Brett Whiteley AO was an Australian artist. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States.
The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism.
Helena Rubinstein was a Polish and American businesswoman, art collector, and philanthropist. A cosmetics entrepreneur, she was the founder and eponym of Helena Rubinstein Incorporated cosmetics company, which made her one of the world's richest women.
Frederick Ronald Williams OBE was an Australian painter and printmaker. He was one of Australia’s most important artists, and one of the twentieth century's major landscapists. He had more than seventy solo exhibitions during his career in Australian galleries, as well as the exhibition Fred Williams - Landscapes of a Continent at the Museum of Modern Art in New York in 1977.
John Brack was an Australian painter, and a member of the Antipodeans group. According to one critic, Brack's early works captured the idiosyncrasies of their time "more powerfully and succinctly than any Australian artist before or since. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage."
The Antipodeans were a group of Australian modern artists who asserted the importance of figurative art, and protested against abstract expressionism. Though they staged but a single exhibition in Melbourne during August 1959, they were noted internationally.
Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.
Collins St., 5 pm is a 1955 painting by Australian artist John Brack. The painting depicts office workers walking along busy Collins Street in Melbourne after finishing work for the day—"Blank-faced office workers hurry by like sleep-walkers, thinking only of the pubs or their homes in the suburbs". Brack conceived the work after reading T. S. Eliot's 1922 poem The Waste Land. It is considered a companion piece to Brack's earlier work The Bar.
Ursula Hoff was an Australian scholar and prolific author on art. She enjoyed a long career at the National Gallery of Victoria in Melbourne, where she was deputy director from 1968 to 1973. Her involvement then continued when she was appointed London Adviser of the Felton Bequest (1975–83), a major charitable foundation dedicated to the NGV.
Nasturtiums is an oil painting by the Australian Impressionist painter Emanuel Phillips Fox painted in 1912 during a period of great creativity for the artist in which he produced some of his finest works. It shows a woman, Edith Susan Gerard Anderson, wearing a printed mauve dress, black hat and black gloves, reading in a garden seated in a cane chair against a background of climbing nasturtium leaves and flowers growing up a trellis.
Portrait of Catherine, Duchess of Cambridge is the first official portrait of Catherine, Duchess of Cambridge. It was unveiled at the National Portrait Gallery, London, on 11 January 2013. Paul Emsley was commissioned to paint the Duchess after being selected from a shortlist by Catherine herself. Catherine had announced the National Portrait Gallery as one of her official patronages in January 2012. Emsley took 15 weeks to complete the painting, which was presented to the trustees of the gallery in November 2012. The Duchess, contrary to considerable criticism in the art world, highly praised the portrait after viewing it initially in a private family gathering.
First Daughter is a 1955 Modernist painting by Australian artist John Brack. The painting depicts his daughter Clara as a young girl kneeling on the floor drawing a person on a piece of paper. The subject is seen from above - from the viewpoint of a father.
Peter Bray Gallery was established as Stanley Coe Gallery in 1949 before being renamed in 1951, after a change of management. Situated at 435 Bourke Street, Melbourne, Victoria, Australia, it closed in 1957. Many of the major names in mid-century Australian contemporary art showed there during its brief, but very busy, lifespan.
The Boucher Nude is a 1957 painting by Australian artist John Brack. The painting is a nude, depicting a woman lying on a sofa. Sasha Grishin, the William Dobell Professor of Art History at the Australian National University claimed that "The Boucher Nude can be justly regarded as one of the great masterpieces in Australian art."
Edith Susan Gerard Anderson, who became Edith Susan Boyd when she married, was an Australian artist, dramatist, and painter. She was also known for being a model for the artist Emanuel Phillips Fox, notably in his 1912 painting Nasturtiums.
Dorothy Mary Braund (1926–2013) was an Australian post-war figuration and contemporary feminist artist, whose practice included painting, printmaking and teaching. Braund's extensive career was instrumental in contributing to the Modernist art scene, along with a generation of significant women artists including: Mary Macqueen, Barbara Brash, Anne Marie Graham, Constance Stokes, Anne Montgomery (artist) and Nancy Grant. Braund's first solo exhibition, held in 1952 at Peter Bray Gallery in Melbourne, launched her career and from then on she had consistent shows and exhibitions. Braund has had approximately 29 solo exhibitions and participated in 25 group exhibitions throughout her career. Braund is also a part of the Cruthers Collection of Women's Art.
Georgina Alice Gregory was an Australian artist.
Helen Maudsley is an Australian artist, who has been described as "one of Australia’s most tenacious and perhaps most underrated artists". Born in Melbourne in 1927, Maudsley has had regular solo exhibitions since 1957. She is best known for her complex paintings and drawings that use abstraction and visual analogy to describe inner and outer worlds. Maudsley describes her paintings as “visual essays,” in that they are focused, methodical attempts to explore a concept. Through exploration of visual language, Maudsley uses lines, numbers, shapes, letters, geometry and symbols to construct geometric labyrinth-like compositions that explore her everyday experiences.
Latin American Grand Final is a 1969 painting by Australian artist John Brack. Part of a series of paintings on the theme of ballroom dancing painted by Brack in the late 1960s, the painting depicts two ballroom dancers – a man and a woman – in a dance competition.
Rosemary Ryan was a mid to late twentieth-century Australian painter
