 | The examples and perspective in this article deal primarily with the United States and do not represent a worldwide view of the subject.(August 2021) |
In contrast with mainstream American comics, webcomics are primarily written and drawn by women and gender variant people. Because of the self-published nature of webcomics, the internet has become a successful platform for social commentary, as well as lesbian, gay, bisexual, and transgender (LGBT) expression.
A 2015 study by David Harper concluded that webcomics were vastly more popular format to female, transgender, and non-binary comic artists than for men. More than 40% of the women, transgender, and non-binary comic artists reported to work primarily in webcomics in this study, while only 15% of men did. Harper suggested that this may be because the self-published nature of webcomics form a lower barrier to entry, while traditional mediums such as comic books are gatekept by cisgender men, though he also suggested that this disparity may just be a difference in interest between the groups. [2]
According to a study by Erik Melander in 2005, at least 25% of webcomic creators were female. This percentage was significantly larger than the number of successful women creating print comics at the time, and the number may have been even higher, as a certain percentage of contributors were unknown. [3] In 2015, 63% of the top 30 comic creators on webcomic conglomerate Tapastic were female. [4] In 2016, 42% of the webcomic creators on WEBTOON were female, as was 50% of its 6 million active daily readers. [5] [6]
Girls with Slingshots creator Danielle Corsetto stated that webcomics are probably a female-dominated field because there is no need to go through an established publisher. ND Stevenson, creator of Nimona and Lumberjanes , noticed that webcomics predominantly feature female protagonists, possibly to "balance out" the content of mainstream media. Corsetto noted that she has never encountered sexism during her career, though Stevenson described some negative experiences with Reddit and 4Chan, websites outside of their usual channels. [8]
Oliver Sava of The A.V. Club pointed out in 2016 that there exists a growing community of black women cartoonists creating webcomics. [9]
In India, where rape of women has been a big issue in the 2010s, Indian webcomics formed a platform for artists to poke fun at patriarchy, feminism, and various other gender-related topics. According to human rights activist and webcomic creator Rachita Taneja, humor aids in communicating complex subjects to large groups of people, and the inclusiveness of webcomics makes it an excellent medium for said communication. [7] [10]
Girlamatic was a subscriber-based webcomic site founded by Joey Manley in 2003. The website's purpose was to syndicate webcomics created primarily by women and marketed primarily to women. Girlamatic included webcomics created by various well-known female webcomic artists, including Shaenon Garrity and Lea Hernandez. The syndicate had won various Lulu awards for being among the "most women-friendly and reader- friendly work in comics." [11] Writing for Comixpedia, Eric Burns voiced his worries that initiatives like Girlamatic section off and divide the webcomic community, making it less likely for male readers to come across the works of female webcartoonists. [12]
There exist a large amount of openly gay and lesbian comic creators that self-publish their work on the internet. These include amateur works, as well as more "mainstream" works, such as Kyle's Bed & Breakfast . [13] According to Andrew Wheeler from ComicsAlliance , webcomics "provide a platform to so many queer voices that might otherwise go undiscovered," [14] and Tash Wolfe of The Mary Sue has a similar outlook on transgender artists and themes. [15]
For some transgender creators, webcomics can also double as autobiographies or autobiografiction. Some of these webcomics are written and illustrated by transgender individuals, accurately depicting their thoughts and reality. [16] An example of such would be Rooster Tails.
LGBT representation in webcomics is also thought to be a form of participatory media, since it may "encourage users to contribute voices and resources, such as time and money, toward shared projects". [17] Readers of webcomics primarily containing LGBT topics also have the opportunity to undergo transformative learning. [18]
Webcomics are comics published on the internet, such as on a website or a mobile app. While many webcomics are published exclusively online, others are also published in magazines, newspapers, or comic books.
Shaenon K. Garrity is an American webcomic creator and science-fiction author best known for her webcomics Narbonic and Skin Horse. She collaborated with various artists to write webcomics for the Modern Tales-family of webcomic subscription services in the early 2000s, and write columns for various comics journals. Since 2003, Garrity has done freelance editing for Viz Media on various manga translations.
Digital comics are comics released digitally, as opposed to in print. Digital comics commonly take the form of mobile comics. Webcomics may also fall under the "digital comics" umbrella.
Webcomics Nation was a webcomic hosting and automation service launched on July 29, 2005 by Joey Manley. Unlike Manley's previous webcomic sites, Webcomics Nation was based on user-generated content and relied on online advertisement revenue, which increased in viability in the second half of the 2000s. Webcomics Nation quickly became Manley's most financially successful website, and encouraged him to turn his Modern Tales sites partially free as well. Webcomics Nation began merging into Josh Roberts' ComicSpace in 2007, but this process took longer than hoped and Webcomics Nation eventually closed down in 2013.
Girlamatic was a webcomic subscription service launched by Joey Manley and Lea Hernandez in March 2003. It was the third online magazine Manley established as part of his Modern Tales family of websites. Girlamatic was created as a place where both female artists and readers could feel comfortable and featured a diverse mix of genres. When the site launched, the most recent webcomic pages and strips were free, and the website's archives were available by subscription. The editorial role was held by Hernandez from 2003 until 2006, when it was taken over by Arcana Jayne-creator Lisa Jonté, one of the site's original artists. In 2009, Girlamatic was relaunched as a free digital magazine, this time edited by Spades-creator Diana McQueen. The archives of the webcomics that ran on Girlamatic remained freely available until the website was discontinued in 2013.
Lea Hernandez is an American comic book and webcomic creator, known primarily for working in a manga-influenced style, and for doing lettering and touch-ups on manga imports. She is the co-creator of Killer Princesses, written by Gail Simone and published by Oni Press; and the creator of Rumble Girls from NBM Publishing.
In comics, LGBT themes are a relatively new concept, as lesbian, gay, bisexual, and transgender (LGBT) themes and characters were historically omitted from the content of comic books and their comic strip predecessors due to anti-gay censorship. LGBT existence was included only via innuendo, subtext and inference. However the practice of hiding LGBT characters in the early part of the twentieth century evolved into open inclusion in the late twentieth and early twenty-first centuries, and comics explored the challenges of coming-out, societal discrimination, and personal and romantic relationships between gay characters.
In American mainstream comics, LGBT themes and characters were historically omitted intentionally from the content of comic books, due to either formal censorship or the perception that comics were for children and thus LGBT themes were somehow inappropriate. With any mention of homosexuality in mainstream United States comics forbidden by the Comics Code Authority (CCA) until 1989, earlier attempts at exploring these issues in the US took the form of subtle hints or subtext regarding a character's sexual orientation. LGBT themes were tackled earlier in underground comix from the early 1970s onward. Independently published one-off comic books and series, often produced by gay creators and featuring autobiographical storylines, tackled political issues of interest to LGBT readers.
Historically, the portrayal of lesbian, gay, bisexual, and transgender (LGBT) people in media has been largely negative if not altogether absent, reflecting a general cultural intolerance of LGBT individuals; however, from the 1990s to present day, there has been an increase in the positive depictions of LGBT people, issues, and concerns within mainstream media in North America. The LGBT communities have taken an increasingly proactive stand in defining their own culture, with a primary goal of achieving an affirmative visibility in mainstream media. The positive portrayal or increased presence of the LGBT communities in media has served to increase acceptance and support for LGBT communities, establish LGBT communities as a norm, and provide information on the topic.
Although, traditionally, female comics creators have long been a minority in the industry, they have made a notable impact since the very beginning, and more and more female artists are getting recognition along with the maturing of the medium. Women creators have worked in every genre, from superheroes to romance, westerns to war, crime to horror.
Portrayals of transgender people in mass media reflect societal attitudes about transgender identity, and have varied and evolved with public perception and understanding. Media representation, culture industry, and social marginalization all hint at popular culture standards and the applicability and significance to mass culture, even though media depictions represent only a minuscule spectrum of the transgender group, which essentially conveys that those that are shown are the only interpretations and ideas society has of them. However, in 2014, the United States reached a "transgender tipping point", according to Time. At this time, the media visibility of transgender people reached a level higher than seen before. Since then, the number of transgender portrayals across TV platforms has stayed elevated. Research has found that viewing multiple transgender TV characters and stories improves viewers' attitudes toward transgender people and related policies.
The history of webcomics follows the advances of technology, art, and business of comics on the Internet. The first comics were shared through the Internet in the mid-1980s. Some early webcomics were derivatives from print comics, but when the World Wide Web became widely popular in the mid-1990s, more people started creating comics exclusively for this medium. By the year 2000, various webcomic creators were financially successful and webcomics became more artistically recognized.
Tapas, formerly known as Tapastic and originally known as Comic Panda, is a South Korean webtoon and prose publishing website and app owned by Tapas Media, a Kakao Entertainment company. It was created by entrepreneurs Chang Kim and Young-Jun Jang in 2012, who is currently Tapas Media's CEO.
Webtoon is a South Korean webtoon platform launched in 2004 by Naver Corporation, providing hosting for webtoons and compact digital comics. The platform is free, and is found both on the web at Webtoons.com and on mobile devices available for both Android and iOS.
Assigned Male is a webcomic illustrated and written by Sophie Labelle. It draws upon her experiences as a trans girl and woman. The comic, and series of zines, address issues of gender norms and privilege. It began in October 2014 and is ongoing, published in English and French. The webcomic is released in printed anthologies on Labelle's online store.
Notable events of 2015 in webcomics.
Aarthi Parthasarathy is an Indian filmmaker and webcomic creator. Having grown up in Mumbai and living in Bengaluru, Parthasarathy is known for creating the webcomic Royal Existentials and writing for the webcomic Urbanlore. Parthasarathy became part of feminist art collective Kadak in March 2016, where she has collaborated to create Personal (Cyber) Space and Aloe Vera and The Void.
No Straight Lines is an anthology of queer comics covering a 40-year period from the late 1960s to the late 2000s. It was edited by Justin Hall and published by Fantagraphics Books on August 1, 2012.
Let's Play is a romantic comedy comic series by Leeanne M. Krecic, also known as Mongie, which is published by Rocketship Entertainment. Let's Play was published digitally on Webtoon from 2016 to 2022. It follows the romantic and professional life of Sam Young, who is discovering romance as she works on her video game development career.
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