Fioravanti family

Last updated
Coat of arms Fioravanti family Coa fam ITA fioravanti khi.jpg
Coat of arms Fioravanti family
Coat of arms Fioravanti family Coa fam ITA fioravanti2 khi.jpg
Coat of arms Fioravanti family

The Fioravanti family was a noble family originating in Pistoia in Tuscany and active in Florence and other Italian towns. They were Guelf in their politics and naturally allied with the Cancellieri family and adversaries of the Ghibelline Panciatichi Panciatichi family. An early record dates to 1267, when Fioravanti d'Accorso was a member of the town council. In 1310 Ranieri, his son, was Mayor of the Pistoia. In 1319 Simone di Ranieri was a member of the elders. Giovanni di Puccio di Ranieri Fioravanti was a banker active at the court of Pope Clement V (1305-1314) in Avignon. Andrea di Simone di Baldo Fioravanti was elected Capitano della Montagna Superiore, June 17, 1354. Francesco di Rinieri was the Gonfaloniere of the Florentine Republic in the years 1385 and 1389: Neri his son was also Gonfaloniere in 1428; Fioravanti di Piero was the Cavalry Captain in Flanders in 1510 and then for Pope Alessandro VI, commissioner at Assedius of Faenza: Vincenzo di Cipriano one of the first to be elected knight of Santo Stefano, in 1576, shortly after the establishment of that military order, and later Chancellor of the Order: Fabio of Cipriano, was Cavalry Captain in the Netherlands: Alberto di Fioravanti Knight of Malta in 1590, and Commendatore in 1610: Niccolao di Fioravanti captain in the emperor Ferdinand II against the King of Sweden in 1636, and in 1643 in Tuscany for the Grand Duke against the Barberini. [1]

Since the 13th century, the Fioravanti were dedicated to large international trading ventures. In England they bought the wool which they then resold in the most important European centers in the form of pieces of cloth, woven in their Florentine workshops. From the East, through the Venetian market, they imported spices which they then resold in Florence and Naples. Occasionally they bought whole loads of grain and then also became shipowners. Instead of hiring one or more ships for transport, they bought the necessary ships and then resold goods and ships in the port of destination. They did not disdain to participate in some big business

The Fioravanti were active in banking, especially associating with the Acciaioli, a family with which they had an uninterrupted relationship of interests and kinship. Once the financial power had stabilized, they extended their influence into the political field, and towards the middle of the fourteenth century they began to participate actively in the Florentine republican government, especially during the Florentine oligarchy headed by the Albizzi, prior to the rise of Cosimo de'Medici .

Neri di Fioravanti or Fieravante was the first to hold public office in Florence, elected among the priors in 1344, he subsequently obtained the same office four more times,1353, 1358, 1362 and 1366. From 1340 until December 1345, he was responsible for the expansion and restructuring of the Palazzo del Podestà, the Bargello, the most important Florentine project in those years in the field of civil architecture. His son Francesco found the ideal ground already prepared for a personal affirmation and for determining a further social ascent of the family: he soon became one of the most important citizens of his time. In particular he took care of the construction of the great hall of the council, with its imposing vaulted ceiling, as well as the open staircase in the courtyard with a three-mullioned window towards Piazza S. Firenze which made the building lose its appearance of a fortress. On 19 May 1350 the Castella office prepared written instructions for the orthogonal, symmetrical and centralized plan of the new city of Giglio Fiorentino, of which Fioravanti is in all probability the author. On 9 Feb. 1350 F. received together with Benci di Cione, who worked with him at the Bargello, a monthly payment as master builder of the church of S. Anna dei Lombardi, now the church of S. Carlo Borromeo, opposite Orsanmichele in Florence. In 1350 Fioravanti was responsible for the construction of the Falconieri chapel, located to the right of the transept in the church of Ss. Annunziata. On May 29, 1363,is documented at the service of the Falconieri, the major clients of the Ss. Annunziata in the fourteenth century, with the task of protecting their interests in the evaluation of the land to buy for the construction of the cathedral. On 5th Jan. 1351 Fioravanti is active for the first time in the construction of the Florence cathedral. Together with three other masters, including Alberto di Amoldo, he received the first of many commissions relating to the marble cladding and the pietraforte for the bell tower. The stonemasons were in fact responsible for the purchase of the stone, mostly coming from quarries located near Florence, for its processing according to the instructions of the master builder Francesco Talenti, for its shipment to the construction site and for its installation. F. and the others continued to procure cut stones until 6 February. 1357 (Guasti, 1887; Trachtenberg, 1971). In the group, F. maintained a position of prominence; he was responsible for the safety of others and the clients referred to him. Critics have linked his name to the reliefs of the Virtues and to the statues on the south side of the bell tower, but there are no documents in this regard (Venturi, 1906, pp. 680, 683). From 1355 the Opera del Duomo asked for the opinion of the F. regarding both the project and the construction. He advised Francesco Talenti for the nave of the cathedral (July 16, 1355), for his design for the fretwork of the three-light windows of the bell tower (Aug. 13, 1356), for the stucco models of the nave pillars (June 15, July 17, 3 Aug. 1357), for the measurement of the vaults of the nave and the church (June 19, 1357) and for the external cladding of the sides of the church (a list of 29 arguments was presented on Jan. 4, 1358).

During the same period he was asked to examine the problems relating to the capstan of the bell tower and the iron reinforcement of the bell tower (May 11, 1357), the foundations of the pillars of the nave of the church (June 19, 1357), and the cost of the foundations.

Francesco Fioravanti, the son of Neri between 1374 and 1398 was elected a Prior and two Gonfalone, but his weight in the republican government was by far more decisive than what the three magistracies suggest. In practice, as Scipione Ammirato says, Francesco di Neri, at the end of the fourteenth century "had the management of the entire Florentine Republic". He was ambassador to Siena in 1395 and to the pope in 1396 and 1399. In Francesco's time the Fioravanti reached the peak of their fortune, also thanks to the contribution of Bartolommeo, less known but very efficient, Francesco's brother, wholly dedicated to lucrative commercial dealings. [2]

Related Research Articles

<span class="mw-page-title-main">Pistoia</span> Comune in Tuscany, Italy

Pistoia is a city and comune in the Italian region of Tuscany, the capital of a province of the same name, located about 30 kilometres (19 mi) west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typical Italian medieval city, and it attracts many tourists, especially in the summer. The city is famous throughout Europe for its plant nurseries.

<span class="mw-page-title-main">Florence Cathedral</span> Church in Tuscany, Italy

Florence Cathedral, formally the Cathedral of Saint Mary of the Flower, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.

<span class="mw-page-title-main">Bargello</span> Art museum in Florence, Italy

The Bargello, also known as the Palazzo del Bargello or Palazzo del Popolo, is a former barracks and prison in Florence, Italy. Since 1865, it has housed the Museo Nazionale del Bargello, a national art museum.

<span class="mw-page-title-main">Loggia dei Lanzi</span> Historic building in Florence, Italy

The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.

<span class="mw-page-title-main">Poggibonsi</span> Comune in Tuscany, Italy

Poggibonsi is a town in the province of Siena, Tuscany, central Italy. It is located on the River Elsa and is the main centre of the Valdelsa Valley.

<span class="mw-page-title-main">Larciano</span> Comune in Tuscany, Italy

Larciano is a comune (municipality) in the Province of Pistoia in the Italian region of Tuscany. The town hall is located in San Rocco.

<span class="mw-page-title-main">Bernardino Poccetti</span> Italian painter

Bernardino Poccetti, also known as Barbatelli, was an Italian Mannerist painter and printmaker of etchings.

<span class="mw-page-title-main">Cerchi family</span>

The Florentine banking family of the Cerchi, minor nobles of the Valdarno, with a seat especially at Acone near Pontassieve, settled in Florence in the early thirteenth century and increased their fortunes. The family became the heads of a consortium of the prominent Guelfs that securely controlled Florence after the battle of Benevento in 1266. In Florence, the Cerchi purchased some of the ancient structures in the closely packed inner city formerly belonging to the counts Guidi, cheek-by-jowl with the proud Florentine family of the Donati, with whom their growing mutual antagonism was expressed in violent episodes that polarized Florence within a couple of decades in a virtual civil war that aligned behind two captains, Corso Donati of the Neri Guelf faction— the "Black" Guelfs of the old noble oligarchy— and Vieri de' Cerchi of the Bianchi, the moderate party that represented itself as champions of working people. The resulting violence lasted, with irruptions of tranquility, into the fourteenth century.

<span class="mw-page-title-main">Francesco Talenti</span> Italian sculptor

Francesco Talenti (c. 1300 – aft. 1369) was a Tuscan architect and sculptor who worked mainly in Florence after 1351. He is mentioned working at Orvieto Cathedral in 1325. In the 1350s he completed the two middle storeys of Giotto's Campanile, and two doorways, the Porta dei Cornacchini and the Porta del Campanile, respectively in the north and south sides of the Florentine Duomo. In 1351 he succeeded Andrea Pisano as director of works of the cathedral. The cathedral's famous dome is first mentioned in 1357, but opinions differ whether Talenti was responsible for its inclusion or not. Talenti enlarged its structure by redesigning the apses and prolonging the nave, making the church the largest ever built in Europe so far.

<span class="mw-page-title-main">Vincenzo Meucci</span> Italian painter

Vincenzo Meucci (1694–1766) was an Italian painter of the late-Baroque period. Born in Florence. He was a pupil first of the painter Sebastiano Galeotti, then of Giovanni Gioseffo dal Sole in Bologna.

<span class="mw-page-title-main">Italian Gothic architecture</span> Architectural style of Medieval Italy

Gothic architecture appeared in the prosperous independent city-states of Italy in the 12th century, at the same time as it appeared in Northern Europe. In fact, unlike in other regions of Europe, it did not replace Romanesque architecture, and Italian architects were not very influenced by it. However, each city developed its own particular variations of the style. Italian architects preferred to keep the traditional construction methods established in the previous centuries; architectural solutions and technical innovations of French Gothic were seldom used. Soaring height was less important than in Northern Europe. Brick rather than stone was the most common building material, and marble was widely used for decoration. In the 15th century, when the Gothic style dominated both Northern Europe and the Italian Peninsula, Northern Italy became the birthplace of Renaissance architecture.

Antonio di Puccio Pucci was an Italian architect and politician from the Pucci family.

<span class="mw-page-title-main">Pucci family</span> Political family of Florence, Italy

The Pucci family has been a prominent noble family in Florence over the course of many centuries. A recent notable member of this family was Emilio Pucci, an Italian fashion designer who founded a clothing company after World War II.

<span class="mw-page-title-main">Madonna dell'Umiltà, Pistoia</span> Roman Catholic Marian basilica in Pistoia, Italy

The Basilica of Our Lady of Humility or Madonna dell'Umiltà is a Renaissance-style, Roman Catholic Marian basilica in Pistoia, region of Tuscany, Italy.

<span class="mw-page-title-main">Palazzo Panciatichi</span>

Palazzo Panciatichi or Palazzo del Balì is a medieval aristocratic palace located on Via Camillo Benso Cavour #35 in Pistoia, Tuscany, Italy. It a block away from the Palazzo Fioravanti.

<span class="mw-page-title-main">Niccolò da Uzzano</span> Italian politician

Niccolò da Uzzano was an Italian politician, banker and Renaissance humanist, the Gonfaloniere of Justice in the government of Florence, where he was an associate of the Medici family.

<span class="mw-page-title-main">Palazzo Panciatichi, Florence</span>

The Palazzo Panciatichi is a Renaissance palace located on Via Camillo Cavour 2 in the quartiere of San Giovanni, Florence, region of Tuscany, Italy. A different Palazzo Panciatichi-Ximenes or Ximenes-da Sangallo is located at Borgo Pinti 68, corner of via Giusti, in Florence.

<span class="mw-page-title-main">San Carlo dei Lombardi</span>

San Carlo dei Lombardi is a Gothic-style, Roman Catholic church located on Via dei Calzaiuoli in central Florence, region of Tuscany, Italy. It has undergone many refurbishments over the year, and was originally dedicated to Sant'Anna e Michele, but since the early 17th century became the church of the local Lombard community and was dedicated to St Charles Borromeo.

The following is a timeline of the history of the city of Pistoia in the Tuscany region of Italy.

The Loggiato is the semi-enclosed courtyard space between the two long galleries of the Uffizi Gallery located adjacent to the Piazza della Signoria in the historic center of Florence, capital of Tuscany, Italy. Because the facade of the arcaded corridor parallel to the Arno River also continues the sculptural display of the cortile, it can also be included in the description.

References

  1. "HomePage". www.archiviopistoia.it. Archived from the original on 2018-11-18. Retrieved 2017-11-04.
  2. Le Famiglie di Firenze, Roberto Ciabani Vol 2 pg. 329