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In cinematography and photography, flashing is the exposure of the film or digital sensors to uniform light prior to exposing them to the scene. [1] [2] It is used as a method of contrast control to bring out detail in darker areas. This adds a bias to the overall light input recorded by the sensor. When used for artistic effects, it can be used to add a colour cast to shadows without significantly affecting highlights. Flashing is usually described as a percentage of exposure increase to the film's base fog level. While the flash itself is often a neutral color temperature, the flash exposure could be any color: the color of the flash will be imbued disproportionately into the shadows of the image.
The effect is produced by adding a small and even level of exposure to the entire image. Since exposure levels increase logarithmically, this tiny level of additional exposure has no practical effect on an image's mid-tones or highlights, while it shifts the darker areas of the image into the practical sensitivity range, thus allowing the darker areas of the image to show visual detail rather than uniform blackness.
Flashing can be applied to the film stock before, during, or after principal photography of a motion picture, although always before the film is processed. When applied before or after shooting, this is generally done by a film laboratory. The level of flashing needs to be tested beforehand and subsequently moderated appropriately against the light levels of the scene, or else it risks having minimal impact if too low or making the shadows "milky" when too high.
Adding a general overall exposure of light to a photosensitive material to alter the material's response to a captured image is a long-known technique. Photographer Ansel Adams describes the use of "pre-exposure," to make details visible in a darker area of an image, in his text The Negative (rev. ed. 1959). For more, study astronomic photographic techniques when silver-halide emulsions on glass plates were the available tools. With modern digital sensors that can capture high dynamic range, it is rarely used.
This only applies when the film stock is exposed to low amounts of light in a laboratory.
On-set flashing solutions include Panavision's Panaflasher, which is mounted in between the camera body and the camera magazine throat, Arri's Varicon, which functions as an illuminated filter and can be viewed directly through the viewfinder for manual setting of the flash level and the Burning Eye AV EELCON a modern multi color led based illuminated filter similar in use to the Arri Varicon made to be used on Arri LMB style matteboxes.
This can be used to either bring up shadows or bring down highlights depends on if used on a negative or an interpositive.
Cinematographer Vilmos Zsigmond used flashing very deliberately while filming Robert Altman's The Long Goodbye (1973). Zsigmond sought to create a sense of pastel light and subdued contrast appropriate to the film's retrospective 1950's Los Angeles mood. The MGM 2002 DVD re-release of The Long Goodbye includes an interview with Zsigmond in which he discusses his aesthetic goals for the film and his use of flashing to achieve them. In the March 1973 issue of American Cinematographer magazine (the text is included on the DVD), Edward Lipnick discussed Zsigmond's technique in detail. Lipnick credits cinematographer Freddie Young with earlier use of flashing in cinema. Zsigmond worked closely with Skip Nicholson, then Technicolor's Manager of Photographic Services, to establish an acceptably predictable system to set the level of flashing to be used for a reel. For some scenes with deep shadow areas in which identifiable image detail was required, a flash "level" described by Zsigmond as "100%" was employed—though it is not clear that Zsigmond's measurement system was that noted in the preceding paragraph.
But, as Lipnick says at the opening of his 1973 American Cinematographer article, "Exposing your negative to varying amounts of light after you have shot it and before you have developed it, without being precisely certain what the results are going to look like, wouldn't seem like a technique designed to reduce the anxiety level of a cameraman shooting a major feature."
It is also used in fields such as astronomy to bias CCD image sensors into a linear region, improving their low-light sensitivity.
When developing a photographic print, it is also possible to flash the printing paper to darken the highlights.
Now, digital image-processing technology can pull details out of shadow areas without risking destroying the dailies or rushes. However, current digital image chips are still limited in the light intensity range over which they can record detail. Depending on the scenario it might be still be beneficial to use pre-flashing devices to lift up the general exposure to lift the darkest parts above the threshold where excessive sensor noise is present.
A camera is an optical instrument used to capture and store images or videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century.
In photography, exposure is the amount of light per unit area reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region.
A light meter is a device used to measure the amount of light. In photography, a light meter is used to determine the proper exposure for a photograph. The meter will include either a digital or analog calculator which displays the correct shutter speed and f-number for optimum exposure, given a certain lighting situation and film speed. Similarly, exposure meters are also used in the fields of cinematography and scenic design, in order to determine the optimum light level for a scene.
In photography and videography, multi-exposure HDR capture is a technique that creates extended or high dynamic range (HDR) images by taking and combining multiple exposures of the same subject matter at different exposure levels. Combining multiple images in this way results in an image with a greater dynamic range than what would be possible by taking one single image. The technique can also be used to capture video by taking and combining multiple exposures for each frame of the video. The term "HDR" is used frequently to refer to the process of creating HDR images from multiple exposures. Many smartphones have an automated HDR feature that relies on computational imaging techniques to capture and combine multiple exposures.
Cinematography is the art of motion picture photography.
A flash is a device used in photography that produces a brief burst of light at a color temperature of about 5500 K to help illuminate a scene. A major purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.
In cinematography and photography, pre-flashing is the exposure of the film or other photosensor to uniform light prior to exposing it to the scene to be imaged. This adds a bias to the overall light input recorded by the sensor.
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Vilmos ZsigmondASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement.
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In digital photography, exposing to the right (ETTR) is the technique of adjusting the exposure of an image as high as possible at base ISO to collect the maximum amount of light and thus get the optimum performance out of the digital image sensor.
The merits of digital versus film photography were considered by photographers and filmmakers in the early 21st century after consumer digital cameras became widely available. Digital photography and digital cinematography have both advantages and disadvantages relative to still film and motion picture film photography. In the 21st century, photography came to be predominantly digital, but traditional photochemical methods continue to serve many users and applications.
Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed. Photographers can manipulate the positioning and the quality of a light source to create visual effects, potentially changing aspects of the photograph such as clarity, tone and saturation to create an accurate rendition of the scene.
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