This article contains content that is written like an advertisement .(December 2023) |
Author | Misty Copeland |
---|---|
Illustrator | Christopher Myers |
Country | United States |
Language | English |
Genre | Children's Literature (Fiction) |
Publisher | G.P. Putnam's Sons Books for Young Readers |
Publication date | September 4, 2014 |
ISBN | 0-399-16615-7 |
Firebird is a children's picture book written by Misty Copeland and illustrated by Christopher Myers. It was first published on September 4, 2014. [1] This debut book by Copeland aims to inspire young dancers, especially those from underrepresented communities in ballet.
The narrative of Firebird is a poetic dialogue between a young ballet student and her mentor, exploring themes of self-confidence, perseverance, and the transformative power of dance. It has been praised for its lyrical text and vibrant illustrations, which vividly capture the grace and intensity of ballet. "Firebird" has received acclaim for its positive message and representation, making it a significant contribution to children's literature and an inspirational tool for young dancers worldwide.
Misty Copeland, born on September 10, 1982, in Kansas City, Missouri, is a renowned figure in the ballet world. Her journey into ballet began at the relatively late age of 13, which is considered unusual for a professional dancer. Despite her late start, Copeland's talent was quickly recognized, and she rose to prominence in the American Ballet Theatre (ABT), becoming the first African American female principal dancer in 2015. This achievement was a groundbreaking moment in the history of ballet. [2]
Copeland's motivation for writing "Firebird" stemmed from her own experiences in the predominantly white ballet world, where she often felt like an outsider due to her race and body type. [3] She expressed, "when I opened up ballet books, I didn't see myself. I saw an image of what a ballerina should be, and she wasn't me, brown with tendrils sweeping her face. I needed to find ME." This reflection motivated her to create "Firebird" for children who dream of gracing the stage, intending to "expand the idea of beauty and art." [4] In collaboration with Christopher Myers, an award-winning illustrator, "Firebird" aims to inspire and empower young readers by showing them that success and excellence in ballet (or any field) are attainable regardless of their background or the challenges they may face.
"Firebird" tells the story of a young, aspiring ballerina who feels overwhelmed and doubtful about her abilities in the world of dance. She looks up to a famous ballerina, seeing her as the embodiment of perfection and success. The protagonist grapples with self-confidence and fears that she may never be able to reach such heights in her dancing career. [5]
As the narrative unfolds, a mentor modeled after Misty Copeland encourages the young girl to believe in herself. The mentor shares her own experiences, revealing that her path to success was once filled with challenges and moments of insecurity. This revelation is eye-opening for the girl, helping her to understand that perfection is not an instant achievement, but a process that involves persistence and resilience. With her mentor's guidance, the young ballerina learns to see her potential and envisages herself as the Firebird, symbolizing her transformation into an empowered character. The story emphasizes the importance of perseverance, embracing one's individuality, and the value of having a role model. [6]
One of the major themes in "Firebird" is the importance of perseverance and self-belief in the face of challenges. Misty Copeland instills a sense of hope and determination in young readers, encouraging them to dream big and work hard to achieve their goals. This theme is particularly impactful considering Copeland's own journey as a trailblazer in the ballet world, overcoming numerous obstacles to achieve her dreams.[ citation needed ]
Additionally, "Firebird" addresses the theme of mentorship and its significance in personal growth and professional development. The book illustrates how guidance and support from experienced individuals can help nurture talent and boost confidence in young individuals. This is exemplified in Copeland's life, where she is both a mentor and an inspiration to countless young dancers, particularly those from underrepresented communities.[ citation needed ]
A critical discussion point in "Firebird" is the racial diversity of members in ballet and the arts. Copeland challenges the traditional white reputation of ballet by featuring a protagonist who is a young girl of color. [7] In doing so, she shifts the narrative and opens a dialogue about the importance of representation in the arts. [8] Copeland's decision to feature such a protagonist offers children from various backgrounds the opportunity to see themselves reflected in literature and ballet.
Christopher Myers' illustrations play a crucial role in complementing the book's narrative. Myers, recognized for his contributions to children's literature, employs a distinct illustration style that integrates painting, photography, and collage. This approach brings a unique visual appeal to the book, aligning with its themes.[ citation needed ]
Myers' use of collage provides a contemporary and urban feel to the illustrations. This stylistic choice contributes significantly to the narrative's expression, adding layers of depth and emotion to the story. His illustrations are often marked by their dynamic and vibrant nature, which enhances the storytelling in "Firebird."[ citation needed ]
The book's illustrations are further characterized by their bold use of color. [9] The color palette is a mix of intense and subdued tones, featuring reds, blues, purples, and browns. These colors are thoughtfully selected to parallel the narrative's emotional journey. For instance, the warm tones of reds and yellows symbolize passion and energy, reflecting the protagonist's inner strength, while the cooler tones represent introspection and self-doubt.
Critically, "Firebird" has been recognized with several prestigious awards, underscoring its impact and appeal. In 2015, the book won the Coretta Scott King Award and the Ezra Jack Keats Book Award. The year before, it was voted as NPR's Best Book and Amazon's Best Book of the Year for Ages 6–8. Additionally, it was selected as Amazon's Best Book of the Month in September 2014 and was named Essence Magazine's Best Children's Book in 2014. [10]
However, the reception of "Firebird" has not been unanimously positive. Some critics have pointed out aspects of the book they found lacking. For example, a review on KD Did It Edits appreciates the graphical elements of the book, especially noting the portrayal of a young black girl as the protagonist. However, the same review critiques the narrative style, describing it as more of a promotional piece for Copeland rather than a story with a personal connection to the young dancer character. The review acknowledges the excellence of Myers' illustrations but suggests that Copeland's writing did not match up to the visual storytelling. [11]
Elizabeth Marie Tallchief was an American ballerina. She was considered America's first major prima ballerina. She was the first Native American to hold the rank, and is said to have revolutionized ballet.
Gelsey Kirkland is an American ballerina. She received early ballet training at the School of American Ballet. Kirkland joined the New York City Ballet in 1968 at age 15, at the invitation of George Balanchine. She was promoted to soloist in 1969, and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor, including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading.
Greta Hodgkinson O.Ont is an American-Canadian ballet dancer. She was a Principal dancer with the National Ballet of Canada until she stepped down in 2020. She continues to perform freelance and is Artist-in-Residence of the National Ballet.
Christopher Myers is an American interdisciplinary artist, author and illustrator of children's books, and playwright. His wide-ranging practice—including tapestries, sculpture, stained glass lightboxes, theater and writing—is rooted in storytelling and artmaking as modes of transformation and cultural exchange. He explores contemporary hybrid cultures and identities resulting from histories of migration, globalization and colonization. Critics have noted his work's fluid movement between disciplines, image and language, sociopolitical research and mythology, and diverse materials. Shana Nys Dambrot of LA Weekly wrote, "Ideas about authorship, collaboration, cross-cultural pollination, intergenerational storytelling, mythology, literature and the oral histories of displaced communities all converge in his literal and metaphorical patchwork tableaux … [his] sharp, emotional and sometimes dark parables express it all in bright, jubilant patterns and saturated colors."
Misty Danielle Copeland is an American ballet dancer for American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. On June 30, 2015, Copeland became the first African American woman to be promoted to principal dancer in ABT's 75-year history.
Hildur Isabella Boylston is an American ballet dancer who is currently a principal dancer with the American Ballet Theatre (ABT).
Life in Motion: An Unlikely Ballerina is an autobiography by Misty Copeland, written with Charisse Jones, published March 4, 2014 by Aladdin. In the book, Copeland discusses her history toward becoming the only African-American soloist with the American Ballet Theatre following a life in which she and her family lived in poverty.
Yasmine Naghdi is a British ballerina and a principal ballerina of The Royal Ballet, London. She joined The Royal Ballet's corps de ballet in April 2010 when she was still a graduate student at The Royal Ballet School. She made her way up through all the five ranks of The Royal Ballet and reached the highest rank aged 24, when she was promoted to principal ballerina.
A Ballerina's Tale is a 2015 documentary film revolving around the career of Misty Copeland, who serves as the narrator of the film as well as its subject. The film premiered on April 19, 2015, at the Tribeca Film Festival. It was released through video on demand on October 13, 2015, prior to opening in a limited release on October 14, 2015, by Sundance Selects. A version of it, which is available on the PBS website, was also aired by PBS stations beginning in February 2016. The film received mostly positive reviews.
Anne Raven Wilkinson was an American dancer who is credited with having been the first African-American woman to dance for a major classical ballet company. Wilkinson broke the color barrier in 1955 when she signed a contract to dance full-time with the Ballet Russe de Monte Carlo. She was promoted to soloist during her second season with the troupe, and remained with the company for six years. Wilkinson later became a mentor to American Ballet Theatre principal dancer Misty Copeland.
Stella Abrera is a Filipina-American ballet dancer. She danced as a principal dancer with American Ballet Theatre until her retirement in 2020, and is the company's first Filipina principal ballerina. She then became the artistic director of the dance cultural park Kaatsbaan, and in September 2022 took up the role of artistic director of the ABT JKO School. following Cynthia Harvey's departure in May.
Stephanie Kurlow is an Australian dancer and ballet student often credited as being the world's first Hijabi Ballerina.
Precious Adams is an American ballet dancer who currently dances with the English National Ballet.
Stephanie Renee Dabney was an American dancer who performed as a prima ballerina with Dance Theatre of Harlem from 1979 through 1994. Dabney is best known for her performances in John Taras' The Firebird, which she performed all over the world, as well as at the opening ceremony of the 1984 Summer Olympics in Los Angeles.
Skylar Paley Brandt is an American ballet dancer who is currently a principal dancer with the American Ballet Theatre.
Alicia Graf Mack is an American dancer and teacher. She danced with Dance Theatre of Harlem and Alvin Ailey American Dance Theater, and taught at Washington University in St. Louis, Webster University, and University of Houston. As the youngest and first Black Dean and Director of the Dance Division at Juilliard School, a position she attained in 2018, she has been credited with "remaking Juilliard Dance."
Black women have been traditionally underrepresented in ballet. In the 15th and 16th centuries, ballet began in Italian Renaissance courts, where it was largely dominated and influenced by the aristocracy. Ballet later spread to France and was developed under Louis XIV. After the first professional theatrical ballet company, the Paris Opera Ballet, was established in 1669, ballet spread throughout Europe and the rest of the world. Ballet eventually arrived in the United States, and by 1933, the San Francisco Ballet, the first professional ballet company in the United States, was founded.
Charlotte Nebres is an American pre-professional ballet dancer. In 2019, at eleven years old, she become the first Black ballerina to dance the role of Marie in New York City Ballet's production of George Balanchine's The Nutcracker. Later that year, she wrote Charlotte and The Nutcracker, a children's book about her experience.
Discrimination in dance refers to unequal treatment of performance artists based on white dominant culturally desired symmetry and unified lines.