, Italy, France, Sweden, the US, and Ireland.
James Le Jeune RHA was an Irish-Canadian artist who painted portraits, landscapes, and seascapes.
Mary Swanzy HRHA was an Irish landscape and genre artist. Noted for her eclectic style, she painted in many styles including cubism, futurism, fauvism, and orphism, she was one of Ireland's first abstract painters.
Moyra Barry was an Irish artist, most noted for her paintings of flowers.
Katherine Gili is a British sculptor. Born in Oxford in 1948, is the daughter of Catalan publisher and translator Joan Gili and sister of the film-maker Jonathan Gili. She graduated from Bath Academy of Art in 1970 and then studied for two years at St Martin's School of Art. Gili subsequently taught at a number of art schools; most notably St Martin's and Norwich between 1972 and 1985.
Alicia Louisa Letitia BoyleRBA, RHA, RUA was an Irish abstract marine and landscape artist.
Philip and Barry Castle were British and Irish artists. They are considered a pair, as they are in the National Irish Visual Arts Library catalogue, as they worked and exhibited together and shared a painting technique that Philip taught Barry, which concentrated on making the colour look luminous. The Irish Times said of their partnership that "As husband and wife they have lived together a long time, but their artistic partnership spans almost as many years." They use the quattrocento style, building up the painting layer by layer.