Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933, when he was 10 years old, to escape the rise of Nazism. He became a British naturalized citizen in 1939. From 1942 to 1943 he attended Goldsmiths' College, London. He served at sea with the British Merchant Navy during the Second World War.
Sir Arthur Ernest Streeton was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism.
Frederick Ronald Williams OBE was an Australian painter and printmaker. He was one of Australia’s most important artists, and one of the twentieth century's major landscapists. He had more than seventy solo exhibitions during his career in Australian galleries, as well as the exhibition Fred Williams - Landscapes of a Continent at the Museum of Modern Art in New York in 1977.
John Brack was an Australian painter, and a member of the Antipodeans group. According to one critic, Brack's early works captured the idiosyncrasies of their time "more powerfully and succinctly than any Australian artist before or since. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage."
Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.
The Bar is a 1954 painting by Australian artist John Brack. The subject of the painting directly references Édouard Manet's 1882 work A Bar at the Folies-Bergère. It depicts a barmaid working in an Australian pub at the time of the "six o'clock swill". As in Manet's work, the patrons of the bar are shown in a reflection behind the barmaid. The work is considered a companion piece to Brack's 1955 work Collins St., 5 pm.
Collins St., 5 pm is a 1955 painting by Australian artist John Brack. The painting depicts office workers walking along busy Collins Street in Melbourne after finishing work for the day—"Blank-faced office workers hurry by like sleep-walkers, thinking only of the pubs or their homes in the suburbs". Brack conceived the work after reading T. S. Eliot's 1922 poem The Waste Land. It is considered a companion piece to Brack's earlier work The Bar.
Frances Vida Lahey MBE (1882—1968) was a prominent artist in Queensland, Australia. She exhibited widely from 1902 until 1965.
Peter Bray Gallery was established as Stanley Coe Gallery in 1949 before being renamed in 1951, after a change of management. Situated at 435 Bourke Street, Melbourne, Victoria, Australia, it closed in 1957. Many of the major names in mid-century Australian contemporary art showed there during its brief, but very busy, lifespan.
The Boucher Nude is a 1957 painting by Australian artist John Brack. The painting is a nude, depicting a woman lying on a sofa. Sasha Grishin, the William Dobell Professor of Art History at the Australian National University claimed that "The Boucher Nude can be justly regarded as one of the great masterpieces in Australian art."
Menzies Art Brands is an Australian art auction company which includes both the Deutscher-Menzies and Lawson-Menzies auction houses. It is part of the private company Menzies International, which also includes cleaning business Menzies Group and the vineyard Noorilim Estate. It is one of Australia's major art auction houses by takings.
Two Running Girls is a 1959 painting by Australian artist John Brack. The painting depicts two girls, wearing dresses and with their hair tied, running from the viewer.
Jan Hendrik Scheltema, was a Dutch and later Australian painter who had a prolific, often strenuous, and arguably impressive career in Australia considering he was a non-British migrant artist without an international reputation on arrival. After working as a portrait painter in the Netherlands, he specialized in Australia as a livestock and landscape painter, making the livestock genre, particularly the foreground cattle genre, popular there. In Australia, he painted mainly in Victoria when living in Melbourne for almost 5 decades, even through its land boom depression of the 1890's, World War I and the Great Depression, where he also practiced as a painting and drawing teacher. He successfully lived off only his art and art teaching, at one stage owning a few houses, one of which he kept when retiring to Queensland.
Dorothy Mary Braund (1926–2013) was an Australian post-war figuration and contemporary feminist artist, whose practice included painting, printmaking and teaching. Braund's extensive career was instrumental in contributing to the Modernist art scene, along with a generation of significant women artists including: Mary Macqueen, Barbara Brash, Anne Marie Graham, Constance Stokes, Anne Montgomery (artist) and Nancy Grant. Braund's first solo exhibition, held in 1952 at Peter Bray Gallery in Melbourne, launched her career and from then on she had consistent shows and exhibitions. Braund has had approximately 29 solo exhibitions and participated in 25 group exhibitions throughout her career. Braund is also a part of the Cruthers Collection of Women's Art.
Josephine Margaret Muntz Adams was an Australian artist who distinguished herself as a portraitist. Her portrait of Duncan Gillies, 14th Premier of the state of Victoria (1886-1890), hangs in Parliament House, Melbourne. Her portrait of the Queensland and Australian Federal politician Charles McDonald is in Parliament House, Canberra.
Laughing Child is a 1958 Modernist portrait painting by Australian artist John Brack. The painting depicts his daughter Charlotte as a young girl, in a dress and with messy hair, laughing.
Helen Elizabeth Ogilvie was a twentieth-century Australian artist and gallery director, cartoonist, painter, printmaker and craftworker, best known for her early linocuts and woodcuts, and her later oil paintings of vernacular colonial buildings.
Le Repos is an oil-on-canvas painting created by Pablo Picasso in 1932. It depicts a portrait of Marie-Thérèse Walter, the artist's lover and muse, in a sleeping pose. The painting was produced in the midst of their relationship and is a demonstration of Picasso's love for his mistress. Le Repos was one of a series of sleeping portraits of Walter that Picasso created in 1932. On 14 May 2018, the painting achieved a value of $36.9 million when it was sold at Sotheby's auction.
Barbara Nancy Brash was a twentieth-century post-war Australian artist known for her painting and innovative printmaking. In an extensive career she contributed to the Melbourne Modernist art scene, beside other significant women artists including: Mary Macqueen, Dorothy Braund, Anne Marie Graham, Constance Stokes, Anne Montgomery (artist) and Nancy Grant.
