Florinda Bolkan is a retired Brazilian actress and model.
Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages.
The 1st Los Angeles Film Critics Association Awards, given by the Los Angeles Film Critics Association (LAFCA), honored the best in film for 1975.
Anthony Higgins is an English stage, film and television actor. His credits include A Walk with Love and Death (1969), Taste the Blood of Dracula (1970), Hadleigh (1976), The Eagle of the Ninth (1977), Love in a Cold Climate (1980), Quartet (1981), The Draughtsman's Contract (1982), Lace (1984), The Bride (1985), Young Sherlock Holmes (1985), Napoleon and Josephine: A Love Story (1987), Sherlock Holmes Returns (1993), Nostradamus (1994), Peak Practice (2000), Chromophobia (2005), Heroes and Villains: Napoleon (2007), Lewis (2009), Malice in Wonderland (2009), Bel Ami (2012), and Tutankhamun (2016).
A Brief Vacation is a 1973 melodrama film directed by Vittorio De Sica. The screenplay, written by Cesare Zavattini, was inspired by an Apollinaire adage.
A Lizard in a Woman's Skin is a 1971 giallo film co-written and directed by Lucio Fulci and produced by Edmondo Amati and Robert Dorfmann. It stars Florinda Bolkan, Stanley Baker, Jean Sorel, Alberto de Mendoza, Silvia Monti, Anita Strindberg, Mike Kennedy, George Rigaud and Leo Genn. The film is an Italian-Spanish-French co-production.
Anonimo Veneziano is a 1970 Italian drama film written and directed by the famous Italian actor Enrico Maria Salerno in his debut as a film director. It starred American actor Tony Musante and Brazilian actress Florinda Bolkan.
The Trap, also known as Collector's Item, Dead Fright and The Cage, is a 1985 erotic thriller directed by Giuseppe Patroni Griffi, and starring Tony Musante, Laura Antonelli, and Florinda Bolkan. Famed Italian horror director Lucio Fulci contributed to the screenplay.
The Master Touch is a 1972 crime film directed by Michele Lupo starring Kirk Douglas and Florinda Bolkan.
Detective Belli is a 1969 Italian poliziotteschi directed by Romolo Guerrieri and starring Franco Nero. It is based on the novel Macchie di belletto by Ludovico Dentice.
Footprints on the Moon, also released as Primal Impulse, is a 1975 Italian mystery thriller film starring Florinda Bolkan and Klaus Kinski. It concerns Alice, a translator with an unexplained two-day gap in her memory that follows clues to a mysterious seaside town for answers, where the unfamiliar residents seem to recognize her as a different woman named Nicole.
Machine Gun McCain is a 1969 English-language Italian crime film directed by Giuliano Montaldo and starring John Cassavetes, Britt Ekland, Peter Falk, Gabriele Ferzetti, and Florinda Bolkan. Cassavetes' spouse and regular collaborator Gena Rowlands appears in a supporting role. The film is based on the Ovid Demaris novel Candyleg, adapted by Montaldo, Mino Roli, and American playwright Israel Horovitz. It premiered at the 1969 Cannes Film Festival, where it was nominated for the Palme d'Or.
Metti, una sera a cena is a 1969 Italian drama film directed by Giuseppe Patroni Griffi. It was entered into the 1969 Cannes Film Festival.
A Season in Hell is a 1971 French-Italian drama film directed by Nelo Risi. The film tells the life and death of the poet Arthur Rimbaud and his troubled relationship with the poet Paul Verlaine until the African adventure in Ethiopia.
Dear Parents is a 1973 Italian drama film directed by Enrico Maria Salerno. For this film Florinda Bolkan was awarded with a David di Donatello for Best Actress.
Una ragazza piuttosto complicata is a 1968 Italian giallo film directed by Damiano Damiani. For her performance in this film and in Metti una sera a cena, Florinda Bolkan was awarded with a Golden Plate at the 1968 Edition of David di Donatello.
Mafia Connection is a 1970 Italian crime film written and directed by Camillo Bazzoni and starring Antonio Sabàto, Peter Carsten and Florinda Bolkan.
Millions is a 1991 Italian drama film directed by Carlo Vanzina.
