The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism.
Emily Kame Kngwarreye was an Aboriginal Australian artist from the Utopia community in the Northern Territory. After only starting painting as a septuagenarian, Kngwarreye became one of the most prominent and successful artists in the history of Indigenous Australian art. She was a founding member of the Utopia Women's Batik Group and is known for her precise and detailed works.
Frederick Ronald Williams was an Australian painter and printmaker. He was one of Australia’s most important artists, and one of the twentieth century's major landscapists. He had more than seventy solo exhibitions during his career in Australian galleries, as well as the exhibition Fred Williams - Landscapes of a Continent at the Museum of Modern Art in New York in 1977.
John Brack was an Australian painter, and a member of the Antipodeans group. According to one critic, Brack's early works captured the idiosyncrasies of their time "more powerfully and succinctly than any Australian artist before or since. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage."
Rover Thomas Joolama, known as Rover Thomas, was a Wangkajunga and Kukatja Aboriginal Australian artist.
Albert Henry Fullwood was an Australian artist who made a significant contribution to art in Australia. He painted with Heidelberg School artists around Melbourne and moved with Tom Roberts and Arthur Streeton to live and paint at their camp in Sirius Cove, Sydney. Fullwood was the Australian official war artist to the 5th Division in the World War I.
Grahame Edwin King was a master Australian printmaker, who has been called the "patron saint of contemporary Australian printmaking". He was responsible for the revival of print making in Australia in the 1960s. He helped set up the Print Council of Australia, of which he was the first Honorary Secretary and was later President. He taught printmaking at The Royal Melbourne Institute of Technology (RMIT) from 1966 to 1988. In 1991, he was awarded an Order of Australia for his services to education. As well as teaching, King produced his own art work, concentrating on lithographs and monotypes. He was also a skilled photographer and used his photography both in his teaching and in his practice.
Franz Moishe Kempf was an Australian artist who worked in Australia and Europe. He was a lecturer in printmaking at the University of Adelaide.
Jessie Constance Alicia Traill was an Australian printmaker. Trained by Frederick McCubbin at the National Gallery of Victoria Art School, and by painter and printmaker Frank Brangwyn in London, Traill worked in England and France in the period immediately preceding World War I. During the war she served in hospitals with the Voluntary Aid Detachment.
Peter Purves Smith, born Charles Roderick Purves Smith, was an Australian painter. Born in Melbourne, Purves Smith studied at the Grosvenor School of Modern Art in London and under progressive art teacher George Bell in Melbourne.
Jean Bellette was an Australian artist. Born in Tasmania, she was educated in Hobart and at Julian Ashton's art school in Sydney, where one of her teachers was Thea Proctor. In London she studied under painters Bernard Meninsky and Mark Gertler.
First Daughter is a 1955 Modernist painting by Australian artist John Brack. The painting depicts his daughter Clara as a young girl kneeling on the floor drawing a person on a piece of paper. The subject is seen from above - from the viewpoint of a father.
David Larwill (1956–2011) was an Australian artist recognisable by his distinctive and exuberant style based on bold colour, stylised figures and simplified form. Although best known as a figurative expressionist painter, Larwill was also a draughtsman and printmaker of note. He produced many drawings, watercolours, ceramics and sculptures as well as etchings, lithographs and screenprints. In a career that stretched over 30 years, Larwill held over 25 solo exhibitions and participated in scores of group shows.
The Boucher Nude is a 1957 painting by Australian artist John Brack. The painting is a nude, depicting a woman lying on a sofa. Sasha Grishin, the William Dobell Professor of Art History at the Australian National University claimed that "The Boucher Nude can be justly regarded as one of the great masterpieces in Australian art."
The Block is a 1954 painting by Australian artist John Brack. The painting depicts the interior of an empty butcher's shop, including the eponymous butcher's block. It is one of a series of paintings—including The Barber's Shop (1952), The Fish Shop (1955) and Men's Wear (1955)—of small high street businesses.
The tools of the trade – choppers, knives and meathooks – hang from the rails. The butcher’s block, centrally placed and painted in a darker tone, dominates the composition. Despite the rather grisly subject matter, Brack has achieved a small, perfectly contained and beautifully painted jewel-like interior. The detail of the brushwork, with its meticulous lines and opaque passages of thin paint in the background, the fine scratches incised into the block to indicate its use, and the artist’s handmade wooden frame, all converge in an exquisite synthesis
Laughing Child is a 1958 Modernist portrait painting by Australian artist John Brack. The painting depicts his daughter Charlotte as a young girl, in a dress and with messy hair, laughing.
Mandy Martin was a contemporary Australian painter, printmaker and teacher. She was involved in the development of feminist art in Australia from the mid-1970s and as exhibited widely in Australia and internationally. In recent years she used the art she created as part of the ongoing debate on climate change, an area in which she was "prolifically active". Based in Canberra for many years, she was also a lecturer at the Australian National University (ANU) School of Art from 1978 to 2003. As well as being a visual artist, Martin was an adjunct professor at the Fenner School of Environment and Society at the ANU College of Medicine, Biology and Environment.
Alexander "Sasha" Dmitrievich Grishin is an Australian art historian, art critic and curator based in Victoria and Canberra. He is known as an art critic, and for establishing the academic discipline of art history at the Australian National University (ANU).
Latin American Grand Final is a 1969 painting by Australian artist John Brack. Part of a series of paintings on the theme of ballroom dancing painted by Brack in the late 1960s, the painting depicts two ballroom dancers – a man and a woman – in a dance competition.
Jon Cattapan is an Australian visual artist best known for his abstract oil paintings of cityscapes, his service as the 63rd Australian war artist and his work as a professor of visual art at the University of Melbourne in the Faculty of Fine Arts and Music at the Victorian College of the Arts. Cattapan's artworks are held in several major galleries and collections, including the National Gallery of Victoria, the Art Gallery of New South Wales, Queensland Art Gallery, and the National Gallery of Australia.
