Brazilian comics

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Brazilian comics
Agostini Ze Caipora.jpg
Zé Caipora from 1886.
Earliest publications19th century
Publishers Conrad Editora
Editora Globo
Editora JBC
Panini Comics
Publications O Tico-Tico
O Globo Juvenil
As Aventuras de Roberto Sorocaba
Creators Angelo Agostini
J. Carlos
Roberto Marinho
Roger Cruz
Mike Deodato
Series and characters"Turma do Pererê"
"Monica's Gang"
"O Menino Maluquinho"
"Senninha"
"Sítio do Picapau Amarelo"
"Geraldão"
Languages Brazilian Portuguese
Related articles
Portuguese comics

Brazilian comics (known in Brazilian Portuguese as HQs, gibis, revistinhas, historietas, quadrinhos or tirinhas) started in the 19th century, adopting a satirical style known as cartoon, charges or caricature that would later be cemented in the popular comic strips. The publication of magazines dedicated exclusively to comics, in Brazil, started at the beginning of the 20th century. Brazilian artists have worked with both styles. In the case of American comics some have achieved international fame, like Roger Cruz with X-Men and Mike Deodato with Thor, Wonder Woman and others.

Contents

History

Precursors and initial steps (1837–1895)

First Brazil editorial cartoon, by Manuel de Araujo Porto-alegre (1837). 1837 first caricature in Brazil - Regency.png
First Brazil editorial cartoon, by Manuel de Araújo Porto-alegre (1837).

Brazilian comics have a long history, that goes back to the 19th century. As a charge, the first drawing was circulated in 1837, sold in separate like a lithography, by Manuel de Araújo Porto-alegre. [1] This author would later create a magazine of political humor in 1844.

Angelo Agostini, pioneer of Brazilian comics. Angelo Agostini-Pires.jpg
Angelo Agostini, pioneer of Brazilian comics.

In the late of the 1860s, Angelo Agostini continued the tradition of introducing the Brazilian journalistic and popular publications, drawings with themes of political and social satire. Between his most popular characters, drawn as protagonists of stories in comics, were Nho Quim (1869) and Zé Caipora (1883). [2] Agostini published in magazines like Vida Fluminense, O Malho , and Don Quixote.

O Tico-Tico

Released on October 11, 1905, the magazine O Tico-Tico is considered the first comic book in the country. Designed by the cartoonist Renato de Castro, the project was presented to Luís Bartolomeu de Souza e Silva, the owner of the magazine O Malho (where Angelo Agostini worked after the cancellation of Don Quixote). [3] After being approved, the magazine was attended by Angelo Agostini, who created the logo and some stories. [4] The format was inspired by the French children's magazine La Semaine de Suzette , [5] which had some of its characters adapted to a Brazilian version. [6] The magazine had the collaboration of renowned artists such as J. Carlos (responsible for the graphic changes in 1922), Max Yantok, and Alfredo Storni. [7]

The most successful character in the magazine was Chiquinho (published between 1905 and 1958), considered for many years an original Brazilian creation (however, in recent publications the character has been accused of being a rip-off of the American character Buster Brown). [8] Other characters who starred in the magazine were Reco-Reco, Bolão e Azeitona by Luiz Sá, Lamparina by J. Carlos, Kaximbown by Max Yantok, Max Muller by A. Rocha, and others. [4]

In the 1930s, some American strips and characters, such as Mickey Mouse, Krazy Kat, and Felix the Cat, were published in the magazine. J. Carlos was the first Brazilian artist to draw characters from the Walt Disney Company in the pages of Tico-Tico. [9]

The magazine lost popularity in the 1930s when new comic books and newspaper comic strips were released in Brazil. The magazine ended in 1957, with some republications until 1977. [10]

Supplements and the creation of the publishers

In September 1929, the newspaper A Gazeta creates a comic supplement in tabloid format, based on the Sunday supplements of the American comics; in the following month, Casa Editorial Vecchi (an Italian origin publisher) published the magazine: Mundo Infantil, but the success of the supplements was given in 1934 with the creation of the magazine Suplemento Infantil (later renamed as Suplemento Juvenil) by Adolfo Aizen. Aizen was known to work in the newspaper O Globo , and also in magazines O Malho and O Tico-Tico. His project was loosely inspired by American comics, he formed partnerships to publish the stories with characters like Flash Gordon, Mandrake the Magician, Donald Duck, Popeye, along original characters created by Brazilian artists as As Aventuras de Roberto Sorocaba. [11]

With the success of the magazine other magazine supplements were created in the following years, among them the one that earned popularity was O Globo Juvenil, created by Roberto Marinho to compete against the Suplemento Juvenil. O Globo Juvenil was responsible for introducing characters such as Superman, The Phantom, Prince Valiant, Li'l Abner, Alley Oop, and the republication of some titles from Suplemento Juvenil. [11]

In 1937, a new character was created through the newspaper supplements called A Garra Cinzenta, created by Francisco Armond and Renato Silva. The character has become known for its mature themes involving mystery, horror and science fiction. The comics ended in 1939 totaling 100 pages, and was later republished in the Franco-Belgian market.

Titles

Related Research Articles

<i>Sítio do Picapau Amarelo</i> (comics) Brazilian comic book series

Sítio do Picapau Amarelo was a Brazilian comic book series based on the eponymous novel series Sítio do Picapau Amarelo by Monteiro Lobato. It was originally released in 1977 on the success of the TV series produced by Rede Globo, comic books were published by the publisher RGE who would later become Editora Globo. It continued to be sold until 1979 when the characters Emília, Pedrinho and Visconde now has his own comics replacing the Sítio do Picapau Amarelo, but the comics only lasted two years being sold, and in 1981 the Sítio do Picapau Amarelo returned to be published. The comics remained being published until 1984, two years before the end of the TV series.

<i>O Tico-Tico</i> First Brazilian comics magazine

O Tico-Tico was a weekly Brazilian children's magazine, published between 1905 and 1977. It was the first magazine to publish comics in Brazil. It also featured stories and educational activities. Among its famous readers were Erico Verissimo, Lygia Fagundes Telles, Ruy Barbosa and Carlos Drummond de Andrade.

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André Luiz da Silva Pereira, well known as André Vazzios is a Brazilian colorist, comics artist and architect. Graduated in Architecture from Mackenzie Presbyterian University, he began his career as an illustrator in 1995 at the Abril Jovem publishing house.

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Manoel Messias de Mello, better known as Messias de Mello, was a Brazilian illustrator and painter. Born in Alagoas, he moved to São Paulo in the 1930s. He started working as designer of posters and shop windows, until he got a job as an illustrator at Gazeta Juvenil, a children's supplement for the newspaper A Gazeta.

Luiz Sá was a Brazilian comic book artist, caricaturist, illustrator, painter, scenographer and publicist. Born in the state of Ceará, he moved to Rio de Janeiro around 1929, where he began working for O Tico-Tico, the first comics magazine in Brazil. In O Tico-Tico, Sá created his most famous characters: the trio Reco-Reco, Bolão and Azeitona, considered the first legitimately Brazilian comic book characters and also the most popular of the magazine until its ending, in the 1960s. Sá was also one of the pioneers in Brazilian animation. In 1974, he contracted tuberculosis and, in 1979, he died of complications from the disease. In 1988, he was awarded posthumously with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.

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<span class="mw-page-title-main">Lyrio Aragão</span>

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References

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  2. Angelo Agostini, pioneiro dos quadrinhos
  3. Waldomiro Vergueiro. "A odisséia dos quadrinhos infantis brasileiros:Parte 1: De O Tico-Tico aos quadrinhos Disney, a predominância dos personagens importados". Escola de Comunicações e Artes . Archived from the original on 2016-03-03.
  4. 1 2 Franco de Rosa (Oct 2005). "A revista em quadrinhos no Brasil faz 100 anos". Wizard Brasil (25). Panini Comics: 68–69. ISSN   1679-5598.
  5. Marcelo Naranjo, sobre o press release (2005-10-14). "Via Lettera lança O Tico-Tico: Cem anos de revista". Universo HQ . Archived from the original on 2009-09-29.
  6. Dandara Palankof e Cruz (2008-09-16). "A História dos Quadrinhos no Brasil - Parte 1". HQManiacs. Archived from the original on 2017-01-05.
  7. Gian Danton (2010-05-23). "O Tico-Tico". Bigorna.
  8. Sonia Luyten. "Moinhos, tulipas e stripverhalen, os quadrinhos da Holanda". Universo HQ . Archived from the original on 2013-03-28.
  9. Roberto Elísio dos Santos (2010-01-13). "80 anos de quadrinhos Disney". Omelete .
  10. Marcelo Naranjo (2006-01-13). "O Tico-Tico em volume luxuoso da Opera Graphica". Universo HQ . Archived from the original on 2010-04-15.
  11. 1 2 Junior, Gonçalo (2004). A Guerra dos Gibis (in Portuguese). São Paulo: Companhia das Letras. ISBN   978-85-3590-582-3.