Festival Internacional de Quadrinhos (FIQ) is a comic convention held in Belo Horizonte, Brazil, every two years.
Laudo Ferreira Jr. is a Brazilian comics artist. He began his career in 1983, illustrating for several publishers, as well as working with Advertising and the development of scenarios and costumes for theater. He won the Troféu HQ Mix in 1995, 2008, 2014, 2015 and 2016. He created the comic adaptations of José Mojica Marins's Coffin Joe movies and several other graphic novels, like Olimpo Tropical and Yeshuah.
André Diniz is a Brazilian comics artist. He began working with comics in 1994 with the fanzine Grandes Enigmas da Humanidade, which had a circulation of 5,000 copies.
Universo HQ is a Brazilian website about comics and considered the most important Brazilian information source on comics-related news.
Lucio Luiz is a Brazilian journalist, editor and comics writer. In 2013, he founded the publishing house Marsupial Editora. He won the Prêmio Angelo Agostini in 2014 in the "Best Release" category for the comic book Meninos e Dragões, created with Flavio Soares. He also wrote children's books as A Mamãe Tamanduá and Palavras, Palabras, as well as scripts for several comic books, such as the comic strip As Aventuras do MorsaMan and short stories in collections such as Feitiço da Vila and Café Espacial. As an academic researcher, he organized books such as Os Quadrinhos na Era Digital and Reflexões Sobre o Podcast, and published articles in academic publications and congresses.
Master of National Comics is one of the awards held by Prêmio Angelo Agostini, the most traditional Brazilian awards dedicated to comics.
Jayme Cortez was a Brazilian born Portuguese comics artist. He is considered one of the most important artists of Brazilian comics. He was born in Portugal and began his career in the Portuguese magazine O Mosquito. He emigrated to Brazil in 1947, and began working with horror and children's comics. In 1959, he founded the Continental publishing house alongside Miguel Penteado, working with important artists such as Rodolfo Zalla, Eugênio Colonnese, Gedeone Malagola, Júlio Shimamoto, Flávio Colin, among others. In 1985, Cortez was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. In 1988, a year after his death, the Prêmio Angelo Agostini created the Jayme Cortez Trophy to award great contributions to Brazilian comics.
Eugenio Colonnese was an Italian-born Brazilian comic artist. Son of a Brazilian mother and Italian father, Colonnese moved to Argentina as a child, where he began his career in 1949, working for several Argentine magazines. He moved to Brazil in 1964. Three years later, he created the Estúdio D-Arte with Rodolfo Zalla, with whom he produced several comic books for several Brazilian publishers. In 1967, Colonnese created his main characters: Mirza, a Mulher-Vampira and O Morto do Pântano, which, although they have similarities, respectively, to Vampirella and Swamp Thing, were created some years before these characters.Colonnese worked mainly with horror comics, but he also worked with other genres and did illustration for educational and advertising comics. In 1985, he was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Gedeone Malagola was a Brazilian comics artist and editor. He started his career in the 1940s, drawing for the newspaper A Marmita. He worked for several comic book publishers until he founded his own, Editora Júpiter. His main works were in the 1960s at GEP, where he created the superheroes Raio Negro, Hydroman and Homem Lua. In the late 1960s, Malagola wrote unofficial stories of the X-Men for GEP. In 1986, he was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Sérgio Lima (1925–1988) was a Brazilian illustrator and comics artist. In the 1960s, he worked at the publishing house Prelúdio, where he illustrated cordel leaflets and comic books such as Juvêncio, o justiceiro do sertão, as well as adaptations of cordel literature. He also illustrated the comic book biography of Silvio Santos, written by R. F. Lucchetti, as well as horror comics. In the 1970s, he started to create Disney comics at editora Abril and worke in Os Trapalhões comic book. In 1987, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Cláudio Seto was a Brazilian journalist, visual artist, comic artist, poet, photographer, cultural animator and bonsai artist. Of Japanese descent, at age nine he went to study at a Zen monastery in Japan, where he took the opportunity to visit Osamu Tezuka's studio on weekends. When he returned to Brazil in the 1960s, he was hired by Edrel publishing house, where he published stories about samurai and ninja, who were still little known by Brazilians. Seto is considered the forerunner of the use of the manga style in Brazilian comics and his best-known character was O Samurai. In the 1970s, he moved to Curitiba to work at the Grafipar publishing house, which had hired some of the best Brazilian comic artists of the time. In 1988, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Luiz Sá was a Brazilian comic book artist, caricaturist, illustrator, painter, scenographer and publicist. Born in the state of Ceará, he moved to Rio de Janeiro around 1929, where he began working for O Tico-Tico, the first comics magazine in Brazil. In O Tico-Tico, Sá created his most famous characters: the trio Reco-Reco, Bolão and Azeitona, considered the first legitimately Brazilian comic book characters and also the most popular of the magazine until its ending, in the 1960s. Sá was also one of the pioneers in Brazilian animation. In 1974, he contracted tuberculosis and, in 1979, he died of complications from the disease. In 1988, he was awarded posthumously with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Álvaro de Moya was a Brazilian journalist, professor, researcher, comics artist, illustrator, writer and TV producer. He was one of the pioneers in academic research on comics in Brazil and one of those responsible for the First International Exhibition of Comics, held in São Paulo in 1951. Moya worked on the Disney comics published by Editora Abril, published novel adaptations at the EBAL publishing house, and made cartoons, illustrations and articles about comics for several newspapers. His first book, Shazam!, published in 1970, is considered one of the most important for Brazilian research on comics. In 1989, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Walmir Amaral is a Brazilian comic artist. He worked at the publishing house Rio Gráfica Editora (RGE) from 1957 to 1986, where he produced covers and illustrations for several licensed characters, especially for Lee Falk's The Phantom. In the 1960s, Amaral began writing and drawing the comics for O Anjo, a radio character previously drawn by Flavio Colin. Amaral was also one of the creators of the project Gibi Semanal, in which he worked as editor and writer. The comic book featured weekly publication of comic strips and stories of characters such as Beetle Bailey, Popeye, Peanuts, Frank and Ernest, Tarzan, Rip Kirby, The Cisco Kid, The Spirit, Dick Tracy, Lucky Luke, among many others. In 1990, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Primaggio Mantovi is an Italian-born Brazilian comics artist. Born in Italy, he moved with his family to Brazil at age nine. He began his career at publishing house Rio Gráfica Editora (RGE) in 1964, where he produced around 200 magazine covers and wrote and illustrated comics about western and humor. In 1972, he released his own character at RGE, the clown Sacarrolha, who had his own comic book that was quite successful at the time. Mantovi also created the comic strip Dr. Zoo, o Veterinário, which was published in newspapers in Brazil, Cuba and the Netherlands. From 1973, Mantovi also worked with Disney comics at editora Abril, being responsible for the coordination of "Escolinha Disney", an Abril project that sought to create new talent for the then great Brazilian production of Disney comics. In 1991, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Getulio Delphim - sometimes Delphin or Delfin - is a Brazilian comics artist and illustrator. He began his career at the age of 15 at Rio Gráfica publishing house as a comics penciller and magazine cover designer. At 18, he was working for the publishing houses Outubro and La Selva. One of his main works was in the superhero's comic book Capitão 7. In 1970s, he stopped working only with comics, dedicating himself to advertising illustration. In 1994, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Renato Silva was a Brazilian illustrator and comic book artist.
Edson Rontani was a Brazilian illustrator and fanzine editor, known for having created the first Brazilian fanzine about comics.
Ivan Wasth Rodrigues was a Brazilian painter and comics artist. He learned painting at the ateliers of José Wasth Rodrigues, Cid Affonso Rodrigues and Vittorio Gobbis, and also at the Escola de Belas-Artes de São Paulo. He started his professional career as a book illustrator for the Melhoramentos publishing house and doing advertising design. In the field of comics, he designed a two-part book for EBAL publishing house on the history of Brazil and the adaptation of the classic Casa-Grande & Senzala, by Gilberto Freire. For Freire's book, which talks about the period of slavery in Brazil, Wasth Rodrigues researched for five months the paintings of Jean-Baptiste Debret. In 2001, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
